Archives Directory for the History of Collecting in America
Archives related to: Poses, Jack I
title | Alfred H. Barr, Jr. Papers, 1927-1984 |
repository | The Museum of Modern Art |
description | The Alfred H. Barr, Jr. Papers are composed of files kept during Barr's tenure at the Museum of Modern Art, including personal and professional correspondence with museum officials, curators, writers, historians, critics, art associations, foundations, magazines, artists, and collectors such as John Canaday, Stanton Catlin, Camilla Gray, René d'Harnoncourt, John Hightower, Roland Penrose, and James Thrall Soby. Office files cover staff, exhibitions, publications and collections of MoMA, and abstract art, cubism and futurism (some related to Barr's book Cubism and Abstract Art, 1936.) There are files present on the Foundation for Arts, Religion and Culture (ARC), Barr's travels, lectures, speeches, exhibitions, publications, political controversies, and artists and collections in the U.S.S.R.; writings, including travel notebooks regarding his trip to Russia, 1959, visits with Pablo Picasso, 1956, and Henri Matisse, 1952; exhibition catalogs, clippings and printed material; and photographs. Also included are materials collected by Margaret Scolari Barr, including Alfred's obituaries, A Memorial Tribute, 1981, an invitation and guest list to the memorial service, and condolence letters; and photocopies of autograph letters, ca. 1920s-1970s, from the Barr collection sold to Arthur A. Cohen in 1975. There are letters from Jack I Poses. Biographical Note Alfred H. Barr, Jr. spent nearly his entire professional career with The Museum of Modern Art; following is brief chronology of his decades-long association with the Museum. Location MoMA Museum Archives |
extent | 95 linear ft. (55 boxes) |
formats | Administrative Records Correspondence Ephemera Writings Subject Files |
access | The records are open for research and contain few restricted materials. Contact museum archivist for an appointment. |
record link | http://moma.org/research/archives/EAD/Barrf.html |
record source | https://library.nyarc.org/permalink/01NYA_INST/ai54l4/alma991009761919707141 |
finding aid | Finding aids in the repository. |
acquisition information | Transferred from Barr's office, gifts of Margaret S. Barr, 1975-1980, and gift of Andrew W. Barr, 1986. Forms part of: Museum of Modern Art (New York, N.Y.). Archives. Records. |
updated | 02/14/2025 10:07:29 |
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title | William S. Lieberman Papers, 1948-1984 |
repository | The Museum of Modern Art |
description | The Papers document his contacts with the art world and involvement with Museum activities and exhibitions; in particular, Max Ernst (MoMA Exh. #474), Joan Miro (MoMA Exh. #641), Modigliani (MoMA Exh. #474) and Stravinsky and the Dance (C/E 62-2, 1962-63). His involvement with the Junior Council include such exhibitions as Young American Printmakers (MoMA Exh. #547), Recent Drawings, U.S.A. (MoMA Exh. #601) and the preparation of The Museum of Modern Art Calendar and Junior Council Print Sales. Correspondence relating to the Dance and Theatre Archives exhibitions is included in addition to correspondence with trustees, patrons, friends and such artists as Chryssa, Masuo Ikeda, Marc and Valentina Chagall, Robert Motherwell, Lee Krasner, Leonard Baskin, and Emilio Sanchez, many of whom were personal friends of Lieberman. Other subjects include Lieberman's trip to Japan (1964-65) for the purpose of organizing The New Japanese Painting and Sculpture (MoMA Exh. #809, ICE-D-13-64), Nelson A. Rockefeller's bequest to the Museum (1979), and the disposition of the Lyonel Feininger Estate. Biographical/historical note Curator, Department of Prints, 1949-60; Curator, Department of Drawings and Prints, 1960-66; Director, Department of Drawings and Prints, 1966-71; Curator, Department of Painting and Sculpture, 1969-71; Director, Department of Drawings, 1971-79; Advisor to the Junior Council, 1954-64. Since November 1979 he has been Chairman of the Twentieth Century Art Department at the Metropolitan Museum of Art (New York, N.Y.). Location MoMA Museum Archives Call Number mmym MA |
extent | 31 linear feet |
formats | Business Papers Personal Papers Correspondence Exhibition Files |
access | The records are open for research and contain no restricted materials. |
record link | http://www.moma.org/research/archives/EAD/Liebermanf.html |
record source | https://library.nyarc.org/permalink/01NYA_INST/ai54l4/alma991009763659707141 |
finding aid | The finding aid is in the repository and on the repository's web site. |
acquisition information | 7.5 linear feet of material (Series I.A and I.B) were transferred from three file drawers in the Department of Drawings in November 1990. 29 linear feet (Series II.A, II.B, III, IV, and V) were stored at an off-site location; these were transferred to the Museum Archives for processing in October 1991 |
