Archives Directory for the History of Collecting in America

Archives related to: Young, Howard

titleVose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s.
repositoryArchives of American Art
descriptionThe records of Vose Galleries of Boston measure 25.6 linear feet and date from circa 1876, 1890s-1996 with the bulk of materials dating from 1920s-1930s. Nearly 90 percent of the collection documents the gallery's handling of American paintings and portraits through incoming and outgoing business correspondence with artists, clients, galleries, and museums, including considerable correspondence with portrait artist Alfred Jonniaux and clients regarding commissioned portraits.

Other materials include client files; artists' biographies; records of sales, consignments, framing, restoration, and banking, mostly from the 1940s-1960s; and scattered exhibition catalogs, newspaper clippings, and postcards.

Also found is a handwritten manuscript regarding the 1876 Centennial Exhibition in Philadelphia, PA and a 1991 videotape about the Vose Galleries and its founding family.

Correspondence of note is with artists Childe Hassam, Malvina Hoffman, Alfred Jonniaux, and John Singer Sargent; galleries Ehrich Galleries, Clapp & Graham Co., M. Knoedler & Co., Macbeth Galleries, Milch Galleries, Newhouse Galleries, Arthur U. Newton Galleries, Norton Galleries, and Howard Young Galleries; the estates of Anna Coleman Ladd and William E. Norton; and the family of Abbott H. Thayer.

Researchers should note that the records do not comprehensively span the gallery's history or operations. The bulk of the collection is correspondence from the 1920s-1930s and, lesser so, from the 1970s.

There is little material in the collection which dates before the 1910s or the 1950s-1960s, other than correspondence regarding Alfred Jonniaux and some financial records.

Records loaned for microfilming should be consulted for materials outside of the bulk dates of this collection, especially for materials from the late 1800s-early 1900s.

Bio / His Notes:
Vose Galleries (founded 1841) is a long time family run art gallery based in the Boston, Mass. area.

Additional forms:

Materials lent for microfilming on reels B1, 2380, 4593-4594, and 4909 available for use at the Archives of American Art offices and through interlibrary loan.

Reels 3936-3940 available for use only at Archives of American Art offices.

Loc. of Assoc. Material:
From 1965-1994, Vose Galleries of Boston loaned materials to the Archives of American Art for microfilming which are available on microfilm reels B1, 2380, 3936-3940, 4593-4594, and 4909 and by interlibrary loan. These materials were returned after microfilming and not included in later donations from the gallery.

Reel B1 contains a scrapbook compiled by Seth Vose and annotated by Robert Vose that contains clippings, 1886-1900, and an 1889 letter from author and critic Alfred Trumble; and a scrapbook compiled and annotated by Robert C. Vose spanning the years 1920-1940, 1897, and 1905, and containing clippings and handwritten lists.

Reel 2380 contains numerous photographs, circa 1890-1964, of Seth Morton Vose, Robert C. Vose, Sr., artists, collectors, and dealers associated with Vose Galleries; a Macbeth Gallery "smoker" in honor of Emil Carlsen; a drawing of Charles Emil Heil by George F. Wing, and a charcoal drawing after Monticelli by Albion Harris Bicknell. Many of the photographs are annotated by Robert C. Vose.

Reels 3936-3940 contain account books, 1871-1887; a journal, 1889-1903, a ledger, 1889-1901; invoice books, 1896-circa 1954, inventories of paintings and drawings in stock, 1884, 1892 and 1906; exhibition records, 1911-1982?; traveling exhibition records, 1915-1949; and a record of paintings sold, 1876-1894. Written permission is required to access these reels.

Reels 4593-4594 contain clippings, undated and 1891-1989, chiefly about purchases, sales and exhibitions, but also pertaining to art dealers, museums, artists, and art events.

Reel 4909 contains a scrapbook of clippings, announcements, programs, and other printed materials, 1882-1993.

