| Sheinbaum, Betty Warner | |||||||
| type | Collector Artist | ||||||
| dates | 1920-2017 | ||||||
| city | Los Angeles | ||||||
| state | CA | ||||||
| other cities | New York, NY; | ||||||
| sex | F | ||||||
| history |
Betty Warner Sheinbaum, an extraordinary art collector, lived her life at the intersection of art and politics, breaking away from the predictable Hollywood-royalty narrative associated with the Warner family. Born in 1920 in New York and moving to Los Angeles as a tween, she demonstrated early independence. Married first to Hollywood producer Milton Sperling and later to activist Stanley Sheinbaum, her extensive travels included a quest for the Ho Chi Minh trail during the Vietnam War, reflecting her adventurous spirit. Betty's political beliefs seamlessly integrated into her art, evident in her series on bullfighting and environmental works crafted from recycled materials. Betty's discerning eye for modern art, exemplified by acquisitions such as works by Jackson Pollock, Robert Motherwell, Willem de Kooning, Richard Diebenkorn, and William Baziotes, demonstrated her ability to anticipate and champion emerging artistic trends. The Sheinbaum collection, a testament to her artistic appreciation, also served as a philanthropic tool, funding diverse social and political causes. Living amidst a curated ensemble of art, Betty and Stanley's home became a hub for influential figures, hosting discussions on arts, literature, and politics. Betty's legacy extends beyond her role as a collector; she was a prolific painter and sculptor, utilizing unconventional techniques like blowtorches on artworks crafted from old car parts. |
||||||
| decades | 1950-1960 1960-1970 1970-1980 1980-1990 1990-2000 2000-2010 |
||||||
| updated | 11/24/2025 10:11:52 | ||||||
| research links |
Search FRESCO (Frick Research Catalog Online) Search Worldcat Search Library of Congress Name Authority File (LCNAF) Search Virtual International Authority File (VIAF) Search Wikidata Entry | ||||||
|
|||||||