Archives Directory for the History of Collecting in America
Archives related to: Powers, John, 1916-1999
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| updated | 01/06/2020 17:48:39 |
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| title | Leo Castelli Gallery Records, circa 1880-2000, bulk 1957-1999 | repository | Archives of American Art |
| description | The Leo Castelli Gallery records measure 215.9 linear feet and 0.001 GB and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and sound and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films. |
| extent | 215.9 Linear feet 0.001 Gigabytes |
| formats | |
| access | n/a |
| record link | https://sova.si.edu/details/AAA.leocast?t=W&q=powers#ref8929 |
| record source | https://snaccooperative.org/view/54583977#resources |
| finding aid | https://sova.si.edu/record/AAA.leocast?s=0&n=10&t=K&q=*&i=0 |
| acquisition information | Leo Castelli loaned printed material for microfilming in 1968. Leo Castelli's wife, Barbara Bortuzzo Castelli, and his children, Nina Castelli Sundell and Jean-Christophe Castelli, donated the Leo Castelli Gallery records to the Archives of American Art in 2007. |
| updated | 03/16/2023 10:29:58 |
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| title | Andy Warhol Photography Archive | repository | Stanford University Libraries |
| description | During the last decade of his life, Andy Warhol (1928–1987), was never without his Minox 35EL camera. Warhol often used photographs as the basis for commissioned portraits, silkscreen paintings, drawings, and prints. His numerous photographs also served to document his daily life—from the mundane to the celebrities that formed his milieu—in a visual analogue to the artist’s diaries, which were tape-recorded phone conversations. The Cantor Arts Center acquired the Andy Warhol Photography Archive from The Andy Warhol Foundation for the Visual Arts in 2014. The collection of 3,600 contact sheets and corresponding negatives represents the complete range of Warhol’s black-and-white photographic practice from 1976 until his unexpected death in 1987. The Andy Warhol Photography Archive builds on the Cantor’s collection of Warhol’s original Polaroid photographs and gelatin silver prints, acquired through The Andy Warhol Photographic Legacy Program in 2007. Warhol only printed about 17 percent of his 130,000 exposures. His marks, an X or a circle visible on his printed contact sheets, indicate those images that he selected to print. Together, Warhol’s negatives, contact sheets, and photographic prints bring to life the artist’s many interactions with the social and celebrity elite of his time through portraits and candid photographs of stars. This body of work also documents his fascination with the gay culture of the 1970s and ‘80s and includes photographs of drag queens, Fire Island parties, and examples of the artist's rarely seen, sexually explicit images. The outcome of a two-and-a-half year digitization project, the entire collection of negatives and contact sheets are available here on the Cantor’s website. The contact sheets are also discoverable through the Stanford University Libraries system. |
| access | n/a |
| record link | https://exhibits.stanford.edu/warhol/catalog/hf525mb8250 |
| record source | https://exhibits.stanford.edu/warhol/feature/selected-negatives-warhol-s-new-york-1984 |
| finding aid | https://cantorcollections.stanford.edu/index-tree/tree/267 |
| acquisition information | n/a |
| updated | 02/14/2023 14:34:44 |
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| title | Papers of Daniel Robbins and Seymour Slive, 1959-2003 | repository | Harvard Art Museum Archives |
| description | These papers of Fogg Museum directors Daniel Robbins and Seymour Slive document their administration of the museum and related professional activities. Most of Robbins' papers were created during his administration of the museum, from 1971 to 1974; most of Slive's papers are from his tenure as acting director and then director, from 1974 to 1982. The papers consist primarily of correspondence and also include photographs and printed material. |
| extent | 10 linear feet (20 file boxes, oversize materials) |
| access | Access to most of the papers is unrestricted. Access to files containing information on personnel matters, student academic records, and other materials deemed confidential is restricted. These restrictions are noted at the file level. Copyright: The President and Fellows of Harvard College hold any copyright in Daniel Robbins' and Seymour Slive's papers. Copyright in some papers in the collection may be held by their authors, or the authors' heirs... |
| record link | https://hollisarchives.lib.harvard.edu/repositories/9/resources/399 |
| record source | https://snaccooperative.org/view/39367115#resources |
| finding aid | https://hollisarchives.lib.harvard.edu/repositories/9/resources/399 |
| acquisition information | These papers were left at the Fogg Museum by former directors Daniel Robbins and Seymour Slive. |
| updated | 02/14/2023 14:43:00 |
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| title | Exhibition Records of the Harvard Art Museums, 1905-2008 | repository | Harvard Art Museum Archives |
| description | These records were created by museum staff in the course of planning and installing exhibitions. They pertain primarily to exhibitions held in the Fogg Museum, the Busch-Reisinger Museum, and the Arthur M. Sackler Museum, but they also include materials related to traveling or off-site exhibitions. The records date from 1905-2008 and include correspondence on a wide range of topics, exhibition proposals, photographic prints and negatives, object lists, loan forms, press releases, clippings, invitations, posters, printed labels and wall text, memoranda, exhibition catalogues, and drafts of catalogue essays. |
| extent | 73 linear feet (172 file boxes, oversize materials) |
| access | Copying: Papers may be copied in accordance with the Harvard Art Museums Archives' usual procedures. |
| record link | https://hollisarchives.lib.harvard.edu/repositories/9/resources/397 |
| record source | https://snaccooperative.org/view/15340587#resources |
| finding aid | https://hollisarchives.lib.harvard.edu/repositories/9/resources/397 |
| acquisition information | n/a |
| updated | 02/14/2023 14:45:05 |
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