The Montias Database of 17th Century Dutch Art Inventories

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Douci, Laurens Mauritsz.

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Inventory #285
Call NumberNA 3505, fol. 197
Date1669/01/18
CityAmsterdam
CountryNederland
TypeNotarial
Purposedeath inventory
Family NameDouci
Owner NameDouci, Laurens Mauritsz.
Life Dates1606 |d 1669
OccupationArtisan |a Armorer
ResidenceAmsterdam
IntroductionInventaris der schilderyen ...by wylen Laurens Mauritsz. Douci metter doot ontruymt...taxatie door Srs. Ferdinandus Bol en Gerrit Uylenburgh
CommentaryAccording to an article published by S.A.C. Dudok van Heel in Maandblad Amstelodamum on Cornelis Brise, Laurens Maurits Douci (1606-1669) was an armor maker (p.14). Dudok van Heel singled out the presence in the inventory of a banquet by Brise (R 7432 of Montias2) because Brise, according to Houbraken, was a specialist in the depiction of armor. On 9 June 1661, Barent Cornelisz., 51, Allart van Everdingen, 39, Willem Kalff, 39, and Jacob van Ruisdael, 32, made a deposition at the request of Sr. Laurens Mauritsen Doucy. They declared that they had gone to the residence of the requirant (Doucy) and there inspected a painting of a sea shore with a few rocks that the requirant had bought from Abraham de Cooge of Delft. Barent Cornelisz. declared that the ships, staffage, sky, and boats had mainly been painted not by Porcellis but by Hendrick van Anthonisz. of R 23267. Ruisdael said that the painting may have been begun by Porcellis but that it was inappropriate to attribute it to him. Everdingen and Kalff declared that Porcellis did not paint any part of the painting (Bredius in Oud Holland 6(1888), pp.21-2). Barent Cornelisz. was called Kleeneknecht. He was also a ship's carpenter and a shipper on inland waterways (for his death inventory of 1-3 February 1674, see Bredius, Künstler-inventare pp.349-352). There are six paintings attributed to Porcellis in the present Douci inventory. On 13 March 1666, the painter Jacob Colijns (son of David Colyn), 52, declared at the request of Laurens Maurissen Doucy that a certain painting in Doucy's possession representing a beach scene by the painter Porcellis was only a copy. He had seen the original in his father's house. The copy had been made by Set Cornelisz. Schanck from Dortheim (Bredius, Künstler-inventare, p. 1097). On 20 August 1667, the painter Johannes Collaert and his wife Petronella van der Cley (presumed to be the daughter of Paulus van der Cley of R 43863) declared themselves sureties for a sum of 373 f. that the painter Emanuel de Wit owed to Sr. Laurens Mauritsz. Doucy (for details see the NOTES to R 43863) (Oud Holland 4(1886), p.301). On 13 November 1670, several witnesses declared at the request of Nelletge (Petronella) van der Kley, wife of Johannes Collaert, painter, that 5 or 6 years ago, at the house of Laurens Maurits Doucy, who, when he was alive, lived on the Overthoom in the banne of Amsterveen, they had seen a painting of Emanuel de Wit representing the New Fish Market of the city of Amsterdam, within which was painted the widow of Joris de Wijs, notary. A framemaker declared that he had seen it two years ago and made an ebony frame for it. On the same day, Pieter de Hoogh, 40, living in the Conijnestraet, declared at the request of the widow of Johannes Collaert that he had been in the house of the Requirante (the widow of Joahannes Collaert) three years ago and there heard and seen that Laurens Doucy, the son of Laurens Mauritsen Doucy, had sold the painting by Emanuel de Wit representing the New Fish Market, to the husband of the Requirante, Johannes Collaert. Pieter de Hoogh added that about 2 years ago he had seen the painting along with Sr. Wijbrant van Portengen, clerk of the Desolate Boedelskamer, who was married to the daughter of the late Joris de Wijs, in the house of the Requirante (Jacobus Hellerus Not., cited in Oud Holland 7(1889), p.166). Note that there were six paintings by De Witte in the Douci inventory. A man named Maurits Douchy, who was said to be 28 in a deposition about Lucas de Clercq, may have been another son of Laurens Maurits Douci (NA 694B, Not. J. Warnaerts).
NotaryG. van Breugel
AppraiserFerdinand Bol and Gerrit Uylenburgh
Art Value2600 |d
# of Items124
Montias1 #202
First  Record 76 - 100 of 125  Last
Lot Type Artist Title Subject Verbatim Entry
0075 SEGHERS, HERCULES een lantschap van Hercules Seghers f 10:--:--
0076 BROUWER, ADRIAEN een luyser van Brouwer f 3:--:--
0077 PYNAS, JACOB SYMONSZ. een besnydenis Christi int graeuw van Jacob Pynas f 3:--:--
0078 COLLAERT, JOHANNES een sparreboom van Colaert f 12:--:--
0079 HEER, GERRIT ADRIAENSZ. DE een lantschap van de Heer
0080 BROUWER, ADRIAEN een zinger van Brouwer f 6:--:--
0081 [ANONYMOUS] een Doctor Faucis f 1:--:--
0082 GOOR, STEVEN JANSZ. VAN een lantschapje van van Goor f 5:--:--
0083 HEER, GERRIT ADRIAENSZ. DE een lantschapje van de Heer f 5:--:--
0083 HEER, GERRIT ADRIAENSZ. DE een lantschapje van de Heer f 5:--:--
0084 VLIEGER, SIMON DE een lantschapje van de Vlieger f 8:--:--
0085 BROUWER, ADRIAEN een graeutie van Brouwer f 3:--:--
0086 MOLIJN, PIETER DE een battalje van Pieter Molyn f 6:--:--
0087 RUISDAEL, JACOB ISAACKSZ. VAN een Haerlempje van Ruysdael f 24:--:--
0088 [ANONYMOUS] een nachtstuckje van boeren en boerinnen f 3:--:--
0089 VLIEGER, SIMON DE een lantschapje van de Vlieger f 6:--:--
0090 VLIEGER, SIMON DE een dito [lantschapje van de Vlieger] f 6:--:--
0091 WITTE, EMANUEL DE een stuck van Emanuel de With f 36:--:--
0092 GOOR, STEVEN JANSZ. VAN een bosje van van Goor f 15:--:--
0093 RUISDAEL, JACOB ISAACKSZ. VAN een waterval van de jonge Ruysdaelen f 42:--:--
0094 HALS, FRANS een conterfeytsel van Frans Hals f 15:--:--
0095 EVERDINGEN, ALLART VAN een waterval van Everdingen f 25:--:--
0096 EVERDINGEN, ALLART VAN een lantschap van Everdingen f 12:--:--
0097 EVERDINGEN, ALLART VAN een dito [lantschap] van dito [Everdingen] f 15:--:--
0098 KICK, CORNELIS blomme van Kick f 36:--:--
First  Record 76 - 100 of 125  Last