Archives Directory for the History of Collecting in America
Archives related to: Judd, Donald, 1928-1994
| title | Artist file: Judd, Donald, 1928-1994 | repository | National Portrait Gallery Library |
| description | Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs. |
| extent | 1+ folders (check with repository) |
| formats | Ephemera |
| access | Folder(s) do not circulate. Folder(s) available for use only at the holding library |
| record source | http://www.sil.si.edu/DigitalCollections/Art-Design/artandartistfiles/ |
| updated | 03/16/2023 10:30:00 |
| .................................................................... | |
| title | Artist file: Judd, Donald, 1928-1994 | repository | Hirshhorn Museum and Sculpture Garden Library |
| description | Folder(s) may include exhibition announcements, newspaper and/or magazine clippings, press releases, brochures, reviews, invitations, illustrations, resumes, artist's statements, exhibition catalogs. |
| extent | 1+ folders (check with repository) |
| formats | Ephemera |
| access | Folder(s) do not circulate. Folder(s) available for use only at the holding library |
| record source | http://www.sil.si.edu/DigitalCollections/Art-Design/artandartistfiles/ |
| updated | 11/12/2014 11:30:05 |
| .................................................................... | |
| title | Correspondence to Edward F. Fry, 1971. | repository | University of Pennsylvania |
| description | Response to the Hans Haacke exhibition cancellation at the Solomon R. Guggenheim Museum, 1971. (See Ms. Coll. 651, Box 13). Location: Rare Book & Ms Library Manuscripts Call Number: Ms. Coll. 651 |
| extent | 2 items (5 leaves) |
| formats | Correspondence |
| access | Contact repository for restrictions and policies. |
| record source | http://www.franklin.library.upenn.edu |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |
| title | Giuseppe Panza papers, 1956-1990. | repository | The Getty Research Institute |
| description | Collection documents the Italian businessman's activities in collecting works by some of the seminal American artists involved with abstract expressionist, pop, minimal, conceptual, environmental, and light and space art. The archive contains material dating from 1956, when Panza began collecting. up to the sale of the second part of his collection to the Guggenheim Museum in 1990. Panza's art collection is documented by correspondence with artists and galleries, photographs, small drawings, invoices, loan requests, announcements, and invitations. The archive also includes a substantial quantity of Panza's writings on art; papers and ephemera related to Panza's associations with museums, galleries, and cultural institutions; clippings and photocopies of articles about the collection; and an extensive group of architectural drawings of potential sites for the collection, many with Panza's installation designs. Preferred Citation Giuseppe Panza papers, 1956-1990, Getty Research Institute, Research Library, Accession no. 940004. |
| extent | 117 lin. ft. (310 boxes, 58 rolls, 3 flat file folders) |
| formats | Correspondence Ephemera Writings Clippings Drawings |
| access | Open for use by qualified researchers. To access physical materials on site, go to the library catalog record for this collection and click "Request an Item." |
| record link | http://hdl.handle.net/10020/cifa940004 |
| record source | http://primo.getty.edu/primo_library/libweb/action/dlDisplay.do?vid=GRI&search_scope=default_scope&docId=dedupmrg1038236259&fn=permalink |
| finding aid | online and in repository |
| acquisition information | Acquired from Panza in 1994. |
| updated | 03/25/2016 12:20:53 |
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| title | Richard Stankiewicz papers, 1948-1984. | repository | Archives of American Art |
| description | Resumes and an autobiographical sketch; correspondence with dealers, curators, collectors, artists, students, friends and family; 2 appointment books, a 10-page journal, describing a 1955 visit to Fairfield Porter in Maine, and other notes and writings; transcripts of interviews with Louise Nevelson, Donald Judd, George Rickey, and George Segal for a documentary, "Four Sculptors"; lists of supply costs and of art sales; 2 accounts ledgers; invoices from the Leo Nash Steel Corporation; legal documents, including a draft of a will, 1967, and divorce documents, 1978; materials relating to the Hansa Gallery, and minutes of meetings of the Artist Tenant's Association; exhibition materials, including loan forms, insurance