updated | 02/14/2025 10:07:37 |
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title | University Photography Collection, 1940-2000, n.d. (bulk, 1946-1997) |
repository | Brandeis University |
description | Files in this collection contain prints, negatives and contact sheets of primarily black and white images documenting the history and development of Brandeis University (1940-2004, n.d.; bulk 1946-1997). Also included are some black and white and color slides. The collection complements a much larger photo negative and slide collection, which is catalogued in a separate, searchable database. Many prints and contact sheets in this collection contain negative numbers assigned by the University Photographer that correspond to master negatives in the larger negative/slide collection. For contact sheets, the corresponding negative numbers are listed in brackets in the folder title, unless otherwise specified. History--Biography From 1948-1950, Ralph Norman documented the founding of Brandeis University as a commercial photographer. In 1950, he became the first University Photographer and remained in that position until his retirement in 1981. Ralph Norman was followed by Julian Brown, who served as University Photographer from 1981 to 2001. The current University Photographer is Michael Lovett, who was hired in Nov. 2001. Photography is a sub-department within the Office of Communications, and the University Photographer reports to the Senior Vice President of Communications for the University. |
extent | 22 cu. ft. |
formats | Photographs |
access | Some material is restricted; please consult the University Archivist. |
record source | http://lts.brandeis.edu/research/archives-speccoll/findingguides/archives/dept-subject/photography.html |
finding aid | In the repository and on the repository's Web site. |
updated | 02/14/2025 10:07:37 |
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title | Board of Trustees: Individual Members Records, 1947-2001, n.d |
repository | Brandeis University |
description | Files in this collection were created from 1936 through 2001. Materials include correspondence, photographs, reports, meeting minutes, and newspaper clippings. Many of the files concern the University's budget and fundraising efforts. Some files belonging to James Axelrod record the activities of various trustees committees, particularly the Executive Committee. Most of the photographs from Norman Rabb record events such as convocations and commencements at Brandeis. History--Biography The Board of Trustees is authorized to have up to fifty members who are responsible for and are the final authority on all aspects of the University's operations. The specific functions of the Board of Trustees are reflected by the standing committees of the Board: Academic Affairs; Audit; Budget and Finance; Development; Executive; Honorary Degrees; Investment; Health Services; Nominating; Personnel, Compensation and Ethics; Physical Facilities; and Student Affairs. The Board of Trustees selects the president of the University who is responsible solely to the Board. In addition to the members, the Board also includes four faculty and three student representatives. Ex officio members include the chair of the Fellows, the president of the National Women's Committee, and the president of the Alumni Association. The officers of the Board include the Chair, Vice-Chairs, Treasurer, and Secretary. The Board of Trustees began in 1947 with George Alpert as its first Chair. Prominent trustees have included Leonard Bernstein and Eleanor Roosevelt. The current chair is Stephen B. Kay. |
extent | 6.33 cu. ft. |
formats | Correspondence Photographs Notes Clippings |
access | Some material is restricted; please consult the University Archivist. |
record source | http://lts.brandeis.edu/research/archives-speccoll/findingguides/archives/dept-subject/botindividuals.html |
updated | 02/14/2025 10:07:37 |
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title | Abram L. Sachar; Brandeis University Chancellorship Papers, 1890-1993, n.d. |
repository | Brandeis University |
