Spaeth, Eloise | |||||||||||||||||||||||||
type | Collector | ||||||||||||||||||||||||
dates | 1902-1998 | ||||||||||||||||||||||||
city | New York City | ||||||||||||||||||||||||
state | NY | ||||||||||||||||||||||||
sex | F | ||||||||||||||||||||||||
history |
Eloise O’Mara Spaeth was an art collector, author, a traveling exhibitions chairwoman for the American Federation of Art, a deputy commissioner of the American Pavilion at the Venice Biennale, a board member emeritus of the Archives of American Art and the Guildhall of East Hampton, N.Y, and co-founder of the Spaeth Foundation. She formed an art collection with her husband, Otto Lucien Spaeth (1897-1966)—an industrialist and the vice president of the Whitney Museum of American Art. The Spaeth collection included work by, among others, Picasso, Braque, Hopper, Lambert-Rucci, Matisse, Alexander Calder, Edward Hopper, Georgia O'Keeffe, Stuart Davis and Charles Sheeler. Much of the collection was sold but a few works of art, such as Edward Hopper’s “Carolina Morning” were gifted to the Whitney Museum of American Art. |
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decades | 1940-1950 1950-1960 1960-1970 1970-1980 1980-1990 1990-2000 |
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updated | 10/31/2024 13:33:18 | ||||||||||||||||||||||||
research links |
Search FRESCO (Frick Research Catalog Online) Search Worldcat Search Library of Congress Name Authority File (LCNAF) Search Virtual International Authority File (VIAF) Search Wikidata Entry | ||||||||||||||||||||||||
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