Archives Directory for the History of Collecting in America

Archives related to: Stuyvesant, Rutherfurd, 1842-1909

titleStuyvesant-Rutherfurd papers, 1775-1917 (bulk 1840-1917).
repositoryThe New-York Historical Society
descriptionCorrespondence, account books, deeds, commissions, bills & receipts, misc. papers, photographs, and printed material, 1647-1909, of various members of the related Stuyvesant, Rutherfurd, and allied families,

particularly Gerardus Stuyvesant (d.1777), Nicholas William Stuyvesant (d.1780), Peter Stuyvesant (d.1805), Nicholas William Stuyvesant (1769-1833), Peter Gerard Stuyvesant (1778-1847), Walter Rutherfurd (1723-1804), John Rutherfurd (1760-1840), Robert Walter Rutherfurd (1788-1852), Lewis Morris Rutherfurd (1816-1892), and Rutherfurd Stuyvesant (1843-1909). --The following is included: correspondence & papers, 50 items 1647-1700, and almost entirely in Dutch, concerning Govert Loockermans (d.1671), a N.Y. official; business papers, 1740's, and fabric samples of Mary Alexander; 78 p. log book of several voyages between Perth Amboy, N.J. and the West Indies, 1750-52;

14 letters, 1781-85, to Peter Stuyvesant from Loyalist Myles Cooper (1737-1785) in London and Edinburgh; 2 family account books, 1789-99, of Walter and Catherine Rutherfurd; 2 account books, 1797-1829, concerning Peter Stuyvesant and his estate; 5 letters, 1812-13, from John Jay to his son, Peter Augustus Jay; much correspondence, 1840's-60's, between Lewis Morris Rutherfurd and his son, Rutherfurd Stuyvesant;

18 pocket diaries of Rutherfurd Stuyvesant, 1869-89; and in the later period, correspondence & papers of Rutherfurd Stuyvesant relating to the operation of his Tranquillity Farm in Warren Co., N.J., his interest in arms and armor, and yacht "Arcturus".

Historical Note: Prominent in New York and New Jersey.

Location:
New York Historical Society Manuscripts Collection

Call Number:
Stuyvesant-Rutherfurd papers
extentCa. 2,000 items.
formatsCorrespondence Account Books Photographs
accessPlease contact repository for access and restrictions.
record linkhttp://www.bobcat.nyu.edu:1701/primo_library/libweb/action/display.do?fn=display&doc=nyu_aleph001451690&vid=NYU
record sourcehttp://www.bobcat.nyu.edu
finding aidhttp://dlib.nyu.edu/eadapp/transform?source=nyhs/stuyruth.xml&style=nyhs/nyhs.xsl&part=body
updated03/16/2023 10:30:02
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titleThe Fototeca Berenson (Villa I Tatti Photo Archives)
repositoryBiblioteca Berenson, Villa I Tatti
descriptionThe collection contains about 300,000 photographs, many of them collected by Berenson himself from the 1880s until the time of his death in 1959. Many have notes on the back in his handwriting. Many show works of art before restoration, and others show images since destroyed.

An important section, "Homeless paintings", contains photographs of works whose current location is unknown. The photographs are almost exclusively black and white in a variety of photographic media, such as albumen, gelatine, or carbon.

About 3000 large-format photographs are stored separately. In addition, there is a considerable amount of documentary material in the form of clippings, notes and printed reproductions.

The photographs are arranged according to Berenson's original scheme, by school: Florence, Siena, Central Italy, Northern Italy, Lombardy, Venice, Southern Italy. Within each school they are arranged by artist, then by topography, followed by homeless. Paintings and drawings are arranged separately.

The main focus of the collection is on Italian painting and drawing from the mid-thirteenth to the mid-sixteenth centuries. This part of the collection continues to be developed through the acquisition of new materials and through photographic campaigns. Later periods are also represented but in smaller scale, without systematic updating.

There is also material on medieval painting, arranged topographically; manuscript illumination, arranged according to present location; archeology; Byzantine art and architecture, arranged both by artist and by location; and non-Italian art, arranged by country. Finally a section of 8000 photographs is devoted to the art of the Far East, India and Islam.

In addition to the original Berenson nucleus, collections of prints, glass plates, negatives and transparencies have entered the Fototeca.

These include the collections of Emilio Marcucci (nineteenth-century projects for the completion of various Florentine monuments), George Kaftal (representations of saints in Italian painting of the fourteenth and fifteenth centuries), Henry Clifford (painting thirtheenth to seventeenth centuries), Giorgio Castelfranco (Italian art thirteenth to twentieth centuries), Giannino Marchig (restoration), Frederick Hartt (Michelangelo, Giulio Romano), Giuseppe Marchini (Italian art and stained glass), and Craig H. Smyth (Renaissance painting and drawing).

There is a small collection of micropublications and microfiche (162,386 frames): L=index photographique de l'art en France (95,648); Sotheby's Pictorial Archive - Old Master Paintings (45,472); Christie's Pictorial Archive Italian School (9,898); Christie's Pictorial Archive - New York 1977-95 Old Master Paintings & Drawings (11,368). The microfilm of the Bartsch Corpus comprises about 42,000 frames.

Notes
Most photographers not identified.

extent300,000 + photographs
formatsPhotographs Reproductions Microfilm Artist Files
accessContact Ilaria Della Monica the archivist at the Berenson Library for restrictions and appointments.
record linkhttp://via.lib.harvard.edu/via/deliver/advancedsearch?_collection=via
record sourcehttp://itatti.harvard.edu/
finding aidCurrently, there is no catalog of the photographs at Villa I Tatti. In some cases, Artist Files, can be found school (i.e. Venetian, Lombard, Northern Italy, Central Italy, etc. . .) and some are cataloged in Harvard's online catalog, HOLLIS.
acquisition informationOriginally formed by Bernard Berenson the Library continues to add to the file.
updated11/12/2014 11:30:10
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