Archives Directory for the History of Collecting in America

Archives related to: Pulitzer, Joseph, 1913-1993

titleJoseph Pulitzer interview, 1985 July 9.
repositoryArchives of American Art
descriptionAn interview of Joseph Pulitzer conducted by Sue Ann Kendall for the Archives of American Art.
extent2 sound cassettes (27 p. transcript)
formatsSound Recording Transcript
accessContact repository for restrictions and policies.
record sourcehttp://www.siris.si.edu/
acquisition informationThis interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
updated03/16/2023 10:29:53
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titleJoseph Pulitzer lecture, 1988 Apr. 16.
repositoryArchives of American Art
descriptionThis interview is part of the Archives' Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and others.
extent1 sound cassette.
formatsSound Recording
accessContact repository for restrictions and policies.
record sourcehttp://www.siris.si.edu/
acquisition information1 sound cassette.
updated11/12/2014 11:29:50
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titleJoseph Pulitzer interview, 1978 Jan. 11.
repositoryArchives of American Art
descriptionInterview of Joseph Pulitzer conducted by Dennis Barrie for the Archives of American Art.
extent2 sound cassettes (27 p. transcript)
formatsSound Recording Transcript
accessContact repository for restrictions and policies.
record sourcehttp://www.siris.si.edu/
updated11/12/2014 11:29:50
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titleStephen Greene papers, 1945-1969.
repositoryArchives of American Art
descriptionPainter; New York. Died Nov. 18, 1999, at age 82. Studied at the National Academy of Design and the Art Students League and with Philip Guston. Taught at Princeton Univ., Tyler School of Art of Temple Univ., and the Art Students League. Students included Frank Stella. Spent four years at the American Academy in Rome.

Letters, including those received from R. Kirk Askew, Perry Rathbone, Joseph Pulitzer, and Lillian Hellman; material concerning exhibitions such as catalogs, notices, and lists of collections; photographs and slides; articles and addresses by Greene.
extent125 items (on partial microfilm reel).
formatsMicrofilm Ephemera
accessPatrons must use microfilm
record linkhttp://www.aaa.si.edu/collections/stephen-greene-papers-8265
record sourcehttp://www.siris.si.edu/
acquisition informationOriginals returned to lender, Stephen Greene, after microfilming./ Lent for microfilming 1970 by Stephen Greene.
updated11/12/2014 11:29:50
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titleAmerican Committee of the Statue of Liberty records, 1875-1901.
repositoryArchives of American Art
descriptionAmerican Committee of the Statue of Liberty records,
1875-1901.

Correspondence between Frederic Auguste Bartholdi and members of the committee including Richard Butler, William M. Evarts, and Henry F. Spaulding. Also, a few letters from Joseph Pulitzer and J. W. Pinchot. In addition, there is a proposal for the erection of the statue, and clippings and miscellany relating to the project.

Co-Creator: Evarts, William Maxwell, 1818-1901
Pinchot, James W., 1831-1908
Pulitzer, Joseph, 1913-
Spaulding, Henry F.
Bartholdi, Frédéric Auguste, 1834-1904
Butler, Richard
extentca. 150 items (on partial microfilm reel) reel N24 (frames 163-562)
formatsCorrespondence Ephemera
accessContact repository for restrictions and policies.
record sourcehttp://www.siris.si.edu/
acquisition informationOriginals in the New York Public Library, Manuscript Division./ Microfilmed 1956 by the Archives of American Art with other art-related papers in the Manuscript Division of the New York Public Library. Included in the microfilming project were selected papers of the Art Division and the Prints Division.
updated11/12/2014 11:29:50
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titlePapers of Joseph Pulitzer, 1897-1958 (bulk 1925-1955).
repositoryLibrary of Congress
descriptionFamily and general correspondence, subject and business files, and personal financial papers relating primarily to Pulitzer’s editorship of the St. Louis Post-Dispatch and contain material on nearly every aspect of the operation and production of the newspaper, including its working philosophy, internal business management, and editorial policies. Includes extensive files of correspondence between Pulitzer and his editorial and reporting staffs and other journalists, as well as his correspondence with local St. Louis and national government officials.

There is also extensive material relating to his personal and family life and to his great interest in hunting and fishing. Other topics include Pulitzer’s interest in Nazi concentration camps, Joseph Pulitzer, Sr., the Pulitzer estate, and the administration of the Pulitzer Prize.

