Archives Directory for the History of Collecting in America
Archives related to: Vanderbilt, William H. (William Henry), 1821-1885
| title | August Jaccaci papers, 1889-1935 (bulk 1904-1914). | repository | Archives of American Art |
| description | Letters, mostly concerning Jaccaci's joint editorship with John La Farge of the book, Noteworthy Paintings in American Collections; typescript pages of research material relating to the book and photographs (unmicrofilmed) of works of art. The papers cover the one published volume as well as the unrealized volumes. Also included are photographs of early American wall stencils. The collection documents Jaccaci's work as an art historian, writer, and editor, primarily during the period he researched, compiled, and published his book, "Noteworthy Paintings in Private American Collections." More than one-half of the collection consists of extensive correspondence to and from many notable artists, collectors, and art historians, including John La Farge, Kenyon Cox, Isabella Stewart Gardner, and Bernard Sickert concerning the research and publication of the book. The papers also house legal files, writings and notes, art collection research files, and photographs of artwork. Correspondents include art historians, critic, artists, and art collectors, as well as publishers, photographers, printers, and agents. These letters discuss the research of famous American art collections, writing of essays for the book, and the book production and publication. There is extensive correspondence with his co-editor John La Farge, and with his employee Carl Snyder who was working in Europe. Other correspondence is with magazines, art associations, academic institutions, and French service organizations. Also included is a small amount of personal correspondence with friends and colleagues. Correspondents, many of whom were contributors, include Samuel H. Adams, American Academy in Rome, R. B. Angus, Sir Walter Armstrong, John W. Beatty, Cecilia Beaux, Bernard Berenson, Ernest L. Blumenschein, Wilhelm Bode, Louis De Monvel Boutet, James Britton, George De Forest Brush, Bryson Burroughs, Charles H. Caffin, Alexis Carrel, Mary Cassatt, Willa Cather, John Jay Chapman, Sir Martin Conway, Kenyon Cox, Eyre Crowe, Elsie De Wolfe, William H. Downes, Charles L. Freer, Daniel C. French, Max Friedlander, Roger Fry, Isabella Gardner, Jules Guiffrey, Jay Hambidge, Charles Henry Hart, James J. Hill, Lewis C. Hind, Sir Charles J. Holmes, Elbert Hubbard, James Huneker, Samuel Isham, Thayer Jaccaci, Bettina E. Johnson, John La Farge, Oliver La Farge, Ernest Lawson, Will H. Low, Frank J. Mather, Henry McCarter, Samuel McClure, Francis D. Millet, Paul E. More, George F. Of, Ivan Olinsky, Walter Pach, Ernest Peixotto, Elizabeth Pennell, Michael I. Pupin, Jean F. Raffaelli, Salomon Reinach, Henry Reuterdahl, Corrado Ricci, Jean P. Richter, Gisela M. Richter, Frederic Sherman, Bernhard Sickert, Osvald Siren, Joseph L. Steffens, Ida Tarbell, Anne Taylor, Carl Taylor, Alexander Teixeira de Mattos, Wilhelm Valentiner, John C. Van Dyke, Adolfo Venturi, J. Alden Weir, John F. Weir, William A. White, Helen H. Whitney, and Rufus Zogbaum. Research material includes information on the following collections: R. B. Angus, George Baker, Charles T. Barney, August Belmont, Chauney J. Blair, Cleveland Burke, A. M. Byers, Thomas M. Davis, G. A. Drummond, William L. Elkins, James W. Ellsworth, Henry Clay Frick, Isabella S. Gardner, J. W. Gates, George Jay Gould, L. C. Hanna, Henry O.Havemeyer, John Hay, James J. Hill, Charles L Hutchinson, Hyers, John J. Johnson, Mr. Lodge, Frank G. Logan, Cyrus Hall and R. Hall McCormick, James H. McFadden, Emerson McMillan, Samuel Mather, Frank G. Morgan, Horace Morison, Ada Brooks Pope, James Ross, Martin A. Ryerson, Albert A. Sprague, Charles W. Taft, Herbert L. Terrell, Edward R. Thomas, William H. Vanderbilt, William Van Horne, J. H. Wade, Harris Whittemore and P. A. B. Widener. Also included (reel D126) are photographs of early American wall stencils. Forty-eight unmicrofilmed photographs of works of art are from the Henry C. Frick, William Van Horne, and P. A. B. Widener files. Legal files include contracts and legal agreements for the August F. Jaccaci Company, as well as legal agreements with John La Farge concerning the research and publication of their joint book. Writings and notes include Jaccaci's lists and notes pertaining to the Noteworthy Paintings project, as well as other miscellaneous notes. Also found are writings by John La Farge that include drafts of a book, lectures, and notes about his