Archives Directory for the History of Collecting in America
Archives related to: Wilke, Ulfert, 1907-1987
| title | Ulfert Wilke papers, 1934-1977. | repository | Archives of American Art |
| description | Diaries, correspondence, sketchbooks, drawings, photographs, printed material, and scrapbooks. REELS N68-52 - N68-56: Diary entries and sketchbooks, 1934-1968; biographical material; photographs of Wilke, his family, studio, exhibitions, and paintings and bronzes; drawings; exhibition catalogs, 1953-1968; clippings, 1942-1963; a scrapbook, 1942-1959; correspondence with family, galleries, museums, universities, and artists, including Max Beckmann (1954), Eugene Berman (1961-1967), Julius Bissier (1962-1968), Maurice Bonnefoy (1955-1958), Phillip Evergood 1944-1958), Lyonel and Julia Feininger (1940-1962), George Grosz (1938-1956), Carl Holty (1957-1964), Alfred Jensen (1953), Robert Motherwell (1957-1961), Ad Reinhardt, and Mark Tobey (ca. 1960); and scattered business records. REELS 1359-1363: Correspondence; photographs of Wilke, his studio, art work, and family; 6 diaries, 1968-1976; lists of his drawings; exhibition catalogs, announcements, press releases, and clippings; scrapbooks; 2 Christmas card designs; files on Wilke's art collection, exhibitions, and on his father, Rudolf Wilke. Biographical/Historical Note: Painter, art administrator, art collector; Solon, Iowa. Born Bad Tolz, Germany. Director, Department of Art, Kalamazoo College And Institute of Arts, 1940-1942; Director, University of Iowa Museum of Art. |
| extent | 10 microfilm reels reels N68-52 - N68-56 and 1359-1363 |
| formats | Microfilm Diaries Correspondence Sketches Photographs |
| access | Patrons must use microfilm copy. |
| record source | https://www.aaa.si.edu/collections/ulfert-wilke-papers-9375 |
| acquisition information | Lent for microfilming by Ulfert Wilke, 1968 and 1977. Originals returned to the lender, Ulfert Wilke, after microfilming. |
| updated | 04/24/2025 09:08:29 |
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| title | Mark Tobey papers, [ca. 1920]-1977. | repository | Archives of American Art |
| description | Biographical material; correspondence; financial records; Baha'i material; music; writings; art works; printed material; and photographs. Biographical material includes diaries with sporadic entries, undated and 1958-1959; address books; membership cards, and honorary titles. Correspondents include Stephen Andrus, Dore Ashton, Arthur G. Barnett, John and Betty Bowen, Adelyn Breeskin, Cliffa Carson (niece), Thomas A. Chew, Lillian Clark, Paul Cummings, Arthur Dahl, Shoghi B. Effendi, Dorothy Elmhirst, Claire Falkenstein, Lyonel Feininger, Janet Flanner, John Ford,Miriam Gabo, Colin Graham, Pehr Hallsten, Pamela Harkins, Nina Harwood, John and Anne Hauberg, Kay Hillman, Joseph Hirshhorn, David Hofman, Carl Holty, Herbert Hoover, Leroy and Silvia Ioas, Berthe P. and Claire Jacobson, Nina Kandinsky, Helen Kendall, Carolyn Kizer, Katherine Kuh,Rene Lauby, Bernard Leach, Gerald Lieberman, Andre Masson, Marjory Masten, George Mathieu, N. Richard Miller, Joan Miro, Axel Mondell, Alfred Neumeyer, Ben Nicholson, Vincent Price, Mark Ritter, Diego Rivera, Nancy W. Ross, John Russell, Henry Seldis, Charles Seliger, Otto Seligman, Art Smith, James Speyer, Michel Tapie, Miriam Terry, Roland Terry, Juliet Thompson, Kenneth Tyler, Charmion Von Wiegand, Heloise Wardall, Ulfert Wilke, and Marian Willard of the Willard Gallery. Also found are: notes taken while studying French; financial, legal and medical records; material relating to Baha'i, including credential for Tobey for the Baha'i World Congress, 1963, class notes, photographs, prayer books, and printed material; music, including sheet music by Tobey, recital program, and music by Harold Budd, John Sundsten,and Debussey; writings and poetry by Tobey and Dahl; writings on Tobey; a transcript of an interview of Tobey conducted by William Seitz; sketches and sketchbooks by Tobey and by others, including Bernard Leach; printed material on Tobey, including reproductions of work, exhibition catalogs and announcements, magazine articles, and clippings; and printed material on others, including Hallsten, Leach, Seliger, Feininger, Abraham Walkowitz, Alberto Burri, and Jules Pascin. Also included are photographs of: Tobey, Tobey with family and friends, exhibition installations, works of art, an album containing photos, sketches and notes, ca. 1920-1950, an album of photos of Tobey's Seattle studio taken after his death by Kenneth Tomlinson, 1976, and miscellaneous photographs. Bio / His Notes: Painter; Abstract Expressionist. Also worked as fashion illustrator, portrait painter. Born in Wisconsin, December 11, 1892. Died 1976. Worked in Chicago, Seattle, Basel, Switzerland; New York, N.Y., Dartington Hall, Devonshire, England, and Paris. Convert to Baha'i religion. |