evaluations, and price lists; exhibition announcements and catalogs; clippings; a menu designed by Larry Rivers; art works, including sketches and diagrams of a sculpture workshop and machines, and 7 sketches of sculpture; and photographs of Stankiewicz and his family. SEALED: Diary (1 v.), 1951 and undated. Bio / His Notes: Sculptor and educator; New York, N.Y. Died 1983 In 1952, Stankiewicz and 11 other artists formed the co-operative Hansa Gallery in New York. Some others in the group were: Jane Wilson, Paul Georges, Wolf Kahn, George Segal, Jan Muller, Allen Kaprow, and Jean Follett. Stankiewicz left Hansa in 1957 and became associated with the Stable Gallery. He exhibited there from 1957-ca.1967. In 1967 he became a professor of art at the State University of New York at Albany, and in 1972 he became associated with the Zabriskie Gallery. |
| extent | 4.0 linear ft. (partially filmed on 5 microfilm reels) reels 3747-3751 |
| formats | Microfilm Business Papers Correspondence Writings Diaries |
| access | Microfilmed portion must be consulted on microfilm. Use of unfilmed portion requires an appointment and is limited to Washington, D.C. storage facility. Unmicrofilmed diary: SEALED; no access. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Donated 1974 and 1979 by Richard Stankiewicz, and in 1984 by his sons Peter and Anthony. |
| updated | 11/12/2014 11:30:14 |
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| title | Donald Judd interview, 1968 May. | repository | Archives of American Art |
| description | Interview of Donald Judd conducted by Margot Willett. Judd talks about his childhood, how his art is viewed by the public, as well as his painting styles and "boxes." He mentions the Art Students League, Frank Stella, Jackson Pollock, Tony Smith, and Robert Morris. Bio / His Notes: Donald Judd (1928-1994) was a sculptor from New York, N.Y. |
| extent | 1 sound tape ; 7 in. Transcript 15 p. |
| formats | Sound Recording Transcript |
| access | Use requires an appointment. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Donor unspecified. |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |
| title | Four Sculptors. Parts I and II. [videorecording] / State University of New York at Albany, Educational Community Center; director, Carl Howard and Richard Stankiewwicz. | repository | Archives of American Art |
| description | Interviews of the sculptors Donald Judd, Louise Nevelson, George Rickey and George Segal, conducted by the sculptor Richard Stankiewicz. |
| extent | 1 videocassette (56 min.) : col., 3/4 in. |
| formats | Reproductions Video recording |
| access | Use requires an appointment and is limited to Washington, D.C. office. Copyright retained by SUNY at Albany. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Original 16mm film located at SUNY Albany. |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |
| title | Barbara Rose papers, 1962-circa 1969 | repository | Archives of American Art |
| description | Letters, writings, printed material, interviews with artists and other audio recordings and transcripts relating to Barbara Rose's research as an art historian. Letters include those received from artists in response to a questionnaires sent by Rose and Irving Sandler in preparation for articles in, "Art in America," on patronage for sculpture, and other aspects of art in the 1960's and includes responses from Robert Motherwell, Robert Kauffman, Len Lye, Robert Morris, George Segal, David Hare, and others. Also included are copies of, "Myth, Symbol, or Me," by Emily Wasserman; excerpts from a, "Work Journal on Flying Sculpture," by Charles Frazier; and two copies of the 57th Street Review periodical, Nov. 15, 1966; Sound recordings of interviews conducted by Rose are with Richard Bellamy, Jacqueline Bogrand, Leo Castelli, James E. Davis, Henry Geldzahler, Ivan Karp, Lee Krasner (21 p. transcript included), C. M. Kuntz, John Lefebre, John Myers (29 p. transcript included), and Donald Judd with Frank Stella, 1965 (transcript included). Other audio recordings and transcripts include a 30 p. transcript of a symposium held at the Washington Gallery of Modern Art, Washington, D.C. in conjunction with the exhibition, "A New Aesthetic," with participants Ronald Davis, Dan Flavin, Robert Kauffman, and John Harvey McCracken, with Barbara Rose as moderator, May 6, 1967; a tape recording of, "Sculpture and Architecture: A Dialogue," 1968; a sound recording and 16 p. transcript of a lecture entitled, "Pop Art: What?" delivered by Friedel Dzubas at the 17th annual