artwork. Writings by others in this series also include draft essays by many art historians for Jaccaci's book. For the Noteworthy Paintings project, Jaccaci created numerous research files for American art collections and collectors that would be included. These research files include lists of works of art, essays and other notes about the collection written by prominent art historians. Photographs are of works of art supporting the research files. Also found in this collection are photographs of and notes about New England stencil designs. It is unclear what the connection is between Jaccaci and the stencil designs. Author(s): Jaccaci, Augusto Floriano, 1857-1930. Beaux, Cecilia,; 1855-1942. Berenson, Bernard,; 1865-1959. Blumenschein, Ernest Leonard,; 1874-1960. Bode, Wilhelm von,; 1845-1929. Boutet de Monvel, Louis-Maurice,; 1851-1913. Britton, James,; 1878-1936. Brush, George de Forest,; 1855-1941. Burroughs, Bryson,; 1869-1934. Caffin, Charles Henry,; 1854-1918. Carrel, Alexis,; 1873-1944. Cassatt, Mary,; 1844-1926. Cather, Willa,; 1873-1947. Chapman, John Jay,; 1862-1933. Conway, William Martin,; Sir,; 1856-1937. Cox, Kenyon,; 1856-1919. Crowe, Eyre,; Sir,; 1864-1925. De Wolfe, Elsie,; 1865-1950. Downes, William Howe,; 1854-1941. Freer, Charles Lang,; 1856-1919. French, Daniel Chester,; 1850-1931. Friedländer, Max J.,; 1867-1958. Fry, Roger Eliot,; 1866-1934. Gardner, Isabella Stewart,; 1840-1924. Guiffrey, Jules,; 1840-1918. Hambidge, Jay,; 1867-1924. Hart, Charles Henry,; 1847-1918. Hill, James Jerome,; 1838-1916. Hind, C. Lewis; 1862-1927. ; (Charles Lewis), Holmes, C. J.; 1868-1936. ; (Charles John), Hubbard, Elbert,; 1856-1915. Huneker, James,; 1857-1921. Isham, Samuel,; 1855-1914. Jaccaci, Thayer. Johnson, Bettina Eastman. La Farge, John,; 1835-1910. La Farge, Oliver,; 1901-1963. Lawson, Ernest,; 1873-1939. Low, Will Hicok,; 1853-1932. Mather, Frank Jewett,; 1868-1953. McCarter, Henry,; 1866-1942. McClure, S. S.; 1857-1949. ; (Samuel Sidney), Millet, Francis Davis,; 1846-1912. More, Paul Elmer,; 1864-1937. Of, George F.; b. 1876. ; (George Ferdinand), Olinsky, Ivan G.; 1878-1962. ; (Ivan Gregorewitch), Pach, Walter,; 1883-1958. Peixotto, Ernest,; b. 1869. Pennell, Elizabeth Robins,; 1855-1936. Pupin, Michael Idvorsky,; 1858-1935. Raffaëlli, Jean François,; 1850-1924. Reinach, Salomon,; 1858-1932. Reuterdahl, Henry,; 1871-1925. Ricci, Corrado,; 1858-1934. Richter, Gisela Marie Augusta,; 1882-1972. Richter, Jean Paul,; 1847-1937. Sherman, Frederic Fairchild,; 1874-1940. Sickert, Bernard,; 1862-1932. Sirén, Osvald,; 1879- Steffens, Lincoln,; 1866-1936. Tarbell, Ida M.; 1857-1944. ; (Ida Minerva), Taylor, Anne. Taylor, Carl. Teixeira de Mattos, Alexander,; 1865-1921. Valentiner, Wilhelm Reinhold,; 1880-1958. Van Dyke, John Charles,; 1856-1932. Venturi, Adolfo,; 1856-1941. Weir, Julian Alden,; 1852-1919. Weir, John F.; b. 1841. ; (John Ferguson), White, William Allen,; 1868-1944. Whitney, Helen Hay,; 1875-1944. Zogbaum, Rufus F.,; 1849-1925. Adams, Samuel Hopkins,; 1871-1958. Angus, R. B. Armstrong, Walter,; Sir,; 1850-1918. Beatty, John W.; 1851-1924. ; (John Wesley) Bio / His Notes: Jaccaci, a mural painter and writer, was born in France and came to the United States in the 1880s. He and painter John La Farge were editors for what they hoped would be a multi-volume series to be called Noteworthy Paintings in Private Collections. The first volume was published in 1907, but with the untimely death of La Farge, Jaccaci abandoned the project. |
| extent | 7.2 linear ft. (partially microfilmed on 9 reels) |
| formats | Correspondence Photographs Research Files Notes Legal Files |
| access | Patrons must use microfilm copy. Use of unmicrofilmed portion requires an appointment. |
| record link | https://sirismm.si.edu/EADpdfs/AAA.jaccaugu.pdf |
| record source | https://www.aaa.si.edu/collections/august-jaccaci-papers-6877 |
| finding aid | Finding Aid Online |
| acquisition information | Papers were purchased from the Metropolitan Museum of Art, which had acquired them for director Francis Henry Taylor's research for Taste of Angels. |
| updated | 06/09/2023 15:39:50 |
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| title | John Hay (b. 1915) papers | repository | Brown University, John Hay Archives |
| description | The collection represents a portion of the research materials, letters, journals and manuscripts of the Burroughs medal winning naturalist, writer and poet John Hay (born 1915). |
| extent | 5 cubic feet |
| formats | Correspondence Research Files Printed Materials Writings |