| extent | 11 microfilm reels. reels 3200-3210 |
| formats | Correspondence Financial Records Works of Art Writings Photographs |
| access | Patrons must use microfilm copy. |
| record source | https://www.aaa.si.edu/collections/mark-tobey-papers-13471 |
| acquisition information | Lent for microfilming 1984 by the Seattle Art Museum. Location of Original: Originals in: Seattle Art Museum, Seattle, Washington. |
| updated | 04/24/2025 09:08:30 |
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| title | Mark Tobey Papers, circa 1850-1985 | repository | University of Washington Libraries |
| description | Accession No. 3593-001 Mark Tobey papers, 1945-1977 .56 cubic foot Biographical features, correspondence, gallery notices, exhibition catalogs, clippings, photographs. Photographs are 8" x 10" black & white copies; all are of his work, except two. Accession No. 3593-002 Mark Tobey papers, circa 1923-1976 10.00 cubic feet Scope and Content Correspondence, writings, diaries, music, gallery notices, photographs, clippings, ephemera Accession No. 3593-003 Mark Tobey papers, 1931-1975 14.69 cubic feet Scope and Content Correspondence, art works by Tobey and others, exhibition catalogs and posters, photographs and negatives, writings, phonodisc, memorabilia. Art works from Tobey estate are those considered not exhibit quality by the Seattle Art Museum. Many are untitled and unidentified. Art works by unidentified artists are listed by dimensions only. Measurements are approximate, in inches, and for the most part are outer dimensions. Negatives of photographs were for use of the Foster White Gallery in its exhibition of Jan 1990. Each negative has been placed with the original photograph. Restrictions on Access Access restricted: For terms of access, contact Special Collections. Other Finding Aids Inventory/container list available in Special Collections. Accession No. 3593-004 Mark Tobey papers, 1944-1985 .28 cubic foot Scope and Content Exhibition catalogs, gallery notices. All the catalogs and notices are regarding Mark Tobey. They were given to Marshall Hatch by the Willard Gallery in New York City, which sold Tobey's work from about 1943 until the gallery closed in 1986. Restrictions on Access Open to all users. Acquisition Info Donated by Mr. and Mrs. Marshall Hatch, 2/11/1988. Accession No. 3593-006 Mark Tobey Papers papers, circa 1850-1978 2.00 cubic feet Scope and Content Photographs; 1850s-1978, many have no date. Includes several hundred photographs of Tobey, others, Tobey family members, and Tobey art works. See inventory. Restrictions on Access Access restricted: For terms of access, contact Special Collections. Acquisition Info Donated by Tobey Estate, 11/19/1988. Accession No. 3593-008 Mark Tobey painting, 1935 .33 cubic foot (1 oversize package) Scope and Content Painting by Mark Tobey, "Untitled (Landscape)". Painting is tempera on paper, mounted on board; dimensions are 7.25" x 18.5". Restrictions on Access Access restricted: For terms of access, contact Special Collections. Restrictions on Use Creator's literary rights not transferred to the University of Washington Libraries. Acquisition Info Donated by Seattle Art Museum, 3/23/1993. Accession No. 3593-009 Mark Tobey recordings 1 phonograph record; 1 sound cassette Scope and Content Phonograph recording and audiocassette dub of it, of music composed by Mark Tobey. Note: the phondisc label has misspelled words in the titles; contents should read "Aubade", "Memories are Hunting Horns", and "Hommage a Windsor Utley". The flautist for all three selections was Windsor Utley. Restrictions on Access Open to all users. Access to archival recordings: Due to the fragility of archival tape recordings, potential