Archives Directory for the History of Collecting in America
Archives related to: Nicola, Franklin Felix
| title | Deed for Schenley Farms to Frank F. Nicola, 1905 | repository | Historical Society of Western Pennsylvania |
| description | Archives Collection MFF 1377 |
| extent | .05 linear ft. |
| formats | Legal Papers |
| access | Contact repository for restrictions and policies. |
| record source | http://digital.library.pitt.edu/hswp/ |
| updated | 03/16/2023 10:30:02 |
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| title | Duveen Brothers Records, 1876-1981, bulk 1909-1964 | repository | The Metropolitan Museum of Art |
| description | The records provide an detailed view of the Duveen Brothers business activities in London, Paris, and New York. Although the archive extends from 1876-1981, the bulk of the material dates from Joseph Duveen's tenure as president of the firm, 1909-1939, and the period from 1939 to 1964 when Edward Fowles directed the firm (with Armand Lowengard until 1943). The mass of documents, such as cables and letters, invoices, and ledger and stock books, give a day-by-day account of art dealing, business strategy, and the individuals involved NOTE Series I (ca. 112 linear feet) contains the firm's business records. Stock books indicate where objects were sent for repair, to whom objects were sent on approbation along with the date of sale and the price realized. Invoices include receipts, sales invoices sent to clients, lists of cablegrams and shipment of stock from each branch of the business Series II (ca. 155 linear feet) consists of papers and correspondence which broadly cover the interaction between the Duveen Brothers firm and its clients, business associates, and the public. The correspondence describes art collecting trends among museums and individuals, the availability and purchase of art, art research and authentication, and the firm's general business practices. Eleven boxes of correspondence with Bernard Berenson detail his business relationship with the firm. Also included are records of lawsuits, correspondence between branches (some written in code), correspondence with museums, papers regarding galleries, Edward Fowles' papers, papers concerning exhibitions and loans, and papers regarding major art collectors and consultants. Some records of Kleinberger Galleries (apparently the papers of Harry G. Sperling, president) form a subseries within this series, and contain correspondence Series III (c. 127 linear feet) includes some photographs, indices, negatives, and x-rays. This series represents the Duveen Brother's stock of images. Indices are available for the majority of the negatives in cold storage ("X Book" (Berenson transaction) is the only unique Duveen document not transferred to the GRI. It has not yet been photocopied. The "X Book" details, for a limited number (about 250) of Italian paintings in which Berenson had a financial interest, precise dates of purchase and sale, primarily in the years 1910-27. There is no index.) AAM LOCATION Watson Library Reference CALL NUMBER Microfilm Cabinet |
| extent | Ca. 394 linear ft. 584 boxes, glass negative cabinets, and 18 flat file folders. 422 microfilm reels : positive ; 35mm |
| formats | Microfilm |
| access | Microfilm of the archive is available for use by qualified researchers. The originals are held at the Getty Institute in CA. |
| record source | http://library.metmuseum.org/record=b1334527~S1 |
| finding aid | Unpublished finding aid available in the repository (the Getty Research Library): folder level control. Online finding aid, Watson Online, Metropololitan Art Museum. |
| acquisition information | The Metropolitan Museum of Art donated the Duveen archive to the Getty Research Library in 1996. Edward Fowles had donated the archive to the Metropolitan in 1968 |
| updated | 11/12/2014 11:30:10 |
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| title | Duveen Brothers records, 1910-1933. | repository | Archives of American Art |
| description | A United States Circuit Court Bill of Indictment: The United States of America vs. Benjamin Duveen, Henry J. Duveen, Joel J. Duveen, Joseph J. Duveen, and Louis J. Duveen, 1910; a "supplemental protest" to the Commisssioner of Internal Revenue from Joseph Duveen, May 5, 1927; a statement before the Commissioner of Internal Revenue "in the matter of the income taxes for the fiscal years ended May 31, 1923 to 1931, of Duveen Brothers, Inc."; and an article about Joseph Duveen. Bio / His Notes: Art dealers; New York, N.Y. |
| extent | 4 items (on 1 partial microfilm reel). reel 2803 |