Correspondents include Paul Y. Anderson, Bernard M. Baruch, Oliver Kirby Bovard, Raymond P. Brandt, Richard Evelyn Byrd, Norman Chandler, Marquis William Childs, James Bryant Conant, Raymond L. Crowley, Dwight Filley Davis, Frederick Trubee Davison, Irving Dilliard, Cyrus Stephen Eaton, Ernest Gruening, Jesse H. Jones, David Lawrence, Walter Lippmann, Agnes Elizabeth Ernst Meyer, Eugene Meyer, Ogden Livingston Mills, Charles Nagel, Adolph S. Ochs, Joseph Medill Patterson, Benjamin Harrison Reese, Charles G. Ross, Franklin D. Roosevelt, Wesley Winans Stout, Arthur Hays Sulzberger, Herbert Bayard Swope, Stuart Symington, Norman Thomas, Arthur H. Vandenberg, Oswald Garrison Villard, Sumner Welles, and John N. Wheeler.

Biographical and Historical Notes
Newspaper editor and publisher.
extent67,500 items, 193 containers, 163 microfilm reels.
formatsMicrofilm Correspondence Business Papers Subject Files Financial Records
accessContact repository for restrictions and policies.
record linkhttp://lccn.loc.gov/mm76075797
record sourcehttp://catalog.loc.gov
finding aidFinding aid available in the Library of Congress Manuscript Reading Room.
acquisition informationGift, Elizabeth Edgar Pulitzer, 1974.
updated11/12/2014 11:29:59
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titleOtto and Ilse Gerson papers, 1933-1980.
repositoryArchives of American Art
descriptionRecords relating to galleries owned and operated by the Gersons, including Fine Arts Associates, Gerson Gallery, and the Marlborough-Gerson Gallery.
Among the correspondence with clients, museums, dealers and artists are a 1937 letter from Ernst L. Kirchner to dealer Curt Valentin, letters from Gerhard Marcks, a 1962 letter from Otto to Ilse about improving their life together, a letter detailing cash flow of the estate, and congratulatory letters to Ilse on her retirement from Marlborough-Gerson Gallery.

Also includes estimates and invoices for sales of art works, as well as files on Paul Cezanne, Fernand Leger, Jacques Lipchitz, David Smith, Joseph M. Turner, and Fritz Wotruba containing correspondence, financial and sales records and printed material. The Lipchitz file includes a 1942 letter from Lipschitz to Joseph Hirshhorn. Files on collectors Walter Bareiss, Mr. and Mrs. Harry Lynde Bradley, Ralph F. Colin, Joseph Hirshhorn, Herbert Klotz, the Georg-Kolbe Museum, Alvin S. Lane, John A. MacAulay, May D. Morton, Joseph Pulitzer, and the Uris Brothers Foundation contain correspondence, purchase invoices, market value affidavits, photographs of works, and a list of collectors of Georges Braque bronzes.

A file on the Dina Vierny Gallery (Paris) contains correspondence relating to sales of works by Constantin Brancusi, Fernand Leger, Aristide Maillol and others. Additional business records include certificates of authenticity for works by Georges Braque, Paul Cezanne, Pablo Picasso, and others; purchase and sale records (1948-1963); a sales ledger; balance sheets; audit reports for Fine Arts Associates and Otto Gerson Gallery; merger agreement and related correspondence between Gerson Gallery and Marlborough Gallery; tax return for XYZ Liquidating Corporation; inventories; a stock book; stock lists; and stock cards recording the names of buyers, sellers, and prices. Photographs show the galleries, art works, and the Gersons. Other materials consist of exhibition catalogues, clippings and Ilse Gerson's will.

Language Note: Letters from Marcks and Kirchner are in German.
Correspondence in the Dina Vierny Gallery file is mainly in French.