users may be required to arrange for transfer to digital format before the material can be accessed. Please contact Special Collections for further information. Restrictions on Use Creator's literary rights not transferred to the University of Washington Libraries. Acquisition Info Donated by John Gibbs, 2/23/1994. Accession No. 3593-010 Mark Tobey musical compositions, 1952-1957 .21 cubic foot (2 volumes: 80 pages) Scope and Content Musical compositions consisting of piano sketches and composition exercises. Restrictions on Access Open to all users. Restrictions on Use Creator's literary rights not transferred to the University of Washington Libraries. Acquisition Info Donated by Arthur Barnett, 3/31/1994. Accession No. 3593-011 Mark Tobey design, before 1977 .03 cubic foot (1 folder) Scope and Content Linoleum block designed for the Washington State Theatre; n.d. Restrictions on Access Open to all users. Restrictions on Use Creator's literary rights not transferred to the University of Washington Libraries. Acquisition Info Donated by W.U. Libraries, 6/11/1996. Accession No. 3593-012 Mark Tobey papers, 1956-1970 .21 cubic foot (1 box) Scope and Content Correspondence between Mark Tobey and Dolores and Mark McColm, and rental contract for a house rented by Tobey at 5220 University Way in Seattle. Also includes clippings. Restrictions on Access Open to all users. Restrictions on Use Creator's literary rights not transferred to the University of Washington Libraries. Acquisition Info Donated by Marshall Hatch, 2/24/1986. Accession No. 3593-013 Mark Tobey disc recordings , 1957 .04 cubic feet (3 disc recordings including 1 ten-inch sound disc, 33 1/3 rpm; 2 twelve-inch sound discs, 78 rpm) Scope and Content Phonograph records, including one 33 1/3 rpm disc containing three flute pieces composed by Mark Tobey, "Aubade", "Memories are Hunting Horns", and "Hommage a Windsor Utley", all played by John Wummer, flautist. Also present are two 78 rpm discs labelled "American Art Festival, sides 1,2,3,and 4, Mark Tobey and Lloyd Goodrich." Mark Tobey's autograph appears on the record labels of the American Art Festival discs. Only side 4 is dated; October 15, 1957. Restrictions on Access Open to all users. Acquisition Info Donated by Wesley Wehr, 4/25/1997. Accession No. 3593-014 Mark Tobey papers, circa 1930-1939 .03 cubic feet (1 Vertical file) Scope and Content Drawings (one with music manuscript), exhibit catalogs. They date from the 1930's and several were previously owned by dancer Louise Soelberg, a friend of Tobey. Restrictions on Access Open to all users. Restrictions on Use May be copied and quoted. Acquisition Info Donated by Basil Langton, 3/30/2000. Biographical Note Mark Tobey was born in Wisconsin in 1890 and raised in Wisconsin and Indiana. His only formal art training was painting classes at the Art Institute of Chicago while he was in high school. Tobey's artistic career began in Chicago as an illustrator for fashion catalogs. After moving to Greenwich Village in 1911, he worked briefly as a fashion illustrator for McCalls magazine. During his early years in New York, Tobey also drew charcoal portraits and in the 1920s became known for his theater caricatures and drawings of vaudeville and burlesque figures. In 1918, Tobey accepted the Baha'i faith. He remained active in Baha'i circles throught the rest of his life. Baha'i exerted an important influence on Tobey's work, providing him with aesthetic as well as religious principles. In 1922 Tobey moved to Seattle and accepted a job teaching art classes at the Cornish School. For the next 38 years, despite long absences in New York and Europe, he made Seattle his home. In Seattle, he was first exposed to the art of the Far East when, in 1923, he met Teng Kuei, a young Chinese artist who taught him Chinese brushwork. In 1930, Tobey moved to Dartington Hall, a progressive school of the arts in England where he taught until 1938. In 1934 Tobey visited China and Japan and spent a month in a Zen monastery. Scholars have seen a connection between Tobey's sojurn in the Orient and the evolution of his mature style. In 1934, the fledgling Seattle Art Museum presented a one man show of Tobey's works. With the outbreak of war imminent in Europe, Tobey returned to Seattle in 1938 and worked on the WPA Federal Art Project. The 1940s were a productive time for Tobey in Seattle; in 1941 he began piano and music theory lessons. Tobey lived in Paris from October 1954 to June 1955, and in 1960 he moved to Basel, Switzerland. Throught the 1960s and early 1970s Tobey continued to paint and achieve international recognition. Tobey died in 1976. |