| access | There are no restrictions on access, except that the collection can only be seen by prior appointment. Some materials may be stored off-site and cannot be produced on the same day on which they are requested. |
| record source | http://dl.lib.brown.edu/bamco/browse.php?type=all |
| finding aid | Onlin and in repository |
| acquisition information | The John Hay (b. 1915) papers were compiled by John Hay. Prior to entering the possession of the Brown University Library, the material belonged to John Hay. |
| updated | 11/12/2014 11:29:54 |
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| title | Cornelius Vanderbilt correspondence, 1873-1885 (MssCol 3147) | repository | New York Public Library, Manuscripts and Archives Division |
| description | Collection consists of typewritten transcripts of correspondence of Vanderbilt and his son, William Henry Vanderbilt, with Bishop Holland Nimmons McTyeire, relating to the founding of Vanderbilt University in Nashville, Tenn. Note Cornelius Vanderbilt (1794-1877) was a steamship and railroad promoter and financier. |
| extent | .15 linear foot (1 v.) |
| formats | Correspondence |
| access | Apply in Special Collections Office. |
| record link | http://catalog.nypl.org/record=b12414488~S1 |
| record source | http://catalog.nypl.org/record=b12414488~S1 |
| updated | 11/12/2014 11:29:54 |
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| title | Samuel Putnam Avery Papers, [ca. 1850]-1905 | repository | The Metropolitan Museum of Art |
| description | Collection includes Avery's diary referring to his travels in Europe, 1871-1882; a scrapbook of samples of his work; and autographs and sketches sent to Avery from such American and European artist friends as Edouard Detaille, Henri Lefort, W.J. Linton, W.H. Vanderbilt, J.G. Vibert, and J.A.M. Whistler. Catalogs and notes of Avery's works and art collections; editorials and resolutions in memory of Avery, 1905; and letters written to Avery's wife upon his death. Copies of children's books containing his illustrations and printed proof sheets of etchings designed by Avery. Note Some correspondence is in French Location and Call Numbers Watson Library Reference Z42.3A7 M48 v.4 LIB USE ONLY --- Watson Library Reference Z42.3A7 M48 v.5 LIB USE ONLY --- Watson Library Reference Z42.3A7 M48 v.6 LIB USE ONLY --- Watson Library Bookcage MS 06 LIB USE ONLY Watson Library Bookcage MS 07 LIB USE ONLY --- Watson Library Bookcage MS 08 LIB USE ONLY --- Watson Library Bookcage MS 09 LIB USE ONLY --- Watson Library Bookcage MS 10 LIB USE ONLY |
| extent | 2 linear ft |
| formats | Diaries Scrapbooks Sketches |
| access | Contact repository for restrictions |
| record link | http://libmma.contentdm.oclc.org/cdm/ref/collection/p15324coll13/id/2865 |
| record source | http://library.metmuseum.org/record=b1719501~S1 |
| updated | 11/12/2014 11:30:07 |
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| title | Samuel Putnam Avery Diaries, 1871-1882 | repository | The Metropolitan Museum of Art |
| description | Diaries, 1871-1882, document Avery's annual art-buying trips to Europe. They indicate purchases, commissions, sales and exchanges, including prices. Travel routes, ships, railroads, hotels and restaurants are noted, as are sights seen, chiefly art exhibitions, museums and art galleries. A running record of accounts is kept in the back of each volume, written back to front with the notebook held upside down. Among the contemporary artists, dealers, agents and collectors with whom Avery had contact are: William Agnew, W.A. Bouguereau, Colnaghi, R.W. De Forest, Durand-Ruel, Duveen Bros., J.L. Gérôme, Goupil & Co., J.T. Johnston, J.L.E. Meissonier, A.F.E. Menzel, J.P. Morgan, W.T. Richards, L.C. Tiffany, W.H. Vanderbilt, W.T. Walters, and J.A.M. Whistler. Note: Volumes cover years: 1. 1871-1872. 2. 1873-1874. 3. 1875-1876. 4. 1877-1879. 5. 1880-1882; Chronological arrangement. Location and Call numbers Watson Library Bookcage 201.9Av3 Av3 v.1 = 1871-1872 Watson Library Bookcage 201.9Av3 Av3 v.2 = 1873-1874 Watson Library Bookcage 201.9Av3 Av3 v.3 = 1875-1876 Watson Library Bookcage 201.9Av3 Av3 v.4 = 1877-1879 Watson Library Bookcage 201.9Av3 Av3 v.5 = 1880-1882 |
| extent | 5 v. : bound in leather ; 18 cm |
| formats | Diaries |
| access | Contact repository for restrictions |
| record source | http://library.metmuseum.org/record=b1296285~S1 |
| acquisition information | Part Of Samuel Putnam Avery, 1822-1904, Papers, [ca. 1850]-1905 |
| updated | 11/12/2014 11:30:07 |
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| title | John Hay Papers, 1829-1916 | repository | Brown University, John Hay Archives |