The Archives of American Art holds several separately cataloged collections related to Vose Galleries of Boston, including the Carrig-Rohane Shop records (1903-1962); oral history interviews with Seth Morton Vose (July 24, 1986 - April 28, 1987) and Robert C. Vose, Jr. (June 27 - July 23, 1986); a sound recording and videotape of a Robert C. Vose, Jr. lecture at the Somerset Club (May 14, 1987); a sound recording of an interview with Robert C. Vose (March 1961); the Miscellaneous Art Exhibition Catalog collection containing Vose Galleries exhibition catalogs, circa 1900-1941; and, Robert C. Vose, Jr. typescripts and clippings, 1961, on microfilm reels 3480 and 4314.

Cite as:
Vose Galleries of Boston records, circa 1876, 1890s-1996, bulk 1920s-1930s. Archives of American Art, Smithsonian Institution.

extent25.6 linear ft.
formatsCorrespondence Photographs Scrapbooks Financial Records Catalogs
accessREELS 3936-3940: ACCESS RESTRICTED; written permission required. Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed portion requires an appointment and is limited to the Washington, D.C. storage facility. Reels 3936-3940: Authorization to publish, quote or reproduce requires written permission from an officer of the Vose Galleries, 238 Newbury St., Boston, Mass.02116
record sourcehttp://www.siris.si.edu/
finding aidIndex to clippings on reels 4593-4594 is available at AAA offices.
acquisition informationScrapbooks on reel B1 lent for microfilming by the Vose Galleries, 1955. Photographs on reel 2380 lent for microfilming, 1981, and unfilmed material donated by the Vose Galleries, 1965 through 1995, including 4 ft. of clippings microfilmed on reels 4593-4594. The clippings were originally compiled by Sibbie Marsh, long-time gallery assistant, and then by Robert C. Vose, Jr. after he joined the firm, circa 1931. The scrapbook on reel 4909 was lent for microfilming 1994. Account books and other records on reels 3936-3940 were processed and microfilmed by the Getty Art History Information Program in 1987; the film was donated by the Getty although the records are retained by Vose. Continuing additions to the records are transferred to the Archives by Robert C. Vose, Jr. as he finishes his use of them in writing a lengthy series of vignettes from the firm's history.
updated03/16/2023 10:30:03
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titleEdwin Coupland Shaw papers, 1864-1937.
repositoryArchives of American Art
descriptionCorrespondence with dealers, artists, museums, publishers, photography studios, and others regarding art purchases, loans, and Shaw's collection; and 16 v. of scrapbooks containing photographs, letters, and biographical information on artists. Much of the correspondence with artists relates to Shaw's requests for the information which was then used in the scrapbooks.

Also included is one volume compiled in 1947 outlining the contents of the scrapbooks. 16 vol. of scrapbooks, 1864-1930, relating to artists represented in Shaw's collection, containing letters, many from artists, photographs of artists and their work, biographical data, clippings and articles, and comments on their work; and 1 v., "Notes: Edwin C. Shaw Collection of Paintings," compiled in 1947, and annotated "Used at Women's Art League Meeting at Miss Shaw's in 1947 by Mrs. [Jane S.] Barnhardt, who compiled it, and then given to the Art Institute Library," containing an outline of the contents of the 16 v. of scrapbooks. Artists represented in the scrapbooks include J. Carroll Beckwith, Frank W. Benson, Ralph Blakelock, Emil Carlsen, William Merritt Chase, Timothy Cole, Elliott Daingerfield, Cyrus B. Dallin, Charles Davis, Warren Davis, Gleb Derujinsky, Charles M. Dewey, Thomas W. Dewing, Paul Dougherty, Frank Duveneck, Charles Eaton, Frederick Frieseke, George Fuller, Lillian Genth, Childe Hassam, Charles Hawthorne, William Morris Hunt, George Inness, John Johansen, Isidore Konti, John La Farge, William Lathrop, Frederick MacMonnies, Hermon A. MacNeil, Willard Metcalf, Herman Dudley Murphy, J. Francis Murphy, A. Phimister Proctor, Henry Ward Ranger, William Ritschel, Felix Russmann, Albert P. Ryder, Eugenie F. Shonnard, Lars Gustaf Sellstedt, Elliot Torrey, Dwight Tryon, Helen M. Turner, John Twachtman, Elihu Vedder, Bessie P. Vonnoh, Robert Vonnoh, Horatio Walker, J. Alden Weir, Frederick Ballard Williams, Henry Wolf and "The Ten."