| extent | 28.38 cubic feet |
| formats | Correspondence Exhibition Files Exhibition Catalogs Clippings Photographs |
| access | Some materials are restricted: For terms of access, contact Special Collections. |
| record source | http://www.lib.washington.edu/SpecialColl/findaids/docs/papersrecords/TobeyMark3593.xml |
| finding aid | Guide in repository and online. |
| acquisition information | Accession No. 3593-001 - Received 1/1/1983. Accession No. 3593-002 - Donated by Seattle Art Museum, 3/27/1985. Accession No. 3593-004 - Donated by Mr. and Mrs. Marshall Hatch, 2/11/1988. Accession No. 3593-006 - Donated by Tobey Estate, 11/19/1988. Accession No. 3593-008 - Donated by Seattle Art Museum, 3/23/1993. Accession No. 3593-009 - Donated by John Gibbs, 2/23/1994. Accession No. 3593-010 - Donated by Arthur Barnett, 3/31/1994. Accession No. 3593-011 - Donated by W.U. Libraries, 6/11/1996. Accession No. 3593-012 - Donated by Marshall Hatch, 2/24/1986. Accession No. 3593-013 - Donated by Wesley Wehr, 4/25/1997. Accession No. 3593-014 - Donated by Basil Langton, 3/30/2000. |
| updated | 02/14/2025 10:07:49 |
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| title | Anthony Joseph Lauck papers, 1947-1970. | repository | Archives of American Art |
| description | Correspondence and clippings relating to Lauck's own sculpture, his interest in liturgical art, and his work as head of the Department of Art and the Art Gallery at Notre Dame University; correspondence from Ivan Mestrovic, Fred Nagler, Ralph Fabri, Charles Burchfield and Ulfert Wilke. Bio / His Notes: Sculptor and educator; born Indiana, Indianapolis. Has received numerous awards for his works in stone and wood and has exhibited extensively. Taught drawing and sculpture at University of Notre Dame, 1950-1973. |
| extent | 350 items (on 1 microfilm reel) |
| formats | Correspondence Clippings Administrative Records Microfilm |
| access | The Archives of American art does not own the original papers. Use is limited to the microfilm copy. |
| record link | http://www.aaa.si.edu/collections/anthony-joseph-lauck-papers-7869 |
| record source | http://siris-archives.si.edu/ |
| acquisition information | Lauck retained his original papers, but gave the Archives of American Art a 16mm filmed copy of them which the Archives subsequently transferred to 35mm microfilm. Location of Original: Originals in the possession of Anthony J. Lauck, C.S.C. |
| updated | 02/14/2025 10:07:49 |
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| title | Perry Townsend Rathbone papers, 1929-1985. | repository | Archives of American Art |
| description | Biographical material, correspondence, subject files, writings, lectures, photographs and printed material. Included in the biographical material are vitae, biographical and autobiographical sketches, passport, citations for honorary degrees and for his appointment as Chevalier of the French Legion of Honor, and a memo to WBOS about his achievements as Director, Museum of Fine Arts, Boston, 1972. Letters are from colleagues, artists, dealers, friends and the general public, including: Max and Mathilde Beckmann, Hanns Swarzenski, Curt Valentin, Jane Sabersky, Marian Willard, Xavier Gonzalez, Marino Marini, and a Christmas card from Oskar Kokoschka; and condolence letters about Curt Valentin's death from George Rickey, Louis Stern, William R. Valentiner, Ulfert Wilke, and others. Subject file titles include: George Caleb Bingham drawings dispute; Brooks Memorial Gallery; Cambridge Arts Council; Chase Manhattan Bank Art Program; City Art Museum of St. Louis; Ford Foundation; Mass. Art Commission; Masterpieces of Art exhibition -NY World's Fair (containing photos of Katharine Cornell, Anne Morrow Lindbergh and Eleanor Roosevelt); Museum of Fine Arts, Boston; Rhode Island School of Design; Horatio Shaw; Gilbert Stuart portraits dispute; and Hanns Swarzenski "Festschrift." The files contain