| description | Hay's correspondence with his family and with literary, diplomatic, and political contemporaries; Civil War diaries and those kept by Hay as Secretary of the Legations in Paris, Vienna, and Madrid, 1866-1870; manuscript poems; galley proofs; personal letterpress copy books. Subjects include: Civil War; Lincoln and his administration; Reconstruction; court life in Paris; Hay's choice of careers; the bi-metal monetary standard; the Canadian boundary settlement; the fur seal question; Japanese naval activity; British politics; American political affairs, etc. Biog/hist Brown class of 1858. Secretary to Abraham Lincoln; Ambassador to Court of St. James; Secretary of State; author |
| extent | Over 9100 items |
| formats | Correspondence Manuscript Diaries |
| access | Contact repository for restrictions and policies. |
| record source | http://josiah.brown.edu/record=b2498067 |
| finding aid | Typescript inventory available for small portion of collection. Items individually cataloged in Manuscript Card Catalog |
| updated | 11/12/2014 11:30:07 |
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| title | Robert Bonner papers, 1860-1899 | repository | Schwarzman Building, New York Public Library |
| description | Collection consists of general correspondence, trotting horse papers, financial documents, writings, photographs, and artifacts. General correspondence includes letters to Bonner as proprietor of the New York Ledger, with a few drafts of his replies, mostly from contributors offering stories, suggesting plots, soliciting money, acknowledging remuneration, and relating to personal matters; letters from Presbyterian clergymen about church affairs; and letters from the owners of the New York Sun, New York Herald, and New York Times, revealing Bonner's willingness to lend financial aid to those newspapers. Papers relating to the breeding, development, and shoeing of trotting horses contain letters from owners, breeders, veterinarians, editors of sporting journals, and others from all parts of the United States, especially Kentucky; notes on horses; accounts; scrapbooks of newspaper clippings containing biographical data and other material on the horse and on the Scotch Irish Society of America; and photographs, sketches and artifacts. Biography Robert Bonner (1824-1899) was a newspaper publisher and trotting horse breeder. He owned and published the New York Ledger. Form General correspondence and Trotting horse papers; available on microfilm; New York Public Library; *ZL-359. Research Call Number MssCol 335 |
| extent | 7 linear ft. (16 boxes) |
| formats | Correspondence Financial Records Writings Photographs Artifacts |
| access | Restricted access; Manuscripts and Archives Division; Permit must be requested at the division indicated. Microfilm must be used in lieu of originals when available. |
| record link | http://www.nypl.org/research/chss/spe/rbk/faids/bonnerrob.pdf |
| record source | http://catalog.nypl.org/record=b12095839~S1 |
| finding aid | Online and in the repository |
| updated | 11/12/2014 11:30:07 |
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| title | George A. Lucas papers, 1825-2003 [bulk 1824-1909] MS.10 | repository | Baltimore Museum of Art |
| description | The George A. Lucas Papers contain the correspondence, art collection-related papers, and subject files of George A. Lucas, as well as several of his friends and colleagues. They document Lucas’ work as an art agent in late 19th and early 20th century Paris and his collections of artwork, spanning the years 1862 to 1909. They also contain research materials relating to the Lucas Papers that were not part of Lucas’ original collection. The Papers are housed in 19 boxes and consist of three series: Subject Files, Personal Papers and Lucas Research Collection. One box contains Oversize material. The majority of the material in the Lucas Papers was originally stored with many of the paper based artworks in his collection, pasted to the pages of large folios in the collection of the Prints, Drawings and Photographs Department. For example, letters and newspaper clippings about artists were attached alongside the artist’s prints and drawings. The artwork was separated from the other material by the Conservation Department for improved access and security, the artworks retained in PDP, and the letters and ephemera sent to the Archives and Manuscripts Collections. Note that some items have retained accession numbers and are cross-referenced in the BMA’s collection database. Lucas also pasted ephemeral material about