Archives Directory for the History of Collecting in America

Archives related to: Wescher, Mary, 1902-1986

titlePaul and Mary Wescher papers, 1920-1976 (bulk 1949-1976).
repositoryArchives of American Art
descriptionBiographical data; family and personal correspondence, with letters from Julie and Man Ray, William Valentiner, Wolfgang Paalen, Dorothy Miller, and others; published and unpublished writings on art and poetry; printed material; photographs of the Weschers (two by Dina Woelffer), Benny Goodman, Man Ray, Valentiner, and others, including a photograph of Julie Ray by Man Ray, and a photo of Constance Stockent by Man Ray, 1950; sketches; collages; and miscellany [ca. 700 study photographs, negatives and reproductions of works of art, and 19 negatives of the Weschers have not been microfilmed].
extent2.0 linear ft. (on 2 microfilm reels) reels 2157-2158
formatsCorrespondence Writings Photographs Sketches Ephemera
accessPatrons must use microfilm copy.
record linkhttp://www.aaa.si.edu/collections/paul-and-mary-wescher-papers-8728
record sourcehttp://www.siris.si.edu/
acquisition informationDonated 1977 by Mary Wescher.
updated03/16/2023 10:30:06
....................................................................


titleOral history interview with Luchita Hurtado, 1994 May 1-1995 Apr. 13.
repositoryArchives of American Art
descriptionAn interview of Luchita Hurtado conducted 1994 May 1-1995 Apr. 13, by Amy Winter and Paul Karlstrom, for the Archives of American Art, Women in the Arts in Southern California Oral History Project.
1994 May 1 session: The interview focuses on Hurtado's family background; years with her second husband, artist and collector Wolfgang Paalen; the surrealist artist group, Dynaton, living and traveling in Mexico with Paalen, moving to San Francisco and her relationships with artists, collectors; influences on her painting; and Surrealism. Among those mentioned are Rufino and Olga Tamayo, Isamu Noguchi, Gordon Onslow Ford, Jacqueline Johnson, Frida Kahlo, Remedios Varos, Leonora Carrington, Edward James, Lucienne Bloch, Stephen Dimitroff, Grace McCann Morley, Sybil Moholy-Nagy, Jack and Frank Stauffacher, James Broughton, Rene d'Harnoncourt, Julius Karlebach, Herbert (Joe) Spinden, and Robert Motherwell.

April 13, 1995 session: Hurtado continues with a focus on the California years, discussing her reasons for settling there, the Dynaton group and her circle of friends; her third husband, Lee Mullican; the birth of her son Matthew Mullican; her work; California and Mexican imagery; importance of experience and senses, particularly smell, to her creativity and work; importance of her family; and difficulties of pursuing art as a career for a woman, wife and mother; and life in Taos, N.M. She recalls Jean Varda, Shiela and Giles Healey, Mary and Paul Wescher, and Joyce Kozloff.

extentSound recording: 4 sound cassettes (4 hrs., 15 min.): analog. Transcript: 120 p.
formatsSound Recording Transcript Online Transcript Online Sound Clip
accessTranscript available on the Archives of American Art website.
record linkhttp://www.aaa.si.edu/collections/interviews/oral-history-interview-luchita-hurtado-13583
record sourcehttp://www.siris.si.edu/
acquisition informationThis interview is part of the Archives of American Art Oral History Program, started in 1958 to document the history of the visual arts in the United States, primarily through interviews with artists, historians, dealers, critics, and administrators. Funding for this interview was provided by the Margery and Harry Kahn Philanthropic Fund of the Jewish Communal Fund of New York.
updated11/12/2014 11:30:16
....................................................................


titleWilhelm Reinhold Valentiner papers, 1860-1974.
repositoryArchives of American Art
descriptionDiaries, writings, correspondence, scrapbooks, printed material, and photographs.

REEL D31: Diary entries, 1914-1957, describing his service in the German army, 1914-1918, with the War Information Office in Berlin, the overthrow of the monarchy and German politics, relations between Germany and Russia and communist activity in Germany, the administration of Berlin museums and radical artists' activities, his work with the L.A. County Museum, Detroit Institute of Fine Arts, the North Carolina Museum of Art, and private collectors, impressions of friends, including Henry Ford, Carl Hamilton, the Hohenzollerns, Franz Marc, Rainer Maria Rilke, Walter Rathenau, Helen Wills, Benjamin Altman, J. Pierpont Morgan, and recollections of women art collectors, including Mrs. August Belmont, Rita Lydig, and Mrs. Leonard Thomas.

REELS 272-276: Documents; correspondence with Valentiner's family, E. Colin Agnew, Chester Holmes Aldrich, William von Bode, Duveen Brothers, Max J. Friedlander, Walter Gropius, John Johnson, John McIlhenny, Erich Mendelsohn, M. Perzynski, Edi Redslob, the Rockefeller family, Maria Sarre, Albert Souvier, and C.F. Williams. Correspondence prior to 1920 concerns World War I and life in Germany; also included are essays and research notes on modern European artists; photographs of Valentiner and his family; and printed material.

REELS 2140-2144: 26 diaries, 1904-1958; autobiographical writings; manuscripts and lectures by Valentiner; correspondence with family, friends, authors, museums, galleries, and dealers, including Harry Berotia, Charles Culver, Lyonel and Julia Feininger, Walter Gropius, Paul and Mary Weschler, and Morris Graves; and a scrapbook containing clippings, drafts of speeches, and invitations.

REELS 3963-3967: Biographical material including a resume, a family history and family tree; correspondence with family, Kurt Bauch, Guy DeLauney, Walter Friedlaender, Henry Goldman, Liselotte Moser, Maria Sarre, Wolfgang von Eckardt, and Helen Wills; manuscripts of an autobiography, writings on art, and articles by Valentiner; notebooks and notes; diaries, 1884-1939; exhibition catalogs and clippings; scrapbooks; photographs, 1875-1965, of Valentiner, his family, Walter Friedlaender, Giacometti, Maria Sarre, Helen Wills, William von Bode, Diego Rivera, Harry Bertoia, and other artists and art work; and an etching of Heidelberg.
extent6.3 linear ft. (on 16 microfilm reels) reels D31, 272-276, 2140-2144, and 3963-3967
formatsCorrespondence Diaries Photographs Scrapbooks
accessPatrons must use microfilm copy.
record sourcehttp://www.siris.si.edu/
finding aidFinding aids for reels 2140-2144 and 3963-3967 are available at AAA offices.
acquisition informationMaterial on reels D31, 272-276 & 3963-3967, donated 1959. Material on reels 2140-2144 lent for microfilming by the North Carolina Museum of Art, 1974.
updated11/12/2014 11:30:16
....................................................................