art symposium, University of South Florida, circa 1960; a sound recording and 27 p. transcript of the panel discussion, "Creative Photography and the Market Place," sponsored by the San Francisco Art Society, San Francisco, Calif., with participants Ansel Adams, Arthur Bierman, Kenneth Rexroth and Edward Taylor, with Ernst Karl Mundt as moderator; a sound recording and 38 p. transcript of the symposium The Artist and the Art World sponsored by the Arts Council of the San Francisco Art Institute and Art Forum magazine with participants John Bowles, Roy Dean De Forest, and Seymour Locks, with Walter Hopps as moderator, Sept. 28, 1962; an 18 p. transcript of the symposium Primary Structures at the Jewish Museum, New York, N.Y. with participants Mark Di Suvero, Donald Judd, Robert Morris, and Barbara Rose, with Kynaston McShine as moderator, May 2, 1966; and 4 sound tapes and a 41 p. transcript of a panel discussion, "Is Easel Painting Dead," held at New York University, as part of the series The Critics Colloquium with panel members are Walter Darby Bannard, Donald Judd, Larry Poons, and Robert Rauschenberg, with Barbara Rose as moderator, Nov. 10, 1966. |
| extent | 1.0 linear feet |
| formats | Correspondence Writings Printed Materials Interviews Sound Recording |
| access | Use requires an appointment. |
| record link | http://www.aaa.si.edu/collections/barbara-rose-papers-9961 |
| record source | http://siris-archives.si.edu/ |
| finding aid | Online transcript |
| acquisition information | Donated 1971-1977 by Barbara Rose. Location of symposium sound recording unknown. |
| updated | 11/12/2014 11:30:14 |
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| title | Robert Smithson and Nancy Holt papers, 1905-1987. | repository | Archives of American Art |
| description | REELS 3832-3837: Biographical material, undated and 1905-1973, including a resume, engagement calendars, 1966-1973, and Smithson's funeral register; financial material, undated and 1967-1976, consisting of a loan agreement and receipts for supplies; correspondence, undated and 1961-1984, including letters from Carl Andre, Gyorgy Kepes, and Sol Lewitt and others; six interview transcripts, undated and 1969-1973; writings, undated and 1961-1975, by Smithson and by others; project files, undated and 1966-1973, containing letters, writings, drawings, printed material, and photographs, pertaining to various art projects by Smithson; a scrapbook of clippings and notes, 1966-1972; clippings, undated and 1963-1985; exhibition announcements and catalogs, undated and 1959-1985; books, 1958-1981; photographs, undated and 1955-1964, of a trip to New Jersey with Howard and Dale, of the planetarium, and of works of art by others; and 2 pins saying "Artoficial" from the N.E. Thing Co., and geometric units for a logic test. UNMICROFILMED: Financial records (1 ft.; access restricted), including Smithson's and Holt's cancelled checks, 1962-1968; statements of stock dividends, 1964- 1971; receipts, 1965; and income tax information and forms, 1963-1972 including statements and land deeds generated by the estate of Ernest M. Holt. Other material includes a letter to Holt from Florence R.; Holt's grant application to NEA, 1986; a handwritten outline of a film; a drawing of Ann Tobin, 1974, possibly by Holt; 6 motion picture film containers holding 14 work prints, 25 original rolls out, and 1 release print annotated "poor color" for the film "Pine Barrens," 1975 with VHS copy; a 1/4" sound track for "Pine Barrens," 1975; and a work print for "Sun Tunnels," 1978 with VHS copy. Also included is Smithson's library (62 linear ft.), containing art, film, science fiction, natural history, and annotated literary magazines and books containing material of interest to Smithson; and phonograph records represent a wide range of musical styles, including classical, country, and rock. ADDITION: Maps; photographs, among them inspirational photographs; remnants of photographs of strata for Smithson's Aspen Magazine piece; postcards from Smithson and Holt to Smithson's parents, in which they discuss their work, and other correspondence; notes and a notebook of writings by Smithson, including the first draft of Smithson's article, "Monuments of Passaic"; photocopy of a letter from Carl Andre to "Saul"; art work; a project proposal by the English Art and Language artist Terry Atkinson; artifacts; 12 vol. of books on art, science, and the earth from Smithson's library; and three transcripts of interviews with Robert Smithson, 1971-1973. Transcripts consist of a 1971 question and answer session at the National Institute of Chicago regarding "Swamp" and "Spiral Jetty", a 1973 radio interview with Dr. Stella Russell in New York, and a 1973 interview with two unidentified students in Smithson's studio. Bio / His Notes: Smithson, a sculptor and lecturer, was born in 1938 and died in 1973. His wife, Nancy Holt, is a sculptor and filmmaker. |
