Archives Directory for the History of Collecting in America
Archives related to: Tannahill, Robert Hudson
| title | Downtown Gallery records, 1824-1974 (bulk dates 1926-1969). | repository | Archives of American Art |
| description | Correspondence, artists files, notebooks, business records, writings, miscellaneous records, printed matter, and photographs. Some of Halpert's personal papers are intermingled with the gallery records. REELS 5488-5545: Correspondence, 1926-1974, about gallery business and routine administrative affairs, as well as personal letters from relatives and friends. Among the correspondents are collectors Edgar and Bernice Chrysler Garbisch, Maxim Karolik, William H. Lane, Abby Aldrich Rockefeller, Beram K. Saklatwalla, Robert Tannahill, and Electra Havemeyer Webb; dealers Robert Carlen, Felix Landau Gallery, Boris Mirski Gallery, and Isabel Carleton Wilde; and many curators, museum directors, and other colleagues. REELS 5545-5558: Artist Files, 1917-1970, consist mainly of correspondence with Halpert and the Downtown Gallery and may include biographical notes, writings, press releases, original artwork, exhibition information, and printed matter. Included are: Rainey Bennett, Raymond Breinin, Morris Broderson, Paul Burlin, Ralston Crawford, Stuart Davis, Charles Demuth, Isami Doi, William Dole, Arthur G. Dove, David Fredenthal, Samuel Halpert, George Overbury ("Pop") Hart, Marsden Hartley, Bernard Karfiol, Yasuo Kuniyoshi, Jacob Lawrence, Wesley Lea, Jack Levine, Edmund Lewandowski, John Marin, Reuben Nakian, Georgia O'Keeffe, Robert Chesley Osborn, Jules Pascin, Abbott Pattison, Abraham Rattner, Ben Shahn, Charles Sheeler, Mitchell Siporin, Niles Spencer, Edward Stasack, John H. Storrs, Reuben Tam, Yu-ho Tseng, Max Weber, William Zorach, and Karl Zerbe. REELS 5558-5603: Notebooks, 1935-1969, referred to as "American Folk Art Gallery Notebooks," "Artists Notebooks," and "Publicity Notebooks" contain photographs, catalog descriptions, notes, and printed matter compiled by gallery staff for reference purposes. "American Folk Art Notebooks" include: oil paintings, watercolors, drawings, lithographs, fraktur, paintings on velvet, embroideries, paintings on glass, tinsels, Shaker furniture, and sculpture. "Publicity Notebooks" include: group shows at Downtown Gallery and other locations, American Print Makers exhibitions, American folk art exhibitions at Downtown Gallery and other locations; and, miscellaneous publicity. "Artists Notebooks" include: Rainey Bennett, Raymond Breinin, Morris Broderson, Alexander Brook, Paul Burlin, Nicolai Cikovsky, Glenn O. Coleman, Ralston Crawford, Stuart Davis, Charles Demuth, Isami Doi, Arthur G. Dove, David Fredenthal, O. Louis Guglielmi, Samuel Halpert, William M. Harnett, George Overbury ("Pop") Hart, Marsden Hartley, Bernard Karfiol, Yasuo Kuniyoshi, Jacob Lawrence, Wesley Lea, Julian E. Levi, Jack Levine, John Marin, George L. K. Morris, Reuben Nakian, Georgia O'Keeffe, Robert Chesley Osborn, Jules Pascin, Abbott Pattison, Horace Pippin, Joseph Pollet, Abraham Rattner, Ben Shahn, Charles Sheeler, Mitchell Siporin, Niles Spencer, Edward Stasack, William Steig, Joseph Stella, Alfred Stieglitz, John H. Storrs, Reuben Tam, Yu-ho Tseng, Dorothy Varian, Carl Walters, Max Weber, Jack Zajac, Karl Zerbe, Marguerite Zorach, and William Zorach. REELS 5603-5636: Business Records, 1925-1974, consist of exhibition, stock, sales, transit, and insurance records; lists of artwork and clients, legal documents, minutes, research files, and architectural plans. REELS 5636-5638: Writings, 1917-1968, by Edith Gregor Halpert, include articles on American folk art, speeches, short stories, school notebooks, and "Daily Thoughtlets" compiled at age 17; also, writings by others on art topics. REELS 5638-5639: Miscellaneous, ca. 1835-1970, contains biographical material, and works of art by Edith Gregor Halpert and other artists. Artifacts are wooden weather vane molds with supporting documentation, and awards presented to Halpert. Audiovisual materials are motion picture film for a Westinghouse Broadcasting Corp. produced television series, "America: The Artist's Eye," 1961-1963; film of