Archives Directory for the History of Collecting in America
Archives related to: Carlebach, Julius
| title | Joseph Stapleton papers, 1942-1998. | repository | Archives of American Art |
| description | The papers of painter and teacher Joseph Stapleton include personal and professional correspondence, gallery announcements and catalogs, photographs, clippings, and business records documenting Stapleton's career. Gallery announcements and catalogs include the Allan Gallery, Carlebach Gallery, Kleemann Galleries, Perls Gallery, Staempfi Gallery and the World House Galleries. Bio / His Notes: Joseph Stapleton served in World War II as a Japanese interpreter for the Navy and worked in intelligence on the staff of General MacArthur in allied-occupied Japan. He studied at the Art Students League with Will Barnet, Morris Kantor, and Carl Holty and taught at Pratt (1970-85) and at the League (1973-94). He was represented by the Egan and later by the Ingber galleries. |
| extent | 2.83 linear ft. |
| formats | Business Papers Personal Papers Correspondence Ephemera Photographs |
| access | Unmicrofilmed; use requires an appointment and is limited to the Washington, D.C. office. |
| record source | http://www.siris.si.edu/ |
| finding aid | Box inventory available. |
| acquisition information | Donated 1999 by Bonnie Re, the painter's companion. Twelve feet of gallery announcements and exhibition brochures collected by Stapleton since the mid-1950s were transferred to the National Museum of American Art, January 2000. |
| updated | 03/16/2023 10:30:04 |
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| title | Ellen Lanyon papers, 1944-1991. | repository | Archives of American Art |
| description | Biographical material, awards, business records, notes, subject files concerning teaching, projects, exhibitions, and organizations, and printed material. REEL 1234: Curriculum vitae; bibliography; clippings; bulletins; newsletters; exhibition catalogs, 1946-1977; and brochures. REELS 2237-2240: Biographical data; award certificates; correspondence with family members and colleagues, 1965-1980; files on teaching positions, exhibitions, 1944-1979, membership in art organizations including the College Art Association, Chicago Artists Group, Illinois Art Council, Illinois Center Plaza Venture, and W.E.B. (West Side Bag), and on the women's rights movement, 1972-1976; art and slide inventories and other business records regarding sales, commissions, gifts, loans, restorations, and insurance claims; lecture notes; and printed material. Correspondents (reel 2237) include: Cecile Abish, Janet Abramowicz, Keith Achepohl, Nicholas Africano, William Anthony, Vincent Arcilesi, Barbara Aubin, Jennifer Bartlett, Jack Beal, Keith Boyle, Phyllis Bramson, Vera Budlick, Sarah Canright, Carlebach Gallery, Judy Chicago, William Copley, Joan Danziger, Dominick Di Meo, Du Dragon Gallery, Charles Eldredge,Llyn Foulkes, June Leaf Frank, Marcia Frankel, Jean Frumkin, Hansen Fuller Gallery, Elaine Galen, Leon Golub, Ron Gorchov, Jacqueline Gourevitch, Graphic Gallery, Geri Gray, Harold Gregor, Loretta Grellner, Krystin Grenon, Red Grooms, Ted Halkin, Harmony Hammond, Fairweather Hardin Gallery, Barbara Haskell, David Hendricks, Judith Hoffberg, B. C. Holland Gallery, Bjorg Holte, Michael Hurson, George Irwin, Miyoko Ito, Ray Johnson, Lynda Kahn, Samuel Koffler, Ida Kohlmeyer, Gabriel Laderman, Daniel Lang, Maurico Lasansky, Alice Lauffer, Barbara Levy, Jean and Julien Levy, Ira Licht, Lucy Lippard, Jim Love, Warren MacKenzie, Jerrold Maddox, Claude Marks, James McGarrell, Robert Mende, Richard Merkin, Charlotte Moser, Cindy Nemser, Linda Nochlin, Richard Notkin, Gloria Orenstein, Gertrude Pacific, Tom Parish, George Parrino, Ed Paschke, Ed Plunkett, Rudy Pozzatti, Joseph Raffael, Christina Ramberg, Stewart Rickard Gallery, Sonnabend Rosen Gallery, Seymour Rosofsky, Susan Rubenstein, Ivy Sky Rutsky, Bruce St. John, Peter Saul, Miriam Schapiro, Franz Schulze, Arthur Secunda,Joanne Seltzer, Sandy Shannonhouse, Joan Snyder, John Sommers, May Stevens, Adlai and Nancy Stevenson, Richard Stout, Jurgen Strunck, Stanley Tigerman, Hugh Townley, Jan van der Marck, Angus White Gallery, Joe Wilfer, Sidney R. Yates, Zabriskie Gallery, and Michael Zilka. UNMICROFILMED: Letters from colleagues, 1965-1989; letters and contracts concerning teaching and lectures, 1977-1989; invoices and receipts, 1978-1987; lists of art works; notes; clippings, 1968-1989; exhibition announcements and catalogs, 1967-1991; and other printed material; and files containing letters, notes, financial records, and printed material on the Ox-Bow Summer School of Painting, 1951-1989, W.E.B., 1972, Metropolitan Structures, Inc., 1974-1975, the AMERICA '76 exhibition, 1974-1977, Women's Caucus for Art, 1977-1983, exhibitions at N.A.M.E. Gallery, 1978 and 1982, the College Art Association, 1978-1985, Indiana Dunes Lakeshore Project, 1979-1980, American Printmaking Association, 1979-1981, Boston Mural Project, 1980, Mid-America College Art Association, 1981, Lisbon exhibition, 1981-1984, Temple Sholom windows, 1982, St. Louis Community College exhibition, 1983, retrospective exhibitions, 1984 and 1988, and the Tax Reform Act of 1986. Bio / His Notes: Painter, printmaker; Chicago, Illinois. b. 1926. Lanyon is active in several women's art organizations and member of the Board of the Ox-Bow Summer School of Painting. Additional forms: 35mm microfilm reels 1234 & 2237-2240 available for use at Archives of American Art offices and through interlibrary loan. |
