Archives Directory for the History of Collecting in America
Archives related to: Duveen, Benjamin J.
title | Duveen Brothers Records, 1876-1981, bulk 1909-1964 | repository | The Getty Research Institute |
description | The records provide an detailed view of the Duveen Brothers business activities in London, Paris, and New York. Although the archive extends from 1876-1981, the bulk of the material dates from Joseph Duveen's tenure as president of the firm, 1909-1939, and the period from 1939 to 1964 when Edward Fowles directed the firm (with Armand Lowengard until 1943). The mass of documents, such as cables and letters, invoices, and ledger and stock books, give a day-by-day account of art dealing, business strategy, and the individuals involved NOTE Series I (ca. 112 linear feet) contains the firm's business records. Stock books indicate where objects were sent for repair, to whom objects were sent on approbation along with the date of sale and the price realized. Invoices include receipts, sales invoices sent to clients, lists of cablegrams and shipment of stock from each branch of the business Series II (ca. 155 linear feet) consists of papers and correspondence which broadly cover the interaction between the Duveen Brothers firm and its clients, business associates, and the public. The correspondence describes art collecting trends among museums and individuals, the availability and purchase of art, art research and authentication, and the firm's general business practices. Eleven boxes of correspondence with Bernard Berenson detail his business relationship with the firm. Also included are records of lawsuits, correspondence between branches (some written in code), correspondence with museums, papers regarding galleries, Edward Fowles' papers, papers concerning exhibitions and loans, and papers regarding major art collectors and consultants. Some records of Kleinberger Galleries (apparently the papers of Harry G. Sperling, president) form a subseries within this series, and contain correspondence Series III (c. 127 linear feet) includes some photographs, indices, negatives, and x-rays. This series represents the Duveen Brother's stock of images. Indices are available for the majority of the negatives in cold storage ("X Book" (Berenson transaction) is the only unique Duveen document not transferred to the GRI. It has not yet been photocopied. The "X Book" details, for a limited number (about 250) of Italian paintings in which Berenson had a financial interest, precise dates of purchase and sale, primarily in the years 1910-27. There is no index.) AAM LOCATION Watson Library Reference CALL NUMBER Microfilm Cabinet |
extent | Ca. 394 linear ft. 584 boxes, glass negative cabinets, and 18 flat file folders. 422 microfilm reels : positive ; 35mm |
formats | Photographs X rays Correspondence Financial Records Inventories |
access | Microfilm of the archive is available for use by qualified researchers. The archive is restricted because of extreme fragility |
record link | http://hdl.handle.net/10020/cifa960015 |
record source | https://primo.getty.edu/permalink/f/19q6gmb/GETTY_ALMA21124730440001551 |
finding aid | Unpublished finding aid available in the repository and on the repository's Web site: folder level control. See the following web page digitization information: http://www.getty.edu/research/institute/development_partnerships/2011_kress.html |
acquisition information | Edward Fowles donated the Duveen Brothers records to the Metropolitan Museum of Art in 1968. The Metropolitan gave the records to the Getty Research Library in 1996. |
updated | 07/28/2023 16:33:44 |
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title | Duveen Brothers records, 1910-1933. | repository | Archives of American Art |
description | A United States Circuit Court Bill of Indictment: The United States of America vs. Benjamin Duveen, Henry J. Duveen, Joel J. Duveen, Joseph J. Duveen, and Louis J. Duveen, 1910; a "supplemental protest" to the Commisssioner of Internal Revenue from Joseph Duveen, May 5, 1927; a statement before the Commissioner of Internal Revenue "in the matter of the income taxes for the fiscal years ended May 31, 1923 to 1931, of Duveen Brothers, Inc."; and an article about Joseph Duveen. Bio / His Notes: Art dealers; New York, N.Y. |
extent | 4 items (on 1 partial microfilm reel). reel 2803 |
formats | Microfilm |
access | Patrons must use microfilm copy. |
record link | n/a |
record source | https://www.aaa.si.edu/collections/duveen-brothers-records-7611 |
acquisition information | Provenance unknown. Loc. of Assoc. Material: Records of Duveen Bros: also located at: Metropolitan Museum of Art. |
updated | 06/08/2023 16:42:13 |
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title | Duveen Brothers Records, 1876-1981, bulk 1909-1964 | repository | The Metropolitan Museum of Art |
description | The records provide an detailed view of the Duveen Brothers business activities in London, Paris, and New York. Although the archive extends from 1876-1981, the bulk of the material dates from Joseph Duveen's tenure as president of the firm, 1909-1939, and the period from 1939 to 1964 when Edward Fowles directed the firm (with Armand Lowengard until 1943). The mass of documents, such as cables and letters, invoices, and ledger and stock books, give a day-by-day account of art dealing, business strategy, and the individuals involved NOTE Series I (ca. 112 linear feet) contains the firm's business records. Stock books indicate where objects were sent for repair, to whom objects were sent on approbation along with the date of sale and the price realized. Invoices include receipts, sales invoices sent to clients, lists of cablegrams and shipment of stock from each branch of the business Series II (ca. 155 linear feet) consists of papers and correspondence which broadly cover the interaction between the Duveen Brothers firm and its clients, business associates, and the public. The correspondence describes art collecting trends among museums and individuals, the availability and purchase of art, art research and authentication, and the firm's general business practices. Eleven boxes of correspondence with Bernard Berenson detail his business relationship with the firm. Also included are records of lawsuits, correspondence between branches (some written in code), correspondence with museums, papers regarding galleries, Edward Fowles' papers, papers concerning exhibitions and loans, and papers regarding major art collectors and consultants. Some records of Kleinberger Galleries (apparently the papers of Harry G. Sperling, president) form a subseries within this series, and contain correspondence Series III (c. 127 linear feet) includes some photographs, indices, negatives, and x-rays. This series represents the Duveen Brother's stock of images. Indices are available for the majority of the negatives in cold storage ("X Book" (Berenson transaction) is the only unique Duveen document not transferred to the GRI. It has not yet been photocopied. The "X Book" details, for a limited number (about 250) of Italian paintings in which Berenson had a financial interest, precise dates of purchase and sale, primarily in the years 1910-27. There is no index.) AAM LOCATION Watson Library Reference CALL NUMBER Microfilm Cabinet |
extent | Ca. 394 linear ft. 584 boxes, glass negative cabinets, and 18 flat file folders. 422 microfilm reels : positive ; 35mm |
formats | Microfilm |
access | Microfilm of the archive is available for use by qualified researchers. The originals are held at the Getty Institute in CA. |
record source | http://library.metmuseum.org/record=b1334527~S1 |
finding aid | Unpublished finding aid available in the repository (the Getty Research Library): folder level control. Online finding aid, Watson Online, Metropololitan Art Museum. |
acquisition information | The Metropolitan Museum of Art donated the Duveen archive to the Getty Research Library in 1996. Edward Fowles had donated the archive to the Metropolitan in 1968 |
updated | 11/12/2014 11:30:15 |
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