Archives Directory for the History of Collecting in America
Archives related to: Winston, Harry Lewis
| title | Lydia and Harry Lewis Winston papers, 1900-1965 and [undated]. | repository | Archives of American Art |
| description | Records of the Winston collection of contemporary American and European art; and a copy of the catalog of the Winston collection. REELS D214-D221: Correspondence with museums, dealers and artists; a card file on artists in the Winston collection, giving biographical and bibliographic information; photographs; exhibition catalogs; clippings; and articles on the artists. Among the correspondents are Alexander Calder, Josef Albers, Alfred Stieglitz, Giacomo Balla, and Umberto Boccioni. REEL 3482: A copy of the catalog of the Lydia and Harry Lewis Winston Collection, 152 p. |
| extent | 7.0 linear ft. (on 9 microfilm reels) reels D214-D221 & 3482 |
| formats | Correspondence Catalogs Photographs Ephemera |
| access | Contact repository for restrictions and policies. |
| record link | n/a |
| record source | https://www.aaa.si.edu/collections/lydia-and-harry-lewis-winston-papers-9381 |
| finding aid | Patrons must use microfilm copy. |
| acquisition information | Material on reels D214-D221 lent for microfilming 1966; material on reel 3482 donated 1973 by Lydia Winston Malbin. |
| updated | 06/08/2023 16:42:16 |
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| title | Rose Fried Gallery Records, 1936-1972, bulk 1945-1970 | repository | Archives of American Art |
| description | Correspondence, printed material, photographs, artists' files. REEL N69-37: Correspondence; exhibition catalogs; the history of the gallery; and photographs from files on artists. REELS 2200-2209: Files on artists containing correspondence, printed material and photographs of the artist and their work; correspondence with clients; museums, galleries and about general business. REELS 2200-2209: Files include Reel 2200: Samuel Adler, Reel 2200-2201: Abe Ajay, Reel 2201: Albright-Knox Art Gallery, Alcopley, Stephen Andrews, Ronald Arnholm, Jean Arp, Art Association of Newport, Rhode Island, Hugo Asbach, Olle Baertling, David Bakalar, Giacoma Balla, Stanley Bate, Mark Baum, Harold Baumbach, Herbert Bayer,Bruce Beasley, Jacques Besner, Joseph Binder, Birla Academy of Art and Culture,Calcutta, Ilya Bolotowsky, Stanley Boxer, Lawrence Bloedel, Louise Bourgeois, Reel 2201-2202: Eve and Harper Brown, Reel 2202: Carl Buchheister, Erick Buchholz, Jacques Cammas, C. Carra, Clarence Carter, Avinash Chandra, Hsaio Chin, Pierre Clerc, Dr. John Cook, Corcoran Gallery of Art, Joseph Cornell, Margaret Cox, Sergio Dangelo, Pierre Daura, Mr. and Mrs. Lee Day, Anita De Caro, de Chirico, Suzanne de Coninck, Robert and Sonia Delaunay, John de Menil, Blanche Dombek, Piero Dorazio, Katherine S. Dreier, Dunkelman Gallery, Dorothy Edinburg, Ronnie Elliot, R.C. Ellis, Max Ernst, Reel 2202-2203: Sorel Etrong, Reel 2203: John Ferren, Guillermo Fernadez, Adolf Fleischmann, Helen Frankenthaler, Lewis Galantiere, Geigy Chemical Corporation, Emile Gilioli, Albert Gleizes, Goldowsky Gallery, Arshile Gorky, Donald S. Graham, John Graham, Juan Gris, Jacob Grossberg, Jose Guevara, Solomon R. Guggenheim Museum, Philip Guston, James Guy, Nonie Hahn, Hanover Gallery, John Hansegger, Elizabeth Harms,Jacqueline Harvey, Raoul Hausmann, Joseph H. Hazen, Raymond Hendler, Edward B. Henning, Kay Hillman, Joseph H. Hirshhorn Collection, Jan Hoodwij, Reel 2204: Murray Israel, Wassily Kandinsky, Karsakaya, Paul Katz, Lillian Kiesler, Paul Klee, Kosnick Kloss, Frans Krajcberg, Krannert Art Museum (University of Illinois), Juro Kubicek, Das Kunstwerk, Francois Kupka, Arnaldo Lacagnina, Joseph Lacasse, Fred Laros, Ibram Lassaw, Lefebre Gallery, Lucien Lefebvre-Foinet, Fredinand Leger, Landes Lewitin, Ariadma Liebau, El Lissitzky, Los Angeles CountyMuseum, Lowe Art Gallery, Reel 2205: Stanton MacDonald-Wright, Jean Albert McEwen, Elizabeth McFadden, Kasimir Malevich, P. Mansauroff, Leo Manso, Adele Manus, Arnold Maremont, Knox Martin, Leonide Massine, Henri Matisse, Pierre Matisse Gallery Corporation, Metzinger, J. Pindyck Miller, Joan Miro, Berenice Mittell, Piet Mondrian, Museum of Modern Art, New York University, Ben Nicholson, Old Chatham, N.Y. (Fried's summer gallery, The Barn), Lawrence B. Olds, Joaquin Peinado, Gertrude Perrin, Mr. and Mrs, Walter Pharr, Reel 2005-2206: Francis Picabia, Reel 2206: Pablo Picasso, David Porter, Kevin Quinlivan, Walter Quirt, Carl Rabus, Theodore Racoosin, Mr. and Mrs. John Rawlings, Robert Reid, Rhode Island School of Design, Mrs. Charles Russell, Salvatore, Joseph Schillinger, Oscar Schlemmer, Day Schnabel, Schwarz, Kurt Schwitters, Segy Gallery, William C. Seitz, Michel Seupher, Gino Severini, Ken Shopen, Signori, Dr. Howard Sirak, Mario Sironi, Ann Soloway, Ary and Frances Stillman, Racelle