| extent | 76.2 linear ft. (partially microfilmed on 6 reels) Addition: ca. 13.1 linear feet Addition: 8 rolled docs reels 3832-3837 |
| formats | Microfilm Correspondence Financial Records Photographs Ephemera |
| access | Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed material requires an appointment. Addition: Unmicrofilmed, use requires an appointment. Financial records (Unfilmed, 1 ft.): ACCESS RESTRICTED; written permission required. |
| record source | http://www.siris.si.edu/ |
| finding aid | Reels 3832-3837: Finding aid (Microfilm inventory) is available in all AAA offices. |
| acquisition information | Donated by Nancy Holt, Robert Smithson's widow, 1986-2005. |
| updated | 11/12/2014 11:30:14 |
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| title | Leo Castelli Gallery records, circa 1880-2000, bulk 1957-1999. | repository | Archives of American Art |
| description | The Leo Castelli Gallery records measure 226 linear feet and date from circa 1880-2000, with the bulk of the materials dating from the gallery's founding in 1957 through Leo Castelli's death in 1999. The major influence of dealer Leo Castelli and his gallery on the development of mid-to-late twentieth century modern art in America is well-documented through business and scattered personal correspondence, administrative files, exhibition files, extensive artists' files and printed materials, posters, awards and recognitions, photographs, and audio and video recordings. Also included are records for the subsidiary firms of Castelli Graphics and Castelli/Sonnabend Tapes and Films. The records document the gallery's daily business operations, exhibitions, spaces/buildings, collaborations and joint ventures with other galleries and museums, and its relationship with many artists, dealers, and clients. Artists particularly well-represented throughout the collection include Hanne Darboven, Dan Flavin, Jasper Johns, Donald Judd, Roy Lichtenstein, Robert Morris, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Richard Serra, Frank Stella, Andy Warhol, and Lawrence Weiner. Records pre-dating the gallery's establishment in 1957 are primarily newspaper and magazine clippings related to artists, personal photographs and photographs of works of art, and scattered personal business records of Leo Castelli. General Correspondence is extensive at circa 25 linear feet and consists primarily of the gallery's and Leo Castelli's named and subject correspondence files concerning the gallery's daily operations, exhibitions, artwork installation and fabrication, appraisals, inquiries, loans, sales, consignments, personal and business relationships with artists, and other topics. The general correspondence is arranged either by name of correspondent or topic, and is with museums and galleries, collectors, business associates, artists, employees, and friends. Notes, scattered photographs and slides, and printed materials are often found as enclosures. Leo Castelli's personal correspondence is also found here and consists primarily of solicitations, requests for advice, notes of thanks, congratulations, and invitations. Letters written by artists in the gallery's stable are somewhat limited. There are scattered letters from artists Christo, Chryssa, Nassos Daphnis, Hanne Darboven, Marisol, Dan Flavin, Jasper Johns, Frederick Kiesler, Robert Morris, Hans Namuth, Bruce Nauman, Nam June Paik, Ray Parker, James Rosenquist, Edward Ruscha, Salvatore Scarpitta, Frank Stella, Cy Twombly, and Jack Tworkov. There are also letters about artists in this series filed under the artists' name. Collectors and dealers represented within the correspondence include the De Menil family, Mrs. Henry Epstein, Ben Heller, Giuseppe Panza, Alan Power, John and Kimiko Powers, Robert and Carolyn Rowan, Robert and Ethel Scull, and Burton and Emily Tremaine. Museums and galleries for which there is considerable correspondence includes the Dwan Gallery, Ferus Gallery, the Jewish Museum, Museum of Modern Art, Sidney Janis Gallery, Stedelijk Museum, Whitney Museum of American Art, and the Ileana Sonnabend Galerie. The materials arranged in General Correspondence were originally marked