| formats | Microfilm |
| access | Patrons must use microfilm copy. |
| record link | n/a |
| record source | https://www.aaa.si.edu/collections/duveen-brothers-records-7611 |
| acquisition information | Provenance unknown. Loc. of Assoc. Material: Records of Duveen Bros: also located at: Metropolitan Museum of Art. |
| updated | 06/08/2023 16:42:13 |
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| title | Duveen Brothers Records, 1876-1981, bulk 1909-1964 | repository | The Getty Research Institute |
| description | The records provide an detailed view of the Duveen Brothers business activities in London, Paris, and New York. Although the archive extends from 1876-1981, the bulk of the material dates from Joseph Duveen's tenure as president of the firm, 1909-1939, and the period from 1939 to 1964 when Edward Fowles directed the firm (with Armand Lowengard until 1943). The mass of documents, such as cables and letters, invoices, and ledger and stock books, give a day-by-day account of art dealing, business strategy, and the individuals involved NOTE Series I (ca. 112 linear feet) contains the firm's business records. Stock books indicate where objects were sent for repair, to whom objects were sent on approbation along with the date of sale and the price realized. Invoices include receipts, sales invoices sent to clients, lists of cablegrams and shipment of stock from each branch of the business Series II (ca. 155 linear feet) consists of papers and correspondence which broadly cover the interaction between the Duveen Brothers firm and its clients, business associates, and the public. The correspondence describes art collecting trends among museums and individuals, the availability and purchase of art, art research and authentication, and the firm's general business practices. Eleven boxes of correspondence with Bernard Berenson detail his business relationship with the firm. Also included are records of lawsuits, correspondence between branches (some written in code), correspondence with museums, papers regarding galleries, Edward Fowles' papers, papers concerning exhibitions and loans, and papers regarding major art collectors and consultants. Some records of Kleinberger Galleries (apparently the papers of Harry G. Sperling, president) form a subseries within this series, and contain correspondence Series III (c. 127 linear feet) includes some photographs, indices, negatives, and x-rays. This series represents the Duveen Brother's stock of images. Indices are available for the majority of the negatives in cold storage ("X Book" (Berenson transaction) is the only unique Duveen document not transferred to the GRI. It has not yet been photocopied. The "X Book" details, for a limited number (about 250) of Italian paintings in which Berenson had a financial interest, precise dates of purchase and sale, primarily in the years 1910-27. There is no index.) AAM LOCATION Watson Library Reference CALL NUMBER Microfilm Cabinet |
| extent | Ca. 394 linear ft. 584 boxes, glass negative cabinets, and 18 flat file folders. 422 microfilm reels : positive ; 35mm |
| formats | Photographs X rays Correspondence Financial Records Inventories |
| access | Microfilm of the archive is available for use by qualified researchers. The archive is restricted because of extreme fragility |
| record link | http://hdl.handle.net/10020/cifa960015 |
| record source | https://primo.getty.edu/permalink/f/19q6gmb/GETTY_ALMA21124730440001551 |
| finding aid | Unpublished finding aid available in the repository and on the repository's Web site: folder level control. See the following web page digitization information: http://www.getty.edu/research/institute/development_partnerships/2011_kress.html |
| acquisition information | Edward Fowles donated the Duveen Brothers records to the Metropolitan Museum of Art in 1968. The Metropolitan gave the records to the Getty Research Library in 1996. |
| updated | 07/28/2023 16:33:44 |
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| title | Henry Clay Frick Papers, Series II: Correspondence 1882-1929, undated. | repository | The Frick Collection and Frick Art Research Library |