artists in some of the books in his collection. A thorough inventory of this material has not yet been done and none of it has been removed from the books. A few items from Félix Ziem have already been found and their location is noted along with the other Ziem material in the Subject Files Series. As other material is located, it will be added similarly. Where names, dates or other information was either indecipherable or missing, The Diary of George A. Lucas and other reference sources have been checked to obtain correct information. Names have been verified in either the Getty’s Union List of Artist Names or Bénézit’s Dictionary of Artists. In general, materials are arranged alphabetically by correspondent or subject and then by date. Exceptions are noted below. Additional reference materials stored with the Lucas Papers include a photocopy of handwritten translations of some of the correspondence in the Subject Files. The original translations can be difficult to read, however, in some cases they were used to aid in the translations in this finding aid. A photocopy of Lucas’ collection inventory, “Catalogue – Eaux Fortes” is also available and should be used in place of the original. Biographical Information George Aloysius Lucas was born May 29th, 1824 in Baltimore, Maryland. His father, Fielding Lucas, Jr. owned a publishing and stationer’s company in Baltimore that was known for publishing maps, atlases and several important drawing books and was to eventually become Lucas Bros. Inc. Leaving his brothers to assist with the family business, Lucas left Baltimore in 1851 to work for the New York, New Haven Railroad and subsequently worked for several other railroad companies before moving to Paris in 1857. In Paris, Lucas made his living as an art agent, buying and commissioning paintings, prints, and drawings for wealthy American friends such as William Henry Huntington, Frank Frick, William Walters, Samuel Putnam Avery, and William Henry Huntington. He met and befriended many artists and made frequent visits to their studios to see their works in progress. At the same time, Lucas was making his own purchases and putting together his remarkable collection of artworks and books. Beginning in 1887, Lucas worked with Walters on the Barye Monument Committee and was also instrumental in putting together the Barye exhibition at the École des Beaux-Arts in 1889. Lucas’ companion in Paris was Octavie-Josephine Marchand, who though never mentioned by anything other than “M” in either his diaries or correspondence, was an important figure in his life. Lucas remained in Paris until his death on December 17th, 1909. Language of Materials Material is in French and English. Correspondence from British and American persons is generally in English. Existence and Location of Copies For complete transcriptions of the Whistler letters held by the BMA, see The Centre for Whistler Studies: http://www.whistler.arts.gla.ac.uk/index.htm. |
| extent | 3.2 Linear feet ; 19 boxes |
| formats | Correspondence Artist Files Clippings Photographs Ephemera |
| access | The collection is open for research. The George A. Lucas Papers are part of The George A. Lucas Collection, purchased with funds from the State of Maryland, Laurence and Stella Bendann Fund, and contributions from individuals, foundations, and corporations throughout the Baltimore community, and are the physical property of the Archives and Manuscripts Collections, Baltimore Museum of Art. Copyright, except in cases where material has passed into the public domain, belongs to the authors or their legal heirs and assigns. For further information, consult a Library staff member |
| record link | http://cdm16075.contentdm.oclc.org/cdm/landingpage/collection/p16075coll6 |
| bibliography | The Diary of George A. Lucas, an American Art Agent in Paris, 1857-1909. Princeton, NJ: Princeton University Press, 1979. |
| record source | http://www.artbma.org/library/finding_aids/LucasPapers.html |
| finding aid | In repository and on the repository's website |
| acquisition information | George A. Lucas willed his art collection and papers to Henry Walters on his death in 1909. Walters donated the entire collection to The Maryland Institute, College of Art in 1911. The collection was moved to the BMA beginning in 1933 and was finally purchased by the BMA in 1996. In 2005 the letters and ephemera in the collection were transferred from the Prints, Drawings and Photographs Department to the Archives and Manuscripts Collections. |
| updated | 11/12/2014 11:30:11 |
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