| extent | 4.0 linear ft. (partially microfilmed on 5 reels) |
| formats | Microfilm Business Papers Notes Printed Materials Subject Files |
| access | Microfilmed portion must be consulted on microfilm. Use of unmicrofilmed portion requires an appointment and is limited to Washington, D.C. office. |
| record source | http://www.siris.si.edu/ |
| acquisition information | Material on reels 1234 & 2237-40 lent for microfilming 1977-1981 by Lanyon and material on reels 2237-40 subsequently donated in 2005. Lanyon donated additional unmicrofilmed material in 1990. Location of Original: Reels 1234 and 2237-40: Originals returned to Lanyon after microfilming. |
| updated | 11/12/2014 11:30:11 |
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| title | Chet Harmon La More papers, 1933-1973. | repository | Archives of American Art |
| description | Correspondence with Perls Galleries, the National Serigraph Society, Carlebach Gallery, Oscar Krasner Gallery, and the Carlin Gallery; correspondence with the WPA concerning the sale and showing of his work; 2 scrapbooks containing catalogs and brochures, lists of group shows, clippings and photos; a letter from Max Weber, who writes about his own lithographs and his intentions to give them to Frank Schapiro. Bio / His Notes: Painter, graphic artist, teacher; Born in Dane County, Wis. Studied at the Colt School of the Arts, University of Wisconsin, and Columbia. He taught at the Albright Art School, Buffalo, N.Y., the University of Buffalo and the University of Michigan. Additional forms: 35mm microfilm roll 819 available at Archives of American Art offices and through interlibrary loan. |
| extent | 188 items (on partial microfilm reel) |
| formats | Correspondence Scrapbooks Clippings Photographs Ephemera |
| access | Patrons must use microfilm copy. |
| record link | http://www.aaa.si.edu/collections/chet-harmon-la-more-papers-7843 |
| record source | http://www.siris.si.edu/ |
| acquisition information | Lent for microfilming 1974 by Chet Harmon La More. Location of Original: Originals returned to Chet Harmon La More after microfilming. |
| updated | 11/12/2014 11:30:11 |
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| title | [Alteration for the Haitian Art Center at Julius Carlebach Gallery, 937 Third Avenue, N.Y.C.] [graphic]. File no. 109 / William Muschenheim, architect. | repository | Columbia University Libraries |
| description | In: Muschenheim, William, 1902-1990. Architectural drawings and papers. Published: [19]48-[19]49. This set consists of 4 drawings, graphite on tracing paper; 3 drawings, graphite on paper; 2 drawings, graphite and red pencil on paper; and 2 drawings, charcoal on tracing paper. Biographical/ Historical Note: At the time of this project, Muschenheim's office was located at 230 West 13th Street, New York, N.Y. Notes: Bracketed information in the Component Item Entries is taken from the archival file for the project. Bracketed titles may either be taken from the archival file or supplied by the cataloger. Drawings are accessioned according to Muschenheim's filing system. For the exact original order see archival finding aid. Other Title: Haitian Art Center of New York, Inc Forms part of the William Muschenheim architectural drawings and papers, Dept. of Drawings & Archives, Avery Architectural and Fine Arts Library, Columbia University. |
| extent | 11 sheets |
| formats | Drawings |
| access | Contact repository for restrictions and policies. |
| record source | http://clio.cul.columbia.edu:7018/vwebv/holdingsInfo?bibId=3463768 |
| acquisition information | Gift of William Muschenheim, 1986. |
| updated | 11/12/2014 11:30:11 |
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| title | Subject file: CARLEBACH GALLERY (NEW YORK, N.Y.): miscellaneous uncataloged material. | repository | The Museum of Modern Art |
| description | The folder may include announcements, clippings, press releases, brochures, reviews, invitations, and other ephemeral material. |
| extent | 1 folder |
| access | Located: MoMA Offsite Subject Files |
| record source | https://library.nyarc.org/permalink/01NYA_INST/ai54l4/alma991010187969707141 |
| updated | 11/29/2022 15:52:20 |
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