correspondence, minutes, reports, photographs and printed material. Writings consist of student papers for a Harvard fine arts course, drafts and typescripts for exhibition catalogs, museum publications, magazines and articles on art and artists, museums and various exhibitions, and notes and notebooks from European trips, 1966-1969. Also included is a draft by S. Lane Faison, "The Rathbone Years"; lectures on Max Beckmann and a translation of a lecture by him; and a transcript of an interview of Rathbone, 1967. Photographs are of Rathbone, 1936-1971, of a drawing by Alexander Calder, "Just 2 Girls from Philly," and miscellaneous photographs of exhibitions at the Curt Valentin Gallery, the Buchholz Gallery and the Willard Gallery, 1950-1953, including a Beckmann exhibition. Printed material includes clippings, press releases and invitations. Bio / His Notes: Museum director, New York, N.Y. Director of the City Art Museum of St. Louis, 1940-1955, and director of the Museum of Fine Arts, Boston, 1954-1972. He was director of the auction house, Christie's USA, between 1973-1977, senior vice-president from 1977-1987, and a consultant beginning in 1987. He died Jan. 22, 2000 at age 88. Bio / His Notes: Museum director, New York, N.Y. Director of the City Art Museum of St. Louis, 1940-1955, and director of the Museum of Fine Arts, Boston, 1954-1972. He was director of the auction house, Christie's USA, between 1973-1977, senior vice-president from 1977-1987, and a consultant beginning in 1987. He died Jan. 22, 2000 at age 88 |
| extent | 4.3 linear feet |
| formats | Correspondence Subject Files Writings Photographs Printed Materials |
| access | Use of original papers requires an appointment and is limited to the Archives' Washington, D.C., Research Center. Contact Reference Services for more information. |
| record link | https://sirismm.si.edu/EADpdfs/AAA.rathperr.pdf |
| record source | https://www.aaa.si.edu/collections/perry-townsend-rathbone-papers-8353 |
| acquisition information | Donated 1977 and 1988 by Perry Townsend Rathbone. |
| updated | 02/14/2025 10:07:49 |
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| title | Erle Loran papers, 1912-1999. | repository | Archives of American Art |
| description | The papers of Southern California Bay area painter and teacher Erle Loran measure 12.6 linear feet and date from 1912 to 1991. Found are biographical materials; two linear feet of personal and professional correspondence; personal business records; writings which include extensive drafts and notes for Loran's book Cezanne's Composition; over 400 items of artwork that include watercolors, drawings, charcoal, and pastel studies; printed materials; photographs of Loran, family, and friends, and artwork; and one audio recording of a lecture by Loran on Cezanne. Bio / His Notes: Southern California Bay-area painter, writer, and teacher Erle Loran (1905-1999) was born in Minneapolis, Minnesota, but spent most of his life painting and teaching in the Bay area of Southern California. Loran attended University of Minnesota (1922-1923) and Minneapolis School of Art (1924-1926), where he received the Chaloner Foundation Prize (1926) which enabled him to study in France for three years. Particularly interested in Cézanne, he had the good fortune to live in his studio where he immersed himself in Cézanne’s world, an experience that was crucial to the development of his artistic vision. Upon his return to the U.S. he published many articles on Cézanne that developed into his pioneering book, "Cézanne’s Composition" (1943). In 1937, he joined the art department of the University of California, Berkeley, retiring emeritus professor of art in 1981. Loc. of Assoc. Material: Separated materials: Photographs of artwork by Erle Loran and two clippings of reproductions of Erle Loran's artwork were loaned for microfilming in 1975 and are available on 35mm microfilm reel 906 at Archives of American Art offices, and through interlibrary loan. These materials are not described in the container listing of the finding aid. Also found in the Archives of American Art is an oral history interview with Erle Loran conducted by Herschel Chipp, June 18, 1981, and a 1981 interview with Erle and Clyta Loran in the Fine Arts Museums of San Francisco Interviews With Artists collection; and a letter from Loran to Richard Wattenmaker, 1975. |
| extent | 12.6 linear ft. |
| formats | Personal Papers Business Papers Correspondence Writings Artwork |
| access | Use of original papers requires an appointment. |
| record link | https://sirismm.si.edu/EADpdfs/AAA.loraerle.pdf |
| record source | https://www.aaa.si.edu/collections/erle-loran-papers-9167 |
| finding aid | online |
| acquisition information | Microfilmed material donated 1975 by Erle Loran, except for material on reel 906, which was lent for microfilming. The unmicrofilmed addition was donated 1999 by Mrs. Ruth Schora-Loran, Loran's widow. Location of Original: Reel 906: Originals returned to Erle Loran after microfilming |
| updated | 02/14/2025 10:07:49 |
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| title | WNYC Views on Art radio program interviews, 1967-1973. | repository | Archives of American Art |
| description | 72 interviews of artists, art historians, administrators, curators, and others, conducted by Bowman for WNYC's "Views on Art" series. Interviewees include Mario Amaya, Benny Andrews, Dore Ashton, Tracy Atkinson, Will Barnet, Gene Baro, John Baur (re: Lipman sculpture collection), Bernard Bothmer, Adelyn Breeskin (re: Mary Cassatt prints), James Brooks, J. Carter Brown, Mikhail Bruk, Nicolas Calas, Duncan Cameron, Chryssa, Rene D'Harnoncourt (re: Picasso sculpture exhibition), Rosa Esman, David Evans, Dan Flavin, Alfred Frankenstein, Tom Freudenheim (re: American art behind the iron curtain), Edward Fry, Henry Geldzahler, Inna Goncharova (re: U.S.S.R. exhibition), Maurice Grosser, Peggy Guggenheim, George Hamilton, James Harithas (re: Prison Art), Thomas B. Hess (re: William De Kooning exhibition), John Hightower, Edward Hopper (4 min. on two paintings), Walter Hopps, Lita Hornick (re: Kulcher Press), Thomas Hoving, Robert Indiana, Wolf Kahn, Mrs. J.M. Kaplan, Alan Kaprow, Donald Karshan, Alex Katz, William King, Stan Kovan (co-interviewer of Fry), Max Kozloff, Edward Laning, Abram Lerner, Nicholas Marsicano, Garnett McCoy, John McKendry, Kynaston McShine (re: Gene Davis, Robert Irwin, and Richard Smith exhibition), Thomas Messer, Samuel Miller, Roy Moyer, John Bernard Myers, Konrad Oberhuber, Rafael Ortiz (re: El Museo del Barrio), Harry Parker, Beverley Pepper, Mrs. Marimar Quintana, S.Dillon Ripley, Robert Rosenblum, Sir John Rothenstein, William Rubin (re: Dada & Surrealism exhibition), Peter Selz, Roy Slade, Sylvia Sleigh, Leon Polk Smith, Hedda Sterne (re: exhibit at Betty Parsons Gallery), Betty Blayton Taylor, Dr. Joshua Taylor, Lisa Taylor, Ultra Violet, June C. Wayne (re: Tamarind Lithography Workshop), Monroe Wheeler, Carl Weinhardt, Ulfert Wilke, James Wines, William Woolfenden, and Mahonri Sharp Young (re: Morman paintings of C.C. Christiansen). Biographical and Historical Note Art historian; curator; New York, N.Y. Bowman received her M.A. at NYU, and later was guest curator at the Grey Art Gallery. |
| extent | 74 sound tape reels ; 7 in. |
| formats | Sound Recording |
| access | Untranscribed (except for Baur); use requires an appointment. |
| record link | http://www.aaa.si.edu/collections/wnyc-views-art-radio-program-interviews-9579 |
| record source | http://www.siris.si.edu/ |
| acquisition information | Donated 1989 by the Grey Art Gallery, New York University, at the request of Bowman, who had earlier deposited them at the Gallery. |
| updated | 02/14/2025 10:07:49 |
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| title | Artist file. | repository | The Brooklyn Museum Libraries and Archives |
| description | The file may include any of the following materials: announcements, clippings, photographs, press releases, brochures, reviews, invitations, small exhibition catalogs, resumés, other ephemeral material. Cite as Brooklyn Museum of Art Library Collections. BMA artist files. Location Brooklyn Artist Files Call Number AF BMA W |
| extent | 1 folder. |
| formats | Artist Files |
| access | Contact repository for further details. |
| record source | https://library.nyarc.org/permalink/01NYA_INST/ai54l4/alma991000365969707141 |
| acquisition information | Files compiled by BMA library staff from 1917 to the present. |
| updated | 02/14/2025 10:07:49 |
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