Barnett-Aden Gallery | |||||||||||||||||||||||||
type | Dealer/Gallery | ||||||||||||||||||||||||
dates | 1943-1969 | ||||||||||||||||||||||||
city | Wahsington | ||||||||||||||||||||||||
state | DC | ||||||||||||||||||||||||
sex | n/a | ||||||||||||||||||||||||
history |
The Barnett-Aden Gallery was one of the first Black-owned galleries in the United States, founded in 1943 by Professor James V. Herring and Alonzo J. Aden in Washington, D.C. Aden and Herring were influenced by Alain Locke, whose The New Negro (1925) explored intellectual and philosophical approaches to art. Their mission was to provide exhibition space for talented artists without regard to ethnicity or national origin. Over the next 25 years, the gallery became a unique site for cross-cultural exchange, where artists, writers, musicians, and politicians of all races met for social, professional, and aesthetic discourse. By placing the work of Black artists, such as Elizabeth Catlett, Lois Mailou Jones, Alma Thomas, and Charles White, alongside honored Black predecessors, such as Henry Ossawa Tanner and Edward Bannister, the gallery validated their artistic identity and situated them within an art historical tradition. The gallery slowly began to decline in the late 1950s. With Aden's death in 1961, it was a challenge for Herring to keep it going. After Herring's death in 1969, the gallery closed. In the early 1970s there were two exhibitions of the collection at the Anacostia Neighborhood Museum (now the Anacostia Museum and Center for African American History and Culture, Smithsonian Institution) and the Corcoran Gallery of Art. The majority of the collection was acquired by the Florida Education Fund of Tampa, Florida. In 1998, it was sold to Robert L. Johnson and relocated to Washington, D.C. The collection of more than 250 pieces is now part of Johnson's Black Entertainment Television (BET) art collection. |
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decades | 1940-1950 1950-1960 1960-1970 |
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updated | 10/31/2024 13:33:25 | ||||||||||||||||||||||||
research links |
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