Strick, Dario Suro, Reel 2207: Alice Terry, Roger-Francois Thepot, Yvonne Thomas, J. Walter Thompson, Mark Tobey, Augusto Torres, Horatio Torres, Joaquin Torres-Garcia, Mrs. Roderick Tower, Pat Trivigno, XXe Siecle (Societe Internationale d'art), Nina Tryggvadottir, University of Notre Dame, Philip Van Brunt, Theo van Doesburg, Reel 2207-2208: George Vantongerloo, Reel 2208: Van Velde, Roger Vieillard, Jacques Villon, Esteban Vincente, Carel Visser, Lawrence von Barann, Paul Von Ringelheim, Charmion von Weigand, Walker Art Center, Guillerme Weidemann, York Wilson, Harry and Lydia Winston, Ella Winter, George Edgar Woodman, Jean Xceron, Yale University Art Gallery, Sidney Yates, E. Yepes, Adja Yunkers, Reel 2209: Sam and Ayala Zacks, Florence Zetlin, and Richard Ziesler. UNMICROFILMED: Untranscribed interviews, including two tapes (5") containing interviews of Rose Fried and Benjamin Cunningham, undated; and an interview of Olle Baertling, 1967 on 1 tape (7"). |
| extent | 7.4 linear ft. (on 10 microfilm reels) reels N69-37 & 2200-2209 |
| formats | Correspondence Photographs Interview Electronic Resource |
| access | Patrons must use microfilm copy. Use of untranscribed interviews requires an appointment and is limited to AAA's Washington, D.C. office. |
| record link | https://sirismm.si.edu/EADpdfs/AAA.rosefrig.pdf |
| record source | https://www.aaa.si.edu/collections/rose-fried-gallery-records-5539 |
| acquisition information | The Rose Fried Gallery Records were donated by Rose Fried and her brother and executor Paul Fried in multiple accretions between 1968 and 1974. |
| updated | 06/08/2023 16:42:22 |
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| title | Filippo Tommaso Marinetti correspondence and papers, 1886-1974. | repository | The Getty Research Institute |
| description | The largest portion of Marinetti correspondence and papers consists of letters and submissions directed to Marinetti (Series I and II), first as editor of "Poesia" and later as the leader of the futurist movement and publisher of the book series "Edizioni futuriste di Poesia." These letters, together with those from Marinetti (Series III) to an often unnamed correspondent ("Mon ami"), demonstrate how Marinetti stimulated debate about his movement in part by sending queries to a broad range of international literary figures regarding free verse or the futurist manifestos. He also critiques the writing submitted to him according to futurist criteria, and warmly praises pieces that meet his idiosyncratic standards. His correspondents, in turn, praise or critique Marinetti’s writing. Of particular interest are conflicted responses to the first futurist manifesto in 1909. Letters from fellow futurists, such as Carlo Carra, Umberto Boccioni, Francesco Cangiullo, and Fortunato Depero, reveal wranglings internal to the movement, as well as the zeal with which they pursued their shared aims. After the First World War, letters are concerned with politics, and during the fascist years, many regard requests for government funding for individual futurist artists. Finally, following Marinetti’s death, letters directed to Benedetta or Scrivo pertain to preservation of the futurist legacy, despite the stain of fascism, through retrospective exhibitions, anthologies, and conferences. Writings by Marinetti (Series IV) include a few manuscripts from futurism’s first phase, such as a handwritten theatrical synthesis "Donna + Amici = Frente" and three handwritten parole, but most of the writings date from after 1930. These include many prefaces to the books of fellow futurists, lectures and essays on aeropainting, and clippings from "Autori e Scrittori." Circulars from Agenzia Letteraria Artistica (Series VII) contain manifestos and declarations in a newsletter format. Biographies (Series V), drawn from newspaper articles, reference books or manuscripts, present official and personal accounts of Marinetti’s life; photographs (Series VI) offer a complementary visual summary. Letters to Alberto Cappa (Series VIII), Benedetta’s brother, consist largely of letters from Benedetta about her mother or brother’s health, with some details about her travels with Marinetti. |
| extent | 8.5 linear ft. (16 boxes) |
| formats | Correspondence Writings Research Files |
| access | Open for use by qualified researchers. |
| record link | http://hdl.handle.net/10020/cifa850702 |
| record source | https://primo.getty.edu/permalink/f/19q6gmb/GETTY_ALMA21126836940001551 |
| acquisition information | Marinetti correspondence and papers is assembled from various small collections acquired between 1984 and 1989, originally drawn from the Marinetti family archive and the papers of Luigi Scrivo, Marinetti’s personal secretary beginning around 1930. |
| updated | 07/28/2023 16:33:47 |
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