Charles and Musya Sheeler at home, and Charles Sheeler at work in his studio, ca. 1950; and a sound recording of a 1962 talk about collecting by Maxim Karolik. REELS 5640-5647: Printed Matter, 1984-1969, includes exhibition catalogs, announcements, invitations, press releases, and miscellaneous items produced by Downtown Gallery. Other printed matter consists of news clippings about Halpert, Downtown Gallery, the Edith Gregor Halpert Collection, and clipping files on art-related topics. Also, newsletters, press releases, and publications of arts organizations, and reproductions of works of art. A selection of 25 vols. from Halpert's personal library has been retained. REELS 5647-5654: Photographs, ca. 1880s-1960s, of Edith Gregor Halpert, Samuel Halpert, family and friends, her dog and Newtown, Conn. house. Portraits of artists include: Stuart Davis, Arthur Dove, Louis Guglielmi, George Overbury ("Pop") Hart, Marsden Hartley, Bernard Karfiol, Yasuo Kuniyoshi, Jacob Lawrence, Julian E. Levi, Jack Levine, John Marin, George L. K. Morris, Georgia O'Keeffe, Abbott Pattison, Horace Pippin, Abraham Rattner, Ben Shahn, Charles Sheeler, William Steig, Alfred Stieglitz, Yu-ho Tseng, Max Weber, and William Zorach. Also, works of art, exhibitions, Downtown Gallery, and an award presented to Halpert. Among the photographers represented are: Ansel Adams, Doris Bry, George Karfiol, Carl Kelin, Otto Maya, Arnold Newman, Man Ray, Kay Bell Reynal, Charles Sheeler, Adrian Siegel, Edward Steichen, Alfred Stieglitz, Sochi Sunami, Alredo Valente, Carl Van Vechten, and Max Yavno. I. Correspondence, 1926-1974. II. Artist Files, 1917-1970. III. Notebooks, 1835-1970. IV. Business Records, 1925-1974. V. Writings, 1917-1968. VI. Miscellaneous, ca. 1835-1970. VII. Printed Matter, 1824-1969. VIII. Photographs, ca. 1880s-1960s. Correspondence arranged chronologically; Artist Files arranged alphabetically. Other series are organized into numerous subseries, usually by record type or category, and the arrangement of each is indicated in the series descriptions detailed in the finding aid. |
| extent | 109 linear ft. (on 167 microfilm reels) reels 5488-5654 |
| formats | Correspondence Notes Financial Records Photographs Clippings |
| access | Patrons must use microfilm copy. NOTICE TO RESEARCHERS: Prior to publishing information regarding sales transactions, researchers are responsible for obtaining written permission from both artist and purchaser involved. If it cannot be established after a reasonable search whether an artist or purchaser is living, it can be assumed that the information may be published 60 years after the date of the sales transaction. |
| record source | http://www.siris.si.edu/ |
| finding aid | "A Finding Aid to the Records of the Downtown Gallery" by Catherine Stover Gaines and Lisa Lynch, Archives of American Art, Smithsonian Institution, Washington, D.C., is available. Electronic versions available at http://www.aaa.si.edu/collections/findingaids/downgall.htm and http://www.aaa.si.edu/findmicrodig/downgall/downgall.html |
| acquisition information | The bulk of the records were originally received as a loan in 1957 and 1967 from Edith Gregor Halpert, and microfilmed on reels ND1-ND71. Additions were received incrementally, between 1972 and 1978 from Nathaly Baum, niece of and executor of Halpert's estate, and microfilmed incrementally as well on various reels. In 1998, with funds provided by the Luce Foundation, the collection was reprocessed by Catherine Stover Gaines into one coherent arrangement, and remicrofilmed 1999-2000, totalling 167 reels of film. Most, but not all, of the documents from the early loaned material were subsequently donated. |
| updated | 03/16/2023 10:29:55 |
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| title | Robert Hudson Tannahill Papers, 1893-1970 | repository | Detroit Institute of Arts |
| extent | 4.5 linear ft. |
| formats | |
| record link | http://www.dalnet.lib.mi.us/dia/collections/finding_aids/tannahill_finding_aid.pdf |
| record source | http://catalog.dalnet.lib.mi.us/ |
| updated | 11/12/2014 11:30:07 |