description | The materials in this collection were created from 1890 to 1993, with the majority dating from after 1968. The materials in this collection document Sachar's involvement with Brandeis during his years as Chancellor of the university. The bulk of the materials consists of a large collection of correspondence with both individuals and institutions regarding personal topics, speaking engagements, fundraising, and other university-related concerns. Also included are materials on financial topics, including the Sachar Fund and donor relations, as well as Sachar's personal files on many university events, programs, and figures. Prominent among these are the materials dealing with later Brandeis presidents, various international programs, and the Sachar International Center. Lastly, there is a small selection of speeches written and given by Sachar at his many public speaking engagements; many of these include his notes and drafts. History--Biography Abram L. Sachar served as Chancellor, and later Chancellor Emeritus, of Brandeis University from the time of his retirement from the presidency of the university in 1968 until his death in 1993. The Chancellorship position was created for Sachar to allow his continuing involvement with the university, particularly regarding fundraising. Sachar was a tireless campaigner for Brandeis and developed personal relationships with many donors. Sachar also continued to be a spokesman, ambassador, and public figure for the university, taking part in speaking engagements across the United States and travelling abroad to explore international ties for Brandeis. **Correspondence, box 12 has correspondence with Lillian Poses. |
extent | 47 cu. ft. |
formats | Business Papers Personal Papers Correspondence Writings Administrative Records |
access | Some material is restricted; please consult the University Archivist. |
record source | http://lts.brandeis.edu/research/archives-speccoll/findingguides/archives/presidents/sacharchancellor.html |
finding aid | Online and in the repository. |
updated | 02/14/2025 10:07:37 |
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title | Poses Institute for the Arts: Creative Arts Awards Collection, 1954-1994, n.d. |
repository | Brandeis University |
description | iles in this collection were created from 1954 though 1994. Materials include correspondence, memos, minutes of meetings, press material, photographs, program material, financial reports, and audio-visual material. The material pertains to general administrative information including the selection of commission members and award recipients. The files also include information about award recipients. Other files include correspondence with juries and award recipients. Most of the materials were written or received by the Creative Arts Awards Commission Office. An alphabetical listing of award recipients is also available. History--Biography The Brandeis Creative Arts Awards were created in 1956 to recognize excellence in the arts, and to help draw the attention of the campus community to the lives and works of active American artists. As originally conceived, awards were presented for painting, poetry, music, and theater. Over the years these categories were enlarged to include sculpture, architecture, film, photography, and other creative arts. Generally each category received two awards: a Medal to an established artist in celebration of a lifetime achievement; and a Citation to an individual in an earlier stage of his or her career. In addition, from time to time the Creative Arts Awards Commission bestowed the Notable Achievement Award to a person whose contributions to the Creative Arts in America exceeded his or her contemporaries beyond the boundaries of the Medal and Citation. The recipients for the annual awards were decided by the Creative Arts Awards Commission, a group which included artists, collectors, curators, and art administrators. The Commission authorized the selection of the jury chairpersons and the formation of each jury, and then voted to accept or reject the recommendation of the juries for the Medal and Citation recipients, as well as for the nomination for the Notable Achievement Awards recipients. Prior to 1990, the awards were celebrated at two events in the Spring of each academic year. The first was a festival held on the Brandeis campus which provided an opportunity for the recipients to share their work and talent with Brandeis students and faculty. The second was an evening affair, with a reception, a visual or live presentation of each artist's work, and the award ceremony in New York City. After 1990 the award ceremony and the campus festival were combined into a day-long program held on the Brandeis campus. In 1995, the Creative Arts Awards evolved into The Poses Institute of Arts at Brandeis University. Continuing the legacy of artistic recognition, The Poses Institute of Arts seeks to "honor extraordinary artistic achievement" by awarding annual residencies for artists in diverse artistic disciplines. |
extent | 10.33 cu. ft. |
formats | Operational Files Correspondence Administrative Records Ephemera Photographs |
access | Some material is restricted; please consult the University Archivist. |
record source | http://lts.brandeis.edu/research/archives-speccoll/findingguides/archives/dept-subject/creativeartsawards.html |
updated | 02/14/2025 10:07:38 |
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