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Archives related to: Steedman, George Fox

titleThe Fototeca Berenson (Villa I Tatti Photo Archives)
repositoryBiblioteca Berenson, Villa I Tatti
descriptionThe collection contains about 300,000 photographs, many of them collected by Berenson himself from the 1880s until the time of his death in 1959. Many have notes on the back in his handwriting. Many show works of art before restoration, and others show images since destroyed.

An important section, "Homeless paintings", contains photographs of works whose current location is unknown. The photographs are almost exclusively black and white in a variety of photographic media, such as albumen, gelatine, or carbon.

About 3000 large-format photographs are stored separately. In addition, there is a considerable amount of documentary material in the form of clippings, notes and printed reproductions.

The photographs are arranged according to Berenson's original scheme, by school: Florence, Siena, Central Italy, Northern Italy, Lombardy, Venice, Southern Italy. Within each school they are arranged by artist, then by topography, followed by homeless. Paintings and drawings are arranged separately.

The main focus of the collection is on Italian painting and drawing from the mid-thirteenth to the mid-sixteenth centuries. This part of the collection continues to be developed through the acquisition of new materials and through photographic campaigns. Later periods are also represented but in smaller scale, without systematic updating.

There is also material on medieval painting, arranged topographically; manuscript illumination, arranged according to present location; archeology; Byzantine art and architecture, arranged both by artist and by location; and non-Italian art, arranged by country. Finally a section of 8000 photographs is devoted to the art of the Far East, India and Islam.

In addition to the original Berenson nucleus, collections of prints, glass plates, negatives and transparencies have entered the Fototeca.

These include the collections of Emilio Marcucci (nineteenth-century projects for the completion of various Florentine monuments), George Kaftal (representations of saints in Italian painting of the fourteenth and fifteenth centuries), Henry Clifford (painting thirtheenth to seventeenth centuries), Giorgio Castelfranco (Italian art thirteenth to twentieth centuries), Giannino Marchig (restoration), Frederick Hartt (Michelangelo, Giulio Romano), Giuseppe Marchini (Italian art and stained glass), and Craig H. Smyth (Renaissance painting and drawing).

There is a small collection of micropublications and microfiche (162,386 frames): L=index photographique de l'art en France (95,648); Sotheby's Pictorial Archive - Old Master Paintings (45,472); Christie's Pictorial Archive Italian School (9,898); Christie's Pictorial Archive - New York 1977-95 Old Master Paintings & Drawings (11,368). The microfilm of the Bartsch Corpus comprises about 42,000 frames.

Notes
Most photographers not identified.

extent300,000 + photographs
accessContact Ilaria Della Monica the archivist at the Berenson Library for restrictions and appointments.
record linkhttp://via.lib.harvard.edu/via/deliver/advancedsearch?_collection=via
record sourcehttp://itatti.harvard.edu/
finding aidCurrently, there is no catalog of the photographs at Villa I Tatti. In some cases, Artist Files, can be found school (i.e. Venetian, Lombard, Northern Italy, Central Italy, etc. . .) and some are cataloged in Harvard's online catalog, HOLLIS.
acquisition informationOriginally formed by Bernard Berenson the Library continues to add to the file.
updated02/14/2025 10:07:44
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titlePapers of Edward Waldo Forbes, 1867-2005
repositoryHarvard Art Museum Archives
descriptionThese papers of Fogg Museum director Edward Waldo Forbes document his administration of the museum and a wide range of personal and professional activities and interests. The bulk of the collection dates from 1909 to 1944. The papers consist primarily of correspondence, including a series of correspondence with art dealers, and also include photographs, reports, expedition field notes and journals, printed material, newspaper clippings, blueprints, meeting minutes, letters of recommendation, insurance records, invoices, page proofs, telegrams, rubbings, sketches, visiting cards, shipping documents and press releases.
extent51 linear feet (119 file boxes, oversize materials)
accessUnrestricted
record linkhttps://hollisarchives.lib.harvard.edu/repositories/9/archival_objects/33235
record sourcehttps://hollisarchives.lib.harvard.edu/repositories/9/resources/384
finding aidhttps://hollisarchives.lib.harvard.edu/repositories/9/resources/384/collection_organization
acquisition informationThe papers were left at the Fogg Museum by former director Edward Waldo Forbes.
updated02/14/2025 10:07:54
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titleHarvard University Archives Photograph Collection: Portraits
repositoryHarvard University Archives
descriptionPhotographs of individuals associated with Harvard University: faculty, students, administrators, staff, honorees, and habitués of Harvard Square. For those whose lives pre-date the era of photography, the contents of the folders are often photographic reproductions of other image types, such as etchings, paintings, or drawings. In a few cases, the images themselves may be original etchings or sketches.
extent50 cubic feet 20000 photographs 10000 folders
accessThere are no restrictions on access to this material. Fragile or oversized items may require special handling.
record linkThere are no restrictions on access to this material. Fragile or oversized items may require special handling.
record sourcehttps://hollisarchives.lib.harvard.edu/repositories/4/resources/4016
finding aidhttps://hollisarchives.lib.harvard.edu/repositories/4/resources/4016
acquisition informationThe material in this collection was gathered by the University Archives chiefly through gifts.
updated02/14/2025 10:07:54
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