The Montias Database of 17th Century Dutch Art Inventories
Corenbreeck, Pieter Corssen |
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Inventory # | 271 | |
Archive | Gemeentearchief Amsterdam | |
Call Number | 568 fol. 107 and foll. | |
Date | 1629/07/13 | |
City | Amsterdam | |
Country | Nederland | |
Type | Notarial | |
Purpose | death inventory | |
Family Name | Corenbreeck | |
Owner Name | Corenbreeck, Pieter Corssen | |
Life Dates | 1581 |d 1629/05/14 | |
Marriage Date | 1602/06/21 | |
Occupation | Merchant (largescale) |a Wine, brandy | |
Residence | aent Niewesyts kerckhoff in Amsterdam | |
Religion | Roman Catholic | |
Introduction | Specificatie van alle den huysraet imboel schilderyen ende silverwerck nagelaten by z. Pieter Corssen Corenbreeck sulcx hij die selve metter dood deser werelt ontruymt heeft. Postscriptum: Aldus gespecificeert in Amsterdam in den sterfhuyse van de voors. Pieter Corssen gestaen aent Niewesyts kerckhoff op huyden den 13 july 1629 | |
Commentary | Pieter Corssen (Coorenbreeck) was the son of Cornelis Pietersz. (Coorenbreeck), who in turn was the son of Pieter Gysbertsz. Plemp. His uncle (the brother of Cornelis Pietersz.) was Gysbert Pietersz. Plemp, married to Bely Cornelis (the daughter of Cornelis Cornelisz. Plemp). His cousin (the son of Gysbert Pietersz. and Bely Cornelis) was the poet and lawyer Cornelis Gysbrechtsz. Plomp of R 21978 of Montias2. Pieter Corssen, born about 1581, wine dealer on the N.Z. Kerkhof, was betrothed to Mary Jans van Marcken on 21 June 1602. She was the daughter of Jan van Marcken Doedesz. and of Maria Jacobs Nobel (I. van Eeghen in De Navorscher 92(1950), p.147). Pieter Corssen Corenbreeck was a member of Rhetorical Camer In Liefde Bloijende in 1616 (Oud Holland 22(1904), p.41). In 1631, the son of Pieter Cortsz. Corenbrech, who was recognized by the Orphan Chamber, paid a tax of 30 f. (Kohier fol. 312vo, p.72.) On the family portraits, see R 6849, 6850, and 6851 and R 6862 of Montias2. Andries Hollesloot, whose portrait was also in the inventory, was the father of Duyfgen Andries. Andries Boelens Jansz. Hollesloot, schout in 1573 (before the Alteration), was removed because of his R.C. religion in 1579, and died on 26 January 1619 (Elias, Vroedschap, p. 305). The portrait of de oude Jan Hollesloot in R 7130 of Montias2 may be that of Jan Ysbrantsz. Hollesloot, who died in March 1555, the father of Andries Boelens Jansz. Hollesloot (ibid.) Among the books: Catholike sermoenen. There is little doubt that the Hollesloot and Corenbreeck families remained loyal to the old Catholic faith. | |
Notary | L. Lamberti | |
# of Items | 93 | |
Montias1 # | 188 |
Lot | Type | Artist | Title | Subject | Verbatim Entry |
---|---|---|---|---|---|
0022[a] | painting | [ANONYMOUS] | conterfeijtsel van vader | PORTRAITS -- KNOWN PERSONS |
noch twe conterfeijtsels van vader ende stiefmoeder
|
0022[b] | painting | [ANONYMOUS] | conterfeijtsel van stiefmoeder | PORTRAITS -- KNOWN PERSONS |
noch twe conterfeijtsels van vader ende stiefmoeder
|
0023[a] | painting | [ANONYMOUS] | conterfeijtsel van bestevaer | PORTRAITS -- KNOWN PERSONS |
noch twe conterfeijtsels van bestevaer ende bestemoer
|
0023[b] | painting | [ANONYMOUS] | conterfeijtsel van bestemoer | PORTRAITS -- KNOWN PERSONS |
noch twe conterfeijtsels van bestevaer ende bestemoer
|
0024 | painting | [ANONYMOUS] | fruijtschilderytge | STILL LIFE |
een fruijtschilderytge
|
0025 | painting | [ANONYMOUS] | boer gesmeten van wijff en moer | GENRE |
een schildery van een boer die gesmeten wort van wijff en moer
|
0026 | painting | [ANONYMOUS] | Thamar | OLD TESTAMENT |
een schilderijtgen van Thamar sonder lijst
|
0027 | painting | [ANONYMOUS] | boer gesmeten van wijff en moer | GENRE |
een schildery van een boer die gesmeten wort van wijff en moer
|
0028 | painting | [ANONYMOUS] | geckxtronie | FACE |
een geckxtronie sonder lyst
|
0029[a] | painting | [ANONYMOUS] | vrou tronie | FACE |
een vrou en mans tronien sonder lyst
|
0029[b] | painting | [ANONYMOUS] | mans tronie | FACE |
een vrou en mans tronien sonder lyst
|
0030 | map | [ANONYMOUS] | [untitled] | MAP, GLOBE, ATLAS |
een cleijn caertgen
|
0031 | painting | [ANONYMOUS] | Nabuchodonosor | OLD TESTAMENT |
een oude schildery van Nabuchodonosor
|
0032 | painting | [ANONYMOUS] | de geboorte | NEW TESTAMENT |
een schilderij van de geboorte
|
0033 | painting | [ANONYMOUS] | ecce homo | NEW TESTAMENT |
een ecce homo
|
0034 | probably a print | BRUEGEL, PIETER (I) | de blaeuwe huyck | GENRE |
een out papierbortgen van de blaeuwe huyck
|
0035[a] | painting on or carving of alabaster | [ANONYMOUS] | [untitled] | UNKNOWN SUBJECT |
twe albestere bortgens
|
0035[b] | painting on or carving of alabaster | [ANONYMOUS] | [untitled] | UNKNOWN SUBJECT |
twe albestere bortgens
|
0036 | print ? | [ANONYMOUS] | de passie | NEW TESTAMENT |
een papiere bortgen van de passie
|
0037 | painting | [ANONYMOUS] | contrefeijtge van vader | PORTRAITS -- KNOWN PERSONS |
een ront contrefeijtge van vader
|
0038[a] | painting | [ANONYMOUS] | [untitled] | UNKNOWN SUBJECT |
twe cleijne vierkante bortgens
|
0038[b] | painting | [ANONYMOUS] | [untitled] | UNKNOWN SUBJECT |
twe cleijne vierkante bortgens
|
0039 | painting | [ANONYMOUS] | tronie van Koornhert | FACE |
een tronie van Koornhert
|
0040 | painting | [ANONYMOUS] | lieve vrouw in de rosecrans | NEW TESTAMENT |
een lieve vrouw in de rosecrans
|
0041 | painting | POT, HENDRICK GERRITSZ. | bancket | STILL LIFE |
een bancketschilderijtgen van Hendrick Gerrits van Haarlem
|