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| title | M. Knoedler & Co. records, approximately 1848-1971 | repository | The Getty Research Institute |
| description | The records of M. Knoedler & Co. document the business of the prominent American art dealer from the mid-19th century to 1971, when the Knoedler Gallery was acquired by Armand Hammer. The archive traces the development of the once provincial American art market into one of the world's leading art centers and the formation of the private art collections that would ultimately establish many of the nation's leading art museums, such as the Frick Collection and the National Gallery of Art. It brings to the foreground the business side of dealing as artworks shuttled back and forth among Knoedler, fellow dealers, and collectors, documenting developments in art connoisseurship, shifting tastes, the changing role of art in American society, and the essential role of private collectors in the formation of public American art collections. The records provide insight into broader economic, social and cultural histories and the nation's evolving sense of place in the world. The Knoedler Gallery became one of the main suppliers of old master and post-Impressionist paintings in the United States. Financial records of the firm provide crucial provenance information on the large number of artworks in American museums that were sold by the gallery. The archive includes stock books, sales books and commission books; correspondence with collectors, artists, art dealers and other associates; photographs of the artworks sold by the gallery; records from the firm's offices in London, Paris and other cities; exhibition files; framing and restoration records, and records of the firm's Print Department. Selected portions of the archive have been digitized and made available online. Connect to selected digitized portions of the archive. Arranged in 14 series: Series I. Stock books; Series II. Sales books; Series III. Commission books; Series IV. Inventory cards; Series V. Receiving and shipping records; Series VI. Correspondence; Series VII. Photographs; Series VIII. Exhibition files; Series IX. American Department records; Series X. Framing and restoration records; Series XI. Print Department records; Series XII. Other financial records; Series XIII. Library cards, scrapbooks, and research materials; Series XIV. Knoedler family papers Biographical/Historical Note: M. Knoedler & Co. was a successor to the New York branch of Goupil & Co., an extremely dynamic print-publishing house founded in Paris in 1827. Goupil's branches in London, Berlin, Brussels, and The Hague, as well as New York, expanded the firm's market in the sale of reproductive prints. The firm's office in New York was established in 1848. In 1857, Michael Knoedler, an employee of Goupil and a manager for the firm, bought out the interests in the firm's New York branch, conducted the business under his own name, and diversified its activities to include the sale of paintings. Roland Knoedler, Michael's son, took over the firm in 1878 and with Charles Carstairs opened galleries in Paris and London. In 1928, the management of the firm passed to Roland's nephew Charles Henschel, Carman Messmore, Charles Carstairs and Carstairs' son Carroll. In 1956 Henschel died, and E. Coe Kerr and Roland Balaÿ, Michael Knoedler's grandson, took over. In 1971 the firm was sold to businessman and collector Armand Hammer. The gallery closed in November 2011. |
| extent | 3042.6 linear feet (5550 boxes, 17 flat file folders). |
| formats | Auction Catalogs Business Records Correspondence Financial Records Ephemera |
| access | Open for use by qualified researchers, with the following exceptions. Boxes 77, 262-264, 1308-1512, 1969-1974, 3592-3723 are restricted due to fragility. Box 4468 is restricted until 2075. |
| record link | http://hdl.handle.net/10020/cifa2012m54 |
| record source | http://primo.getty.edu/GRI:GETTY_ALMA21129976460001551 |
| contact information | Contact gallery's archivist |
| finding aid | At the Getty Research Institute and over their website. |
| acquisition information | Acquired in 2012. |
| updated | 05/29/2018 14:44:15 |
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