Co-Creator: Smith, David, 1906-1965
Bareiss, Walter
Bradley, Harry Lynde, Mrs
Colin, Ralph F., 1900-1985
Hirshhorn, Joseph H.
Klotz, Herbert, 1917-1986
Lane, Alvin S.
MacAulay, John A., b. 1895
May, Morton D., 1914-
Pulitzer, Joseph, 1913-
Gerson, Ilse, 1901-1980


extent2.8 linear ft. reels 4049-4053
formatsBusiness Records Photographs Financial Records Exhibition Catalogs
accessPatrons must use microfilm copy.
record sourcehttp://www.siris.si.edu/
acquisition informationLaurence Schmeckebier, who appraised Ilse Gerson's estate for Indian Head Bank North, suggested that the papers be given to the Archives of American Art. Some artists' files appear to be missing as only six files have been located. The bank's representative has no knowledge of the whereabouts of any additional material.
updated11/12/2014 11:30:01
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titleRichard Serra lecture, 1988 Apr. 16.
repositoryArchives of American Art
descriptionA lecture delivered by Richard Serra at the Fogg Art Museum in conjunction with the opening of its exhibition of the Joseph Pulitzer Collection.

Bio / His Notes:
Sculptor; New York, N.Y.
extent1 sound cassette.
formatsSound Recording
accessUntranscribed; use requires an appointment. ACCESS RESTRICTED; written permission required.
record sourcehttp://www.siris.si.edu/
acquisition informationDonated 1988 by Richard Serra
updated11/12/2014 11:30:01
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titleThe Fototeca Berenson (Villa I Tatti Photo Archives)
repositoryBiblioteca Berenson, Villa I Tatti
descriptionThe collection contains about 300,000 photographs, many of them collected by Berenson himself from the 1880s until the time of his death in 1959. Many have notes on the back in his handwriting. Many show works of art before restoration, and others show images since destroyed.

An important section, "Homeless paintings", contains photographs of works whose current location is unknown. The photographs are almost exclusively black and white in a variety of photographic media, such as albumen, gelatine, or carbon.

About 3000 large-format photographs are stored separately. In addition, there is a considerable amount of documentary material in the form of clippings, notes and printed reproductions.

The photographs are arranged according to Berenson's original scheme, by school: Florence, Siena, Central Italy, Northern Italy, Lombardy, Venice, Southern Italy. Within each school they are arranged by artist, then by topography, followed by homeless. Paintings and drawings are arranged separately.

The main focus of the collection is on Italian painting and drawing from the mid-thirteenth to the mid-sixteenth centuries. This part of the collection continues to be developed through the acquisition of new materials and through photographic campaigns. Later periods are also represented but in smaller scale, without systematic updating.

There is also material on medieval painting, arranged topographically; manuscript illumination, arranged according to present location; archeology; Byzantine art and architecture, arranged both by artist and by location; and non-Italian art, arranged by country. Finally a section of 8000 photographs is devoted to the art of the Far East, India and Islam.

In addition to the original Berenson nucleus, collections of prints, glass plates, negatives and transparencies have entered the Fototeca.

These include the collections of Emilio Marcucci (nineteenth-century projects for the completion of various Florentine monuments), George Kaftal (representations of saints in Italian painting of the fourteenth and fifteenth centuries), Henry Clifford (painting thirtheenth to seventeenth centuries), Giorgio Castelfranco (Italian art thirteenth to twentieth centuries), Giannino Marchig (restoration), Frederick Hartt (Michelangelo, Giulio Romano), Giuseppe Marchini (Italian art and stained glass), and Craig H. Smyth (Renaissance painting and drawing).

There is a small collection of micropublications and microfiche (162,386 frames): L=index photographique de l'art en France (95,648); Sotheby's Pictorial Archive - Old Master Paintings (45,472); Christie's Pictorial Archive Italian School (9,898); Christie's Pictorial Archive - New York 1977-95 Old Master Paintings & Drawings (11,368). The microfilm of the Bartsch Corpus comprises about 42,000 frames.

Notes
Most photographers not identified.

extent300,000 + photographs
formatsPhotographs Reproductions Microfilm Artist Files
accessContact Ilaria Della Monica the archivist at the Berenson Library for restrictions and appointments.
record linkhttp://via.lib.harvard.edu/via/deliver/advancedsearch?_collection=via
record sourcehttp://itatti.harvard.edu/
finding aidCurrently, there is no catalog of the photographs at Villa I Tatti. In some cases, Artist Files, can be found school (i.e. Venetian, Lombard, Northern Italy, Central Italy, etc. . .) and some are cataloged in Harvard's online catalog, HOLLIS.
acquisition informationOriginally formed by Bernard Berenson the Library continues to add to the file.
updated11/12/2014 11:30:10
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