Correspondence, ca. 1916-1941, concerning art acquisitions with dealers Erwin S. Barrie of Grand Central Art Galleries; Thomas Whipple Dunbar; Frederic Newlin Price and T.H. Russell of Ferargil Galleries; W. Frank Purdy of the Gorham Co. Dept. of Sculpture and later the School of American Sculpture; D.H. Hatfield of Hatfield ? Thomas Gerrity of M. Knoedler ? Robert Macbeth, Robert McIntyre and Henry Miller of the Macbeth Gallery; Albert Milch of E.? Newman Montross of Montross Gallery; J.E. Batts of the Thurber Art Galleries; Robert C. Vose of R.C. ? Howard Young of Howard Young Galleries; and J.W. Young; correspondence with artists and/or their families requesting the artist's portrait, biographical information and background, including letters from Elliot Daingerfield, Charles Dewey, Thomas Wilmer Dewing, John C. Johansen, Willard Leroy Metcalf, Hervey W. Minns, Hermann Dudley Murphy, A.P. Proctor, Eugenie Shonnard, Elliot Torrey, Dwight W. Tryon, Helen M. Turner, and Horatio Walker, and the families of J. Carroll Beckwith, George Inness, Lars Gustaf Sellstedt, John Henry Twachtman and J. Alden Weir; correspondence with the Dayton Art Museum and the Metropolitan Museum of Art regarding works lent for exhibition; with publisher Frederic Fairchild Sherman; with photography studios; and other miscellaneous. correspondence.
extent3 microfilm reels.
formatsMicrofilm
accessContact repository for restrictions.
record linkhttp://www.aaa.si.edu/collections/edwin-coupland-shaw-papers-8467
record sourcehttp://www.siris.si.edu/
finding aidFinding aid describing materials in the scrapbooks for each artist is available at AAA offices.
acquisition informationLent for microfilming 1976 and 1992 by the Akron Art Museum. Shaw bequethed his art collection and papers to the Museum, then named the Akron Art Institute. Original or duplicate materials: Originals in the Akron Art Museum.
updated11/01/2017 15:29:47
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titleTaos Society of Artists records, 1915-1948
repositoryArchives of American Art
descriptionArt society; Taos, New Mexico. Founded 1914.

Constitution and by-laws; minutes of meetings, 1915-1925; reports of the President, Secretary and Treasurer, 1921-1925; letters, 1922-1925, from the American Federation of Arts, Art Association of Boulder, Cyrus Boutwell, Cleveland Museum of Art, Feragil Galleries, George E. Gage, The H. Lieber Company, Indianapolis, Howard Young Galleries, New York City, Robert Henri, School of American Research, Museum of New Mexico, Birger Sandzen, Springfield Art Association, Traxel Art Company, Cincinnati, Worcester Art Museum, Yunt Art Galleries, Oklahoma City and others; financial data, 1922-1925; a list of members, 1924-1925; a price list of paintings, ca. 1923; exhibition catalogs and clippings; Ernest L. Blumenschein's article, 1926, "Origin of the Taos Art Colony;" and correspondence, 1946 and 1948, of Reginald Fisher with Joseph H. Sharp and others.

Microfilm reel 3292 available for use only at the Museum of Fine Arts, Houston and through interlibrary loan.
extent1 partial microfilm reel.
formatsMicroform
accessPatrons must use microfilm copy.
record linkhttps://www.aaa.si.edu/collections/taos-society-artists-records-10570
record sourcehttp://www.aaa.si.edu
acquisition informationMicrofilmed as part of the Archives of American Art's Texas project. Donated 1984 by the Museum of New Mexico. Photocopies of originals discarded after microfilming.
updated08/25/2017 16:12:14
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