| description | Papers consist chiefly of incoming correspondence, including circular letters, telegrams, statements, reports, memoranda, and notes, as well as enclosures and related material. In some cases, copies of Henry Clay Frick's outgoing responses are also included. Topics discussed include business dealings, investments, art collecting, philanthropy, politics, real estate, and family matters. Notable business correspondents include members of the Carnegie, Phipps, Mellon, Morgan, and Rockefeller families, as well as executives in the coke, coal, iron, steel, railroad, and banking industries. Letters to Frick on the subject of art collecting range from offers of paintings and other objects available for purchase, to transactional correspondence regarding the acquisition of works and administration of the collection. The bulk of Frick's correspondence concerning art can be found under the name of his principal art dealer, M. Knoedler & Co., and under Charles Carstairs, also of that firm. Other correspondents on this topic include Duveen Brothers, Roger Fry, Arthur Tooth & Son, and Alice Creelman. Additional art correspondence can be found in the Henry Clay Frick Papers, Series I: Art Files and in the Henry Clay Frick Art Collection Files in this repository. Other letters in this series give information about Frick's philanthropic contributions, political interests and connections, real estate dealings, and private life. Frick's charitable donations included gifts to universities, museums and other cultural institutions, hospitals, churches, and civic organizations. His prominent political connections are evidenced by correspondence with Senators Boies Penrose, M.S. Quay, and Philander Chase Knox, and various U.S. Presidents, particularly Theodore Roosevelt. Topics discussed in Frick's political correspondence include campaign contributions, nominations and appointments, and the political climate of the time. Frick's correspondence concerning real estate details the acquisition, improvement, and administration of property, whether for the family's personal use, or for commercial, industrial, or rental purposes. Of note is Frick's correspondence with various architects of the period, including F.J. Osterling, Thomas Hastings, and Daniel Burnham. Papers also document aspects of Frick's private life, including hobbies and other interests, his relationships with immediate and extended family members, and the operation of his office and household. Biographical/historical note Henry Clay Frick (1849-1919) was a wealthy Pittsburgh industrialist who made much of his fortune through the production of coke and steel. He founded H.C. Frick Coke Co., and formed a business partnership with Andrew Carnegie in 1882. He became chairman of Carnegie Bros. & Co. (later Carnegie Steel Co.) in 1889, and served in that capacity until his resignation from the company in 1899. Following his break with Carnegie, Frick remained engaged in business until the end of his life, serving on the boards of various banking, railroad, and insurance concerns. Frick was also active as a philanthropist, supporting such organizations as the Metropolitan Museum of Art, the National Arts Club, the Pittsburgh Newsboys' Home, and the American Academy in Rome. Frick married Adelaide Howard Childs in 1881, and the couple established a residence (called "Clayton") in Pittsburgh. They had four children: Childs Frick (1883-1965), Martha Howard Frick (1885-1891), Helen Clay Frick (1888-1984), and Henry Clay Frick, Jr. (born 1892, died in infancy). In addition to their home in Pittsburgh, the Fricks also maintained an estate known as "Eagle Rock" in Prides Crossing, Mass., and a beaux arts mansion at One East 70th Street in New York, designed by Thomas Hastings, and decorated by Charles Allom and Elsie de Wolfe. A prominent art collector, Frick began acquiring paintings around the time of his marriage, and continued to build his collection until his death in 1919. The bulk of his collection, consisting of paintings by old masters such as Rembrandt, Van Dyck, Gainsborough, Holbein, and Turner, along with furnishings and decorative objects, was housed in his New York residence, which he bequeathed as a museum upon his death. The Frick Collection opened to the public in 1935. Call Number HCFF.1.2 |
| extent | 39.4 linear feet |
| formats | Correspondence Notes Memoranda |
| access | These records are open for research under the conditions of The Frick Collection/Frick Art Reference Library Archives access policy. Contact the Archives Department for further information at archives@frick.org |
| record link | http://www.frick.org/archives/FindingAids/HCFCorrespondence.html |
| record source | https://library.frick.org/permalink/01NYA_INST/1qqhid8/alma991007514669707141 |
| finding aid | Available online and in repository. |
| acquisition information | On deposit from the Helen Clay Frick Foundation, 2001. |
| updated | 10/28/2024 11:07:28 |
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