by the gallery as "correspondence" files upon accessioning, and, are thus arranged into their own series. However, in some cases, there appears to be little difference between the General Correspondence and the Administrative Files. Thus, researchers are encouraged to reference both series. Administrative Files document a wide variety of the gallery's activities and business. Essentially, these are files that were arranged by the gallery according to subject or topic and cover almost all activities except specific exhibitions. These files include records and correspondence about buildings and space, advertising, appraisals, auctions, consignments, loans, miscellaneous business correspondence, index cards, business arrangements with artists, information about artists, interviews with artists (transcripts), history of the gallery, mailings, photograph requests, shipping, and other topics. There are staff notebooks and files and Leo Castelli's notebooks and notes from the late 1950s through the early 1990s. Extensive outgoing chronological correspondence filed in this series dates from 1964-1977. Also found are transcripts of interviews with Leo Castelli, biographical material, and scattered photographs. Researchers should note that the Administrative Files often overlap and complement the General Correspondence. However, they focus slightly more distinctly on gallery business activities and are arranged mostly by subject or topic, except for the chronological business correspondence. Researchers are encouraged to reference both series. For example, correspondence with and about Jasper Johns may be found in both series, but the administrative files most likely focus on a specific loan, consignment, or business activity or transaction. Exhibition files provide a thorough history of the gallery's exhibitions, as well as the fabrication and installation of artwork for exhibitions. These files include correspondence, exhibition catalogs, guest books, lists of exhibitions by artist and by year, press releases, sketches and notes, and scattered financial records. Photographs document over 650 exhibitions at Leo Castelli Gallery, including The Ninth Street Show organized by Castelli in 1951, and over 200 exhibitions at other galleries. Extensive artists' files comprise approximately 40% of the records and are a rich resource of printed and compiled information about the careers of over 120 artists and their relationship with Leo Castelli and the gallery. There are exhibition announcements and catalogs, flyers, invitations, magazine articles and clippings, newspaper clippings, posters, press releases, photographs, and a handful of books. Nearly half of the series is comprised of black and white photographs of artwork, presumably handled by the Leo Castelli Gallery. Additional printed materials include exhibition announcements, flyers, invitations, magazine articles and clippings, newspaper clippings, press releases, and exhibition posters. Exhibition catalogs are filed with the exhibitions files. The general archives files provide a chronological history of the gallery and its exhibitions. There are also files concerning Leo Castelli and numerous art-related topics. Exhibition posters are found here as well. Artwork is limited and includes a few works of art and signed posters. Artists represented here include photographer Gianfranco Gorgoni, Robert Morris, Bruce Nauman, Richard Serra and Andy Warhol, as well as others. The records of the subsidiary Castelli Graphics New York consist of correspondence and administrative files relating to general operations and the sale and loan of prints. Also found are exhibition files, sales records, and scattered financial records. The series provides a wealth of information about Castelli Graphics collaborations with Multiples Inc. in the 1970s. Also found in the collection are records of Castelli/Sonnabend Tapes and Films, a joint business venture between Leo Castelli Gallery and Sonnabend Gallery from 1974-1985. Records include correspondence, administrative files, exhibition files, artists' files, printed materials, sales and rental records, photographs, and financial records. The importance and stature of Leo Castelli and the Leo Castelli Gallery to the arts community in New York City and beyond is documented by numerous awards and recognitions, such as framed and unframed certificates, plaques, statues, medals, and scattered photographs. Nearly seven linear feet of photographs include professional black and white original prints, scattered color photographs, color