Archives Directory for the History of Collecting in America
Archives related to: Newman, Muriel Kallis Steinberg
| title | Artist file: Newman, Muriel Kallis Steinberg; miscellaneous uncataloged material. | repository | The Museum of Modern Art |
| description | Pamphlet file The folder may include announcements, clippings, press releases, brochures, reviews, invitations, small exhibition catalogs, and other ephemeral material. Location MoMA Queens Artist Files Call Number Newman, Muriel Kallis Steinberg |
| extent | 1 folder |
| formats | Ephemera |
| access | Contact repository for restrictions and policies. |
| record source | https://library.nyarc.org/permalink/01NYA_INST/ai54l4/alma991011771259707141 |
| updated | 03/16/2023 10:29:55 |
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| title | Muriel Kallis Newman papers, 1950-1983 | repository | Archives of American Art |
| description | Correspondence, 1950-1983 and undated; one file pertaining to the Metropolitan Museum of Art, 1973-1974; and miscellaneous material. |
| extent | 1 microfilm reel. |
| formats | Microfilm Correspondence Ephemera |
| access | Patrons must use microfilm copy. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Lent for microfilming 1985 by Muriel Kallis Newman. Originals returned to the lender, Muriel Kallis Newman, after microfilming. She plans on donating the papers and her art collection to the Metropolitan Museum of Art. |
| updated | 11/12/2014 11:29:52 |
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| title | Oral history interview with Anne Rorimer, 2010 Nov. 15-16. | repository | Archives of American Art |
| description | Anne Rorimer (1944-) is a curator and art historian in Chicago, Ill. Judith Olch Richards (1947-) is a former executive director of iCI in New York, NY. An interview of Anne Rorimer conducted 2010 Nov. 15-16, by Judith Olch Richards, for the Archives of American Art's Elizabeth Murray Oral History of Women in the Visual Arts project, at Rorimer's home, in Chicago, Ill. Rorimer speaks of her family background; her early life and education in New York City; her father, James Rorimer, and his influence as director of the Metropolitan Museum of Art; college life at Bryn Mawr; how she became interested in modern art; her internship at the Victoria & Albert Museum in London after college; her master's degree thesis on Tony Smith; her job as a curator at the Albright-Knox Gallery and then at the Art Institute of Chicago;memorable exhibitions at the AIC throughout the 1970s and early 1980s, including the annual "American Exhibition," "Europe in the Seventies: Aspects of Recent Art," (1977), and "Idea and Image in Recent Art" (1974); her close relationship with Anne D’Harnoncourt; how she left the AIC in 1984 to write, "New Art in the ‘60s and 70s: Redefining Reality," (2001); her role in acquisitions of contemporary art at the AIC; her thoughts on art education; her work with collectors; the process of getting her book published and reactions to it; her curatorial projects in the 1980s and early 1990s that focused on conceptual art; her relationship with artists like Michael Asher and Daniel Buren; her extensive book collection; her thoughts on being a freelance curator and writer. She recalls Whitney Stoddard, Robert Beverly Hale, Theodoros Stamos, Leo Castelli, Henry Geldzahler, Anne D'Harnoncourt, Renee Marcuse, Bates Lowry, Tony Smith, Marcia Tucker, A. James Speyer, Bruce Nauman, Lawrence Weiner, Vito Acconci, William Wegman, Robert Morris, Lucy R. Lippard, Katharine Kuh, Sol Lewitt, John Maxon, Eva Hesse, Muriel Newman, Judith Kirschner, Dan Graham, Benjamin Buchloh, and Marcel Broodthaers. |
| extent | Sound recording, master: 4 memory cards (5 hr., 35 min.) secure digital; 1.25 in. |
| formats | Sound Recording Interview |
| access | Scheduled for transcription. |
| record link | http://www.aaa.si.edu/collections/interviews/oral-history-interview-anne-rorimer-15880 |
| record source | http://www.siris.si.edu/ |
| acquisition information | This interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics and administrators. This interview is part of the Elizabeth Murray Oral History of Women in the Visual Arts Project, funded by a grant from the A G Foundation. |
| updated | 11/12/2014 11:30:15 |
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