transparencies, slides and negatives, and disassembled photo albums. The photographs primarily depict social and art events and functions; family and friends of Leo Castelli; and portraits of Leo Castelli and artists and of Leo Castelli with artists, including Richard Artschwager, Jasper Johns, Roy Lichtenstein, Bruce Nauman, Robert Rauschenberg, James Rosenquist, Salvatore Scarpitta, Richard Serra, Frank Stella, and Andy Warhol. Photographs of exhibitions and exhibition installations are filed with the exhibition files. Audio and video recordings include recordings done by artists, interviews with artists and Leo Castelli, recordings from and of exhibitions, and television programs recorded primarily on cassette tapes, albums, VHS tapes, and 3 4" U-Matic tapes. Artists represented include Robert Barry, Barbara Bloom, Hanne Darboven, Dan Flavin, Jasper Johns, Jeff Koons, Roy Lichtenstein, Bruce Nauman, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Doug and Mike Starn, and Lawrence Weiner, among others. Bio / His Notes: Leo Castelli Gallery (est. 1957) art gallery, New York, N.Y. Leo Castelli (1907-1999), founder of Leo Castelli Gallery, New York, N.Y. He established the Leo Castelli Gallery in 1957, recognizing that important cultural changes were occuring in America and that a new form of art would derive from Abstract Expressionism which was in its heyday. The first two artists he signed up were Jasper Johns and Robert Rauschenberg, both transitional figures in the move from Abstract Expressionism to Pop Art. Castelli became known as one of the greatest salesmen in the art market and an avid supporter of contemporary art movements. |
| extent | 226.0 linear feet |
| formats | Business Papers Administrative Records Correspondence Exhibition Files Artist Files |
| access | Patrons must use microfilm copy. |
| record link | https://sirismm.si.edu/EADpdfs/AAA.leocast.pdf |
| record source | https://www.aaa.si.edu/collections/leo-castelli-gallery-records-7351 |
| finding aid | online and in repository |
| acquisition information | Lent for microfilming 1968 by Leo Castelli Gallery. |
| updated | 09/12/2019 16:36:04 |
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| title | Castelli Graphics records, 1969-1997. | repository | Archives of American Art |
| description | Artists' files, business and financial records, exhibition records, professional correspondence, photographs, and printed material documenting the activities of art gallery and print publishing firm Castelli Graphics. Artists files include Robert Adams, Eve Arnold, Richard Artschwager, Lewis Baltz, Jean-Charles Blais, Lee Bontecou, James Brown, Sandro Chia, Robert Combas, Robert Cumming, Jan Dibbets, Bernard Faucon, Mark Feldstein, Dan Flavin, Ralph Gibson, John Gossage, John Gutmann, Jane Hammond, Edward Henderson, Jasper Johns, Donald Judd, Ellsworth Kelly, Joseph Kosuth, Roy Lichtenstein, Brice Marden, Mary Ellen Mark, Steve Miller, Robert Morris, Hans Namuth, Bruce Nauman, Claes Oldenburg, Robert Petersen, Michelangelo Pistoletto, Robert Rauschenberg, Ruby Ray, Brent Richardson, Don Rodan, James Rosenquist, Edward Rucha, Davis Salle, Julian Schnabel, Richard Serra, Sandy Skoglund, Michael Smith, Eve Sonneman, Keith Sonnier, Pat Steir, Frank Stella, Judy Tomkins, Cy Twombly, Bernar Venet, Andy Warhol, and Terry Winters. Business and financial records concern accounts, consignments, loan and sales records, reproduction rights, book deals, inventories, and general operations. Exhibition records include gallery installations and checklists. Professional correspondence is with artists and clients. Photographs are of works of art. Printed material includes exhibition announcements and other publications. Bio / His Notes: Castelli Graphics (est. 1969; closed 1997) was an art gallery and print publishing firm in New York, N.Y. which was founded by Antoinette (Toiny) Castelli. |
| extent | 65.3 linear feet |
| formats | Business Papers Financial Records Exhibition Catalogs Correspondence Artist Files |
| access | Use requires an appointment. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Donated 2011 Jean-Christophe Castelli, Leo and Antoinette Castelli's son. |
| updated | 11/12/2014 11:30:14 |
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| title | Lucy R. Lippard papers, 1940s-2006, bulk, 1968-1990. | repository | Archives of American Art |
| description | The papers consist of correspondence, printed material, writings, notes, research materials, sound recordings, and photographs. They document Lippard's career as a critic, writer, lecturer, teacher, and curator of exhibitions in the field of contemporary art, as well as her work as a social and political activist. Scattered throughout are a small amount of papers concerning her personal life. Found within the collection are alphabetical files that are subject/correspondence files for artists/other individuals, galleries/institutions/groups, and subjects. Correspondents include Christo, Mary Beth Edelson, Ray Johnson, Sol LeWitt, Richard Long, and Claes Oldenberg. Also found are files that remain unorganized, except for a rough chronological or alphabetical order. Included in both writings and exhibitions are manuscripts, notes, related correspondence, and research material. Teaching records consist of notes, reference and research materials, and administrative correspondence. Among the printed material is a wide variety of items by Lucy R. Lippard and other authors, much of which overlaps similar material in the alphabetical files (Series 1). Subjects include Ad Reinhardt, Eva Hesse, Philip Evergood, and Tony Smith. Sound recordings consist mainly of interviews with artists conducted by Lippard, including Donald Judd, Sol LeWitt, and Tony Smith, interviews with Lippard, and panel discussions on art and political topics. Photographs mostly are of works of art, with some of exhibition installations, people, and miscellaneous subjects. Bio / His Notes: Writer, art critic, New York, N.Y.; b. 1937. |
| extent | 47.4 linear ft. |
| formats | Correspondence Printed Materials Writings Notes Research Files |
| access | The collection is open for research. Use requires an appointment. |
| record link | http://www.aaa.si.edu/collections/lucy-r-lippard-papers-7895/more |
| record source | http://www.siris.si.edu/ |
| finding aid | Electronic finding aid available at http://www.aaa.si.edu/collections/findingaids/lipplucy.htm |
| acquisition information | Donated 1972-2006 by Lippard. |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |
| title | Oral history interview with Donald Judd, 1965 Feb. 3. | repository | Archives of American Art |
| description | An interview of Donald Judd conducted 1965 Feb. 3, by Bruce Hooton, for the Archives of American Art. Bio / His Notes: Donald Judd (1928-1994), sculptor of New York, N.Y. General Note: An unrelated interview of Philip Pavia (1/19/65) conducted by B. Hooten is also on this tape. |
| extent | Sound recording: 1 sound tape reel ; 7 in. Transcript: 11 p. |
| formats | Sound Recording Transcript Online Transcript |
| access | Transcript available on the Archives of American Art website. |
| record link | http://www.aaa.si.edu/collections/interviews/oral-history-interview-donald-judd-11621 |
| record source | http://www.siris.si.edu/ |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |
| title | [Waldorf panel on sculpture] [sound recordings], 1965 Feb. 17 & Mar. 17. | repository | Archives of American Art |
| description | A two part panel discussion on sculpture (6 7" tapes), partially transcribed on 141 pages. Participants are Peter Agostini, Will Barnet, Elaine De Kooning, Herbert Ferber, John Ferren, Donald Judd, Frederick Kiesler, Ibram Lassaw, Robert Mallary, Nicholas Marsicano, Louise Nevelson, Isamu Noguchi, Claes Oldenburg, Philip Pavia (organizer), Ad Reinhardt, Rachel Rosenthal, Sal Schwartz, George Segal, David Slivka, and James Wines. Bio / His Notes: The Waldorf Panel on Sculpture was organized by Philip Pavia, who chose the name in homage to the informal artists' discussions held at the Waldorf Cafeteria on 6th St. in the early to mid 1940s, and which later formed the nucleus to the artists' group known as the Club. |
| extent | 6 sound tapes ; 7 in. (partially transcribed) |
| formats | Sound Recording Transcript |
| access | Transcript not microfilmed; use requires an appointment. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Provenance unknown. |
| updated | 11/12/2014 11:30:14 |
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| title | Chinati Foundation: vertical file. | repository | Canadian Centre for Architecture |
| description | Includes material on work of founding artists Donald Judd, John Chamberlain, and Dan Flavin. Collection MAIN VF Location Bibliothèque/Library |
| extent | 1 folder |
| formats | Ephemera |
| access | Contact repository for restrictions and policies. |
| record source | http://www.cca.qc.ca/ipac20/ipac.jsp?profile=cca&lang=eng#focus |
| updated | 11/12/2014 11